— Joanna Russ. How to Suppress Women’s Writing. University of Texas Press, [1983]. Always a delight and a provocation to read: ‘growth occurs only at the edges of something’. See also below, in the Commonplace book.
— Robert Louis Stevenson. Treasure Island. Illustrated by N. C. Wyeth. Charles Scribner's Sons, 1925. A favorite book: foxed, shaken, the same copy I first read at age eleven.
recent reading:
— Tom Mole. The Secret Life of Books. Why They Mean More than Words. Elliott & Thompson, [2019]. This was fun. Clearly the author and I share some interests and predilections beyond the chance similarity of titles.
— Michael Swanwick. Rainbow Clause. Dragonstairs, 2020. Eight short short stories in his ongoing investigation of the taxonomy of American myth.
— [Donald E. Westlake] Richard Stark. Dirty Money [2008]. A Parker Novel. With a New Foreword by Laura Lippman. University of Chicago Press, [2017].
— — Deadly Edge. Random House, [1971].
— — Slayground. Random House, [1971].
— — Plunder Squad. Random House, [1972].
— P. D. James. A Taste for Death. Knopf, [1986].
— — The Skull beneath the Skin. Scribner's, [1982].
— — Devices and Desires. Knopf, [1990].
— Feux Follets. Revue de création littéraire. Départment des Langues Modernes à UL Lafayette, [2020]. L'imaginaire louisianais in a nice rich anthology.
— Big Echo Interviews 2017-2020. Edited by Robert G. Penner. Big Echo, [POD: 6 November 2020].
— Lester Del Rey. The World of Science Fiction 1926-1976. The History of a Subculture. Garland, [1980].
— David Rothkopf. Traitor. A History of Betrayal from Benedict Arnold to Donald Trump. Thomas Dunne Books, [2020].
— Philip K. Dick. The Slave Race. With a Preface by Adam Newell and a frontispiece by Sharon Newell. Sangrail Press, 2020. Edition of 250 numbered copies. First 25 copies issued with an original blockprint initialled & numbered by the artist. A nice production.
— Michael J. DeLuca. Night Roll. Hamilton, Ontario: Stelliform Press, [2020]. A very good supernatural story of a new Detroit.
— Megan Rosenbloom. Dark Archives. A Librarian’s Investigations into the Science and History of Books Bound in Human Skin. Farrar, Straus and Giroux, [2020]. This is an advanced philosophical subject. The prose does not rise to the level of the topic. Far more interesting and informative is Jennifer Kerner’s interesting study, Anthropodermic Bibliopegy, (2019). See also the archives for November & December 2009.
— Mark Valentine. The Blue Coronation Bench. Photography by Julian Hyde. Voices in a Lane, 2020. Edition of 40. The hidden mystery of the everyday.
— Michael Swanwick. Blue as the Moon. Dragonstairs, 31 October 2020. Stories for Hallowe'en. ‘White as a Sheet’ is brilliant: swift and utterly devastating in the spiral of its change in tone.
— John Howard and Mark Valentine. Powers and Presences. Dust-Jacket & Title Page Art by Paul Lowe. [Neuilly-le-Vendin]: Sarob Press, 2020. Three new novellas and two short essays in appreciation of Inkling novelist Charles Williams (1886-1945).
— Strange Tales. Tartarus Press at 30. Edited by Rosalie Parker. Tartarus, [2020]. New stories from Reggie Oliver, Rebecca Lloyd, Mark Valentine, D. P. Watt, N. A. Sulway, and others.
— Mike Ashley. Starlight Man. The Extraordinary Life of Algernon Blackwood. Constable, [2001].
— Mike Ashley. Algernon Blackwood A Bio-Bibliography. Greenwood Press, 1987.
— M. John Harrison. Light. Bantam Books, [2004].
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— Maria Dahvana Headley. Beowulf. A New Translation. MCD x FSG Originals, [2020]. Making it new: ‘stories that haven't yet been reckoned with’ (from her introduction, dated on a distant day, 3 March 2020)
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Commonplace book
‘To begin at the beginning: The United States has always been a corrupt society.’ — Gore Vidal
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‘Could it be that all these authors were not — as I had unthinkingly assumed — in subsidiary
traditions, but parallel ones? And that the only thing unique, superior to all others, and especially
important in my tradition — was that I was in it? Was centrality really a relative matter?’
— Joanna Russ, How to Suppress Women’s Writing
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a beautiful rain from Ireland in the mail (on the current issue of The Green Book)
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The America that never existed is always more powerful in our imagination than that which was there and now isn’t.
This American sentence is far more frightening than its English source:
‘The England that never existed is always more powerful in our imagination
than that which was there and now isn’t.’
— David Southwell (who is not responsible for my détournement)
http://folklorethursday.com/?p=970
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‘If, as a Black, Southern woman reader, I can find a way to connect to so many stories by other writers whose works don’t center me, then I know others can do the same when they encounter works that place them on the margins’ — Sheree Renée Thomas, in Locus
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Sailing, Creeping, Boring — William S. Reese
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There is an exhibition of early ownership marks and other aspects of the physical evidence of reading, at the RAI Library in Barcelona
La vida privada dels llibres del CRAI Biblioteca de Reserva, Barcelona https://crai.ub.edu/sites/default/files/biblioteques/Reserva/expo/index.php
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The Temporary Culture website is fully functional and allows readers to purchase all current books of the press — including the new edition of The Private Life of Books — and a selection of other books and material of interest.
https://temporary-culture.com
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Thank you for reading. Happy New Year!
Henry Wessells