man about town

poet Adrian Dannatt gestures after signing a copy of his collection of poetry, Capacity for Loss. It's a pretty good book

— Adrian Dannatt. Capacity for Loss. [Opium Books, 2024]. Edition of 300.  Yellow cloth, dust jacket with illustration, Gaia, from the painting by Danny Moynihan.
Author Adrian Dannatt, debonair man about many towns, is seen in mid-gesture above, just a few minutes ago at the publishing party for the launch of his collection of poems, Capacity for Loss, at Nathalie Karg Gallery, amid an installation of Danny Moynihan’s paintings.
Danny Moynihan paintings at Nathalie Karg Gallery

— — —

Sard Harker by John Masefield’ is an essay published for the centenary of this adventure novel set in Santa Barbara, most leeward of the sugar countries of South America, now up on Wormwoodiana. It is set in a South America of abandoned villages and mysterious temples, a land of adventure and visions, a paradise of metaphor and simile.

— — —

Your correspondent will be at the Boston International Antiquarian Book Fair, Friday through Sunday 8-10 November, at the Hynes Convention Center (Cummins booth 514). Come say hello. I will have copies of The Private Life of Books and others available.

— — —

The Tom La Farge Award, Friday 11 October

Readers of the ’shelf and friends in the New York area are invited to an event and presentation, this year honoring PEDRO PONCE, the winner of the Second Tom La Farge Award for Innovative Writing, Teaching and Publishing

It will be held on Friday 11 October 2024, from 6:30 p.m. to 8:30 p.m., at the Ground Floor Gallery of the Grolier Club47 East 60th St..(between Madison and Park aves.), NYC, NY 10022.

Pedro will be interviewed, discuss the writing of Tom La Farge, and read from his own work.

This annual award in the amount of $10,000 is designed to encourage and foster literary activity that combines serious play, imagination, erudition and innovative practice. To learn more about the Tom La Farge Award :

https://www.thetomlafargeaward.com/

Refreshments will be served and the doors open at 6:30 pm. 

The event is free and open to the public but seating is limited so please RSVP to : Wendy Walker, wwalker377@gmail.com 

We look forward to sharing an evening of wonderful writing with you!

Wendy Walker
& the Tom La Farge Committee :
Corina Bardoff
Daniel Levin Becker
Sam Goodman
Michael Kowalski
Eliza Martin
Philip Ording

posted on behalf of the Committee by

Henry Wessells

dateline : Amsterdam

afternoon sun in Amsterdam, Leidseplein

— — —

The Endless Bookshelf will be filing despatches from Amsterdam and environs during the week of the A.I.B congress (words and images dropped in here as found).

— — —

things are symbols of themselves / semiotics of Amsterdam

— — —

vegan potato truffle cappuccino

[surprise innovation offered during the medley of the Daalder experience, vegan mode]

— — —

Vondelpark

— — —

Watcher at the edge of the cow pasture, in the Amsterdamse Bos.

— — —

Herengracht

— — —

‘Gallia est omnis divisa in partes tres’

The earliest surviving manuscript of Caesar’s De bello gallico (On the Gallic War), ca. ninth century CE, at the Allard Pierson collection, University of Amsterdam.

At the other end of the table, a stack of more than 80 ‘feuilles volantes’ (1916-28) of Kaváfis (Cavafy), scattered leaves of his self-published Poems.

— — —

Breestraat, Leiden

— — —

color in the Rijksmuseum library

— — —

— H. N. Werkman. Hot Printing. [Groningen, ca. 1936]. One of three known copies of a portfolio of prints and poems.

At the Koninglijke Bibliotheek = KB, nationale bibliotheek :

Onze wereld is gebouwd met woorden en gevormd door mensen

— — —

— Vincent van Gogh. Trois romans.

— — —

At the Ritman Library, Keizersgracht 123, Amsterdam.

— — —

Compagnieszaal, West-Indisch Huis, Amsterdam (this is the room where New Amsterdam was planned)

— — —

rainbow at Schiphol

— — —

In Memoriam : Tony Saunders

Tony Saunders
21 September 1961 – 11 July 2024

My friend Tony Saunders, artist, musician, and social worker, died in New York City earlier this summer. I wrote a note to be read at private memorial gathering  :

Tony was my friend from the moment we met in sophomore year, to the tunes of Brian Eno’s Another green world and the Velvet Underground. If we had some similar high school background stuff, he was very much the City Mouse to my Country Mouse. He encouraged me to question myself, and Princeton, about how I was seeking to educate myself. This (and the music) were early, spontaneous gifts to me. If our paths crossed and diverged and crossed again, our friendship was constant, and regularly renewing. He was a brave person who looked at himself and chose sobriety, and his life was enriched by that choice. He kept making his art, in a variety of media, and on his terms, not following some temporary fashion. And he found a way to integrate his art into a later career as a social worker. He was very articulate about the playful presence of his approach. Not long after Tony died, MJ and I saw the Eno documentary, and both of us said, how much T would have appreciated that; but in truth he had already lived many of Eno’s insights into art and process. He was a great friend and we are lucky to know him and to remember him.

In 2016 Tony recorded a statement for his friend Michael Schickele that is worth looking for : https://matthewschickele.bandcamp.com/track/tony

commonplace book : early September 2024

Your correspondent will be attending  Armadillocon in Austin this weekend (6-9 September). I will be at the Howard Waldrop memorial on Saturday afternoon, and at other events. Say hello if you see me.

— — —

Tartarus Press have announced publication of a fifth collection of essays by Mark Valentine, The Thunderstorm Collectors, 29 recent pieces, some previously unpublished, on authors of the supernatural, book collecting, and some lesser-known byways of English life and letters. I look forward to seeing it.

— — —

“Melville’s Billy Budd at 100”, a new exhibition, opens next week at the Grolier Club in New York City. It will be worth a look.

— — —