— Henry Wessells. The Elfland Prepositions. Temporary Culture, 2025.
Printed on Mohawk superfine white eggshell. Pictorial wrappers. 26 copies, lettered A to Z, were reserved for presentation ; there were also 100 copies numbered 1 to 100. Edition of 326 copies.
Collection of four previously unpublished short stories :
Cleaning up Elfland
The Barmaid from Elfland
John Z. Delorean, Dry Cleaner to the Queen of Elfland
A Detective in Elfland
Published 27 February 2025. Click on link or photo to order.
ISBN13 978-0-9961359-0-0 ISBN 0-9961359-0-1
Elfland is not a nice place, but it’s important to know how it works.
— — —
“elegant” — MICHAEL DIRDA, in the Washington Post
“Here is an Elfland as implacable as ever, but now ruthlessly enmeshed in contemporary mortal affairs.” — MARK VALENTINE
“very clever, beautifully dark in implication. [. . .] Wessells is not prolific at all (in fiction) but what he does is outstanding.” — RICH HORTON
”If you don’t believe in magic, read Henry Wessells and find out how wrong you are.” — GUY DAVENPORT
— Raymond Sokolov. Wayward Reporter. The life of A. J. Liebling. Harper & Row, [1980].
— R. B. Russell. T. Lobsang Rampa and Other Characters of Questionable Faith. Tartarus Press, [2025].
— E. F. Benson. Visible and Invisible. Hutchinson, [1923]. Collection of a dozen uncanny stories. The publisher’s catalogue (dated Autumn 2023) at the back lists this under new fiction : “Between our own and the other world lies a borderland of shadows, which eyes that can pierce the material plane may sometimes see.” Benson’s father (died 1896) was the late Victorian Archbishop of Canterbury ; his siblings were all very talented and eccentric. “Mrs. Amworth” is a nasty village vampire tale, deftly told.
In a centenary essay at Wormwoodiana, Mark Valentine notes Benson’s “sardonic glee in the macabre.” http://wormwoodiana.blogspot.com/2023/10/borderland-shadows-centenary-of-visible.html
— John Kessel. The Presidential Papers plus Imagining the Human Future : Up, Down, or Sideways plus The Last American and much more. PM Press, 2019. Outspoken Authors 31.
Includes “The Franchise” and Terry Bisson’s interview, and other satirical pieces. I saw John briefly at Readercon and he inscribed this “Critical of every president . . .”
— Paul Park. A City Made of Words plus Climate Change plus A Resistance to Theory and much more. PM Press, 2019. Outspoken Authors 23.
“A Conversation with the Author” and “A Resistance to Theory” are profoundly disquieting stories.
— A Soliloquy for Pan. Edited by Mark Beech. 372, [2] pp. Egaeus Press, 2025. Second edition (originally published 2015), with additional illustrations, adding one story, “The Game of the Great God Pan” by Benjamin Tweddell.
— Mark Samuels. Black Altars [2003]. Illustrations by Joseph Dawson. Zagava, 2025. Pictorial cloth. Elegant large format edition (12 x 7-1/2 inches) of this collection of six stories, a delight to hold in the hand and read.
— M. P. Dare. Unholy Relics. Edward Arnold, [1947] .
Collection of ghost stories in the tradition, though the plots are a bit coarser than anything from the pen of M.R. James ; and an exemplary work of literary misogyny couched in chivalrous postures. In that respect, Benson (see above) ain’t bad, neither.
At Readercon in mid-July, the great delight was the panel / conversation with John Clute about dust jackets and the information they encode (in and out of science fiction), with examples from The Book Blinders (2024), my own collection, and the Clute Library at the Telluride Institute [click on things to see bigger pictures].
Moses and Monotheism by Sigmund Freud (dust jacket from the Clute collection, Telluride)Raid over England by Norman Leslie (dust jacket from the Clute collection, Telluride)Old Junk by H. M. Tomlinson (dust jacket from the Clute collection, Telluride)
Clute also talked about the Scientific Romance in interwar British publishing, with Michael Dirda, a good chat. His thesis in progress is outlined at the SFE, lots of interesting titles (most of them in the Telluride hoard), details here : https://sf-encyclopedia.com/entry/scientific_romance
The World Ends by William Lamb [Storm Jameson] (dust jacket from the Clute collection, Telluride)The Secret Voyage by A. Harcourt Burrage (dust jacket from the Clute collection, Telluride)The Collapse of Homo Sapiens by P. Anderson Graham (dust jacket from the Clute collection, Telluride)
“There is not a nation of the earth guilty of practices more shocking and bloody than are the people of these United States at this very hour.”
— Frederick Douglass. Oration, Delivered in Corinthian Hall, Rochester [. . .] July 5th, 1852. Published by Request. Rochester : Printed by Lee, Mann & Co, 1852.
The single most persuasive reminder that there is more than one history of America.
“To live in luxury that does not belong to you is not to live in luxury at all. You realize you are an attribute of the luxury, not meant to luxuriate, meant instead to shine bright and cold like a diamond . . .”
— Corina Bardoff, “Barbara Blue”, in : North Anerican Review 310:2 (Summer 2025)
Bardoff’s story is winner of the Kurt Vonnegut Speculative Fiction prize for 2025.
A nimble, tricky tale, integrating style & content : all the thousand scraps that Aimee has stitched together to craft something new that “Judith” can inhabit for a time before shedding it. There are some excellent tiny brilliants scattered along the way : there is no brother coming to the rescue (explicit from the beginning) ; and Bardoff diagnoses the pathology in calling a girl a girl past a certain age. I love the off-cadence heart / earth / hearth play in the central protective rhyme. This is even more transformative than Angela Carter, very finely done.
— — —
in today’s mail (5 July)
— Mark Valentine. Borderlands and Otherworlds. Tartarus Press, [2025].
Colkection of 32 essays on books and reading, with an emphasis on the fantastic and supernatural in the interear years and into the 1950s. The original edition has sold out but a paperback is reported in production.
recent reading :
— Muchael Innes. The Secret Vanguard [1940]. An Inspector Appleby Mystery. Open Road Integrated Media, [POD 30 June 2025].
“For an artist has a right to work with quotations if they are his medium, and daisies and buttercups which were not these flowers purely but these flowers plus a little Cowper and a little Crabbe . . .”
— Sylvia Townsend Warner. Kingdoms of Elfin [1977]. Foreword by Greer Gilman with an Introduction by Ingrid Hotz-Davies. Handheld Press, [2018].
/ re-read, with delight
— Paul McAuley. A Very British History. The Best Science Fiction Stories of Paul McAuley, 1985-2011 [and:] . . . (Additional Stories). 2 vols. PS, 2013. Cover art by Jim Burns. Edition of 200 copies, signed by the author.
What a range of tone and subject, from far future urban sass and space drama to life in the ruins ; and McAuley’s hard science fiction as often engages political as scientific speculation. “Second Skin” (1997) and “Rocket Boy” (2007) are excellent hard tales; and “Cross Road Blues” (1991) and “The Two Dicks” (2001) are choice entries in the line of subversive British literary pastiches of American popular culture — I am thinking of “The Big Fish” or Back in the USSR by Byrne and Newman, and similar delights — indisputably, Howard Waldrop was read over there east of the Atlantic ocean.
“How We Lost the Moon, A True Story by Frank W. Allen” (1999) is great, Nevil Shute in space, with a fine ending. [This is high praise, not a dig : Jack Vance made a whole late career cycle of Wodehouse in space.] “A Very British History”, published in Interzone in 2000, is a review of an imaginary book worthy of Lem, but only a tricky Brit could have rung this particularly bell so clearly.
The world-building in the stories is sly and integral. As in the novels, the dance of ideas includes gestures or flourishes that would be infodumps in other hands : McAuley knows when to let an idea go as a flash or hint. I had read Fairyland and a few other novels ; reading War of the Maps earlier in the month prompted me to look at the short stories.
— Michael Swanwick. [Singular Interviews] S1ngular 1nterv1ews. Dragonstairs Press, 2025. Edition of 60 copies signed by the author. Stitched in Indian paper wrappers of various hues, with title label.
Michael Swanwick is the originator of the Singular Interview (many were published in the New York Review of Science Fiction). When he asks a single question, people answer: John Crowley, Tom Purdom (a witty joke), Eileen Gunn, Gregory Frost, Paul Park, Mike Resnick, Samuel R. Delany, Karl Schoeder, David Hartwell, Henry Wessells, Greer Gilman, Spider Robinson, Fran Wilde, Tom Purdom (a serious answer this time), and Michael Moorcock.
[It is a useful conceit, and I have borrowed it on several occasions). The edition sold out almost immediately, as usual with this press (see me after class if you need a copy)].
Readercon 34 Schedule
at the Boston Marriott Burlington in Burlington, Mass. https://readercon.org
Saturday 19 July 10:00 a.m., at the autographer’s table Autograph Session : Henry Wessells
Sunday 20 July 10:00 to 11:00 a.m., in : Create / Collaborate The Art of the SF Book Cover
John Clute & Henry Wessells
Panel description : Since its inception, the British Library, the national library of the UK, has stripped dust jackets off books in its holding and discarded the unwanted wrappers, losing an essential piece of their cultural and artistic significance. In The Book Blinders, science fiction historian and theorist John Clute details the “annals of vandalism” at the British Library, with a focus on works lost (and found). John Clute and antiquarian bookseller Henry Wessells give a joint presentation on this subject, with numerous illustrations, and with extra time for Q&A.
11:00 to 11:30 a.m., in : Empower / Embrace Reading : Henry Wessells
Henry Wessells reads from The Elfland Prepositions and from Another Green World (both newly published in 2025).
12:00 noon to 1:00 p.m., in : Create / Collaborate The Art of the SF Book Cover
John Clute & Michael Dirda
Panel description : The early divergence of American and British science fiction may best be witnessed in the works of UK authors in the 1930s and ’40s that have been called “scientific romances.” Unlike their pulp cousins in the US, these works lack the optimistic outlook of young square-jawed heroes out to conquer the galaxy. Instead, they offer anxiety about rogue scientists armed with Ultimate Weapons out to blackmail the world to either peace or servitude. In this presentation, famed fantastika theorist John Clute and Michael Dirda will discuss this less-recognized strand of SF.
[N.B. I will be running a slide show not dissimilar to the one for dust jackets.]
I should arrive at Readercon by midday on Friday. Temporary Culture will have a table in the book room on Friday and Saturday, and copies of A Conversation larger than the Universe, The Private Life of Books, The Elfland Prepositions, and Another Green World (advance copies of the Zagava paperback), the publications of the Avram Davidson Society, Sexual Stealing by Wendy Walker, and a variety of other books will be available for sale (cash, cheque, or paypal). If you see me, come say hello. There is always plenty of time for conversation.
a first glimpse in the wild : Another green world (2025)
— Henry Wessells. Another green world. Zagava, 2025. Paperback issue. Pp. 180, [2, blank], [2, imprint]. Sage green wrappers printed in black, lower wrapper with blurbs by Guy Davenport, William Gibson, and Joanne McNeil.
On a very hot evening in late June, your correspondent went to Newark airport to expedite customs clearance and collect the first author copies of Another green world, newly re-issued by Zagava Books with two additional stories. It is a stylish book in a tall narrow format, set by Jan-Marco Schmitz in Minion pro with titles in Roadway.
The paperback is a pleasure to hold and read. The hardcover issue is in production, and a formal announcement of publication is expected. Zagava make nice books. Perhaps you will agree.
The table of contents is as follows (with note of the story‘s first publication) :
From This Swamp. (The Starry Wisdom. A Tribute to H. P. Lovecraft. Ed. D. M. Mitchell. Creation Books, 1994)
Wulkderk; or, Not in Skeat. (Lady Churchill’s Rosebud Wristlet 32, 2015, as “The Beast Unknown to Heraldry”)
Extended Range; or, The Accession Label. (2015, Lady Churchill’s Rosebud Wristlet 35, 2016)
Ten Bears; or, A Journey to the Weterings (A Critical Fiction). (NYRSF, October 2003)
Of the first edition, Guy Davenport wrote,
“If you don’t believe in magic, read Henry Wessells and find out how wrong you are.”
Joanne McNeil (author of Lurking and Wrong Way), writes, “Henry Wessells writes from beyond an ‘unfamiliar void’, where the natural world, dreams, language, myths, research, and rituals converge. The stories collected in Another Green World offer uncanny vitality out of the dark like dandelions sprouting from cracked New Jersey pavement. A delightful and enduring work of literary inquiry.”
I have known Brendan Byrne for some year. We first encountered each other in digital mode on an obsolete platform*, but soon became friends IRL. His first two books had a select readership among whom I am lucky to count myself. The Encyclopedia of Science Fiction points to some of the topics in his work. He has a new collection of short fiction, Another World Isn’t Possible, just out from Wanton Sun and available from bookshop.org or Barnes & Noble.
— — —
Henry Wessells : From a taxonomic point of view, your birthdate places you right at the edge of the digital abyss. Can recall a moment when you became aware of the changes occurring around you ?
Brendan C. Byrne : My microgeneration (born in the early 1980s, just missed being Gen X, didn’t know we were millennials until we were well into our 30s) is a bridge. As Joanne McNeil [author of Lurking and Wrong Way] has discussed, we can remember before the internet was available to consumers, but we came of age with it. I wasn’t too aware of technological change until I was 10 or so, which would make it 1992, but after that it seemed constant and at an unvarying speed. The internet seemed less an aberration than part of a natural progression, and I assumed that’s how things had always worked. Even cellphones didn’t seem like such a big leap, partially because they weren’t really all that useful at first. Most of my attention was focused after 2001 on the political situation, which seemed changing at a far more exponential rate than I ever could have imagined. I was also a college drop-out with very little money, so I was on the blunt edge of the technological curve, barely using the internet. At some point, I walked into my grandparents’ living room and saw my cousin watching a movie on a laptop, which deeply disturbed me. I hadn’t known such a thing was possible, and I didn’t understand why you would want it to be. Mid-summer 2007 sealed the deal, when I met a friend at the Blind Tiger in the West Village, and she’d just purchased the first iPhone. Again, I wondered why someone would want that. It took me just over a decade to finally acquiesce and purchase a smartphone, and I still don’t know the answer to that question.
— — —
— — —
*For the record, on that obsolete platform Brendan first expressed the useful summer observation, The hammock always wins. [HWW]
— Tom LaFarge. The Crimson Bears. Part I. Sun & Moon Press, [1993].
——. A Hundred Doors. The Crimson Bears. Part II. Sun & Moon Press, [1994, i.e., 1995].
/ I have loved The Crimson Bears ever since I first encountered them, I read read them aloud to the offspring, and wrote about them, and about the early career of Tom La Farge (1947-2020) here : https://endlessbookshelf.net/bargeton.html
Am re-reading these in advance of the re-issue by Tough Poets Press. This is fabulous news !
— Paul McAuley. War of the Maps [2020]. VG [Gollancz], 2021.
/ what a writer ! McAuley makes it happen. Everything is otherwise but there are echoes & riffs of Beckett early on, and I see everywhere threads of Le Guin (The Dispossessed, in particular) ; and now, far out in the world ocean, a glimpse by the lucidor protagonist of world wanderers (an albatross by any other name) conjures up all the ripples of Coleridge ; and the deployment of Chekov’s dictum is deft and sudden. McAuley’s unexpected turns are shocking, deeply satisfying, the work of a magician who sets up his effects with precision and perfect timing.
— — —
this just in
— Brendan C. Byrne. Another World Isn’t Possible. Stories. 226, [4], [6, ads], [3, blank], [1, imprint] pp. [Melbourne :] Wanton Sun, [2025 : POD, Chambersburg, Penna., 5 June]. Cover by Matthew Revert.
/ I know a few of these stories (even published one), but wow ! have I been looking forward to this collection. Stylish design !
/ from the blurbs : “Ruthlessly hip, transreal surreal. Worth your time.” — Rudy Rucker
— — —
various :
— Brian Eno and Bette Adriaanse. What Art Does. An Unfinished Theory [2024]. Faber, [2025].
/ serious, playful thinking about the what and why of art.
/ the Endless Bookshelf reminds readers of the Humument fragment by Tom Phillips, “the reader is the artist” : https://temporary-culture.com/conversation43e/
— Colin Wilson. Jorge Luis Borges. Cover with portrait drawing by Hugo Manning. London : Village Press, 1974.
/ literary journalism by Colin Wilson, reductive in tone, and in the end more interested in himself than in the writings of Borges
— John Shen Yen Nee and S J Rozan. The Railway Conspiracy. Soho Crime, [2025].
— William S. Reese. The Best of the West. 250 Classic Works of Western Americana. William Reese Company, 2017.
/ succinct illustrated discussion of books (1555-1941) that chart the exploration and settlement of the American West.
— — —
bundles of traditional hand rolled clove cigarettes, detail from Kretek
— Mark Hanusz. Kretek. The Culture and Heritage of Indonesia’s Clove Cigarettes. [With a foreword by Pramoedya Ananta Toer]. Illustrated in color throughout. [xx], 203 pp. Equinox Publishing, 2000.
/ heard about this from a new acquaintance who grew up in Indonesia and described the sensory rush of memories arising, years later, from finding a discarded packet of clove cigarettes. Never smoked them myself but the olfactory memory is there. Bought two copies, one for a friend interested in the history of smoking and related phenomena.
— — —
— Heiress. Sargent’s American Portraits. 16 May – 5 October 2025 [Cover title]. [Foreword by Richard Ormond]. English Heritage | Kenwood, 2024.
/ Catalogue of an exhibition of 18 portraits by John Singer Sargent, with summery biographies of the American heiresses who married into the British inner circles and aristocracy. An excellent, compact show. Ormond is author of the Sargent catalogue raisonné.
![The World Ends by William Lamb [Storm Jameson] (dust jacket from the Clute collection, Telluride)](https://endlessbookshelf.net/wordpress/wp-content/uploads/2025/08/IMG_2042.jpeg)
— — —
