SEXUAL STEALING by WENDY WALKER

Temporary Culture announces new editions of Wendy Walker’s beautiful and dangerous book SEXUAL STEALING, now also available as a full color paperback, printed digitally to the highest standard with all the original illustrations (distributed by Levellers Press), and in a DRM-free e-book (pdf) that retains all the power and beauty of Jerry Kelly’s design for the print editions (distributed by Weightless Books).

https://temporary-culture.com/sexual-stealing-2023/

I have been a champion of the work of Wendy  Walker work since Temporary Culture was a photocopy ’zine and I reviewed The Secret Service; in 2011 I published her book My Man and other Critical Fictions. SEXUAL STEALING is the most important book that Temporary Culture has published. The new editions are available for immediate fulfilment. Please have a look. [HWW]

 

Readercon 32, July 2023

It’s July, so that means Readercon! Once again!

I’ll be there in Quincy, Mass., Friday through Sunday 14-16 July, and if you are there you will see me wandering about, and occasionally at fixed locations, according to the following schedule.

Friday 14 July 2023
7:30p.m. (Blue Hills) : Reading (new work)

Saturday 15 July 15 2023
11:00 a.m. (Salon B) : Arthur Machen’s Legacy in Modern Horror & Fantasy (moderator)
2:00 p.m. (Salon A) : The Enduring Legacy of Jules Verne (moderator)

Sunday 16 July 2023
11:00 a.m. (Salon A) : Speculative Memoir (moderator)

Copies of The Private Life of Books and other publications of Temporary Culture will be on hand. Come say hello if you see me.

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Temporary Culture at 35


TEMPORARY CULTURE started with a photocopy ’zine at the end of June 1988, The Newsletter of Temporary Culture, the title from a dream-memory, and the form and content being a confluence of available technology and literary urges in the post-industrial not-quite-gentrified Hudson river littoral in Paulus Hoek (five minutes’ walk from downtown Jersey City). With the fifth issue the word newsletter fell away from the title and the seventh issue introduced the sumac logo and marked an end to a rainbow of ’zines (the eighth issue never made it to the copy machine).

the cover of the first issue, light blue, was a rubbing of a coal chute cover in front of a house on Van Voorst Park in Jersey City

And then the world changed.

Temporary Culture evolved with the newly available technology just as my interest in Avram Davidson ripened to the point of publication, and a friend said, you don’t really want a database, let’s make a website. An electronic newsletter followed, but the itch to produce printed things resurfaced before long, first with the publications of the Avram Davidson Society, and then from 2003 a steady series of books, including Another green world, When They Came by Don Webb,  Hope-in-the-Mist by Michael Swanwick, and the specially bound copies of A Conversation larger than the Universe. (In retrospect, it would have been cool to accept the hand press and founts of type offered to me in late 1992 or early 1993, but at the time I had nowhere to house them and so a different path was chosen.) The most important book published by Temporary Culture is without a doubt Sexual Stealing by Wendy Walker; the most elegant is the hand printed edition of Naples by Avram Davidson. Of each one of these (and of each of the books of Temporary Culture) I can assert that without my energies these books would not have come into being. A checklist of the publications of Temporary Culture is in preparation. There will probably be a few more books before it’s over. [HWW]

Naples by Avram Davidson

just published : NAPLES by Avram Davidson

NAPLES is a fine press edition of one of Avram Davidson’s darkest tales, originally published in the first Shadows anthology edited by Charles L. Grant. NAPLES won the World Fantasy award for short fiction in 1979, the same year Jorge Luis Borges was named the recipient of the World Fantasy Life Achievement award ; Davidson received that award in 1986.

Publications of the Avram Davidson Society, number six.
Edition of 160 copies, designed by Jerry Kelly and printed by hand at the Kelly-Winterton Press from Hermann Zapf’s Aldus type. Stitched in yellow Hahnemühle wrappers printed in burnt siena. [16] pp. 5-1/2 x 8-1/2 inches.

Ten copies, numbered i to x, were reserved for presentation; 125 copies for distribution to members of the Association Internationale de Bibliophilie (AIB), on the occasion of the congress in Napoli, September 2022. Twenty-five copies are available for members and friends of the Avram Davidson Society.

Published in Napoli on 11 September 2022.

Details and subscription price at the order page :
https://temporary-culture.com/books/naples-avram-davidson/

readers in real time

readers in real time : in the library at Astrea Academy Sheffield 


[photo by Charlie Pogson]

From Charlie Pogson, Head of English at the Astrea Academy Sheffield, last March: “I am writing to request your permission to use your poem, The Private Life of Books, as a permanent display in our school library. We would like to have the poem professionally painted or printed and displayed floor to ceiling on the entrance wall of our library space. The library is the heart of our school; it is the space in which we know we can transform the lives of the young people who we work with by showing them the world/s around them in books. Your poem perfectly encapsulates the gift that we want to give to our young people; a life-long, two-way relationship with books and stories.
“I heard your poem being read as the concluding voiceover on The Booksellers and was very moved by how it distilled the almost-indefinable magic of a book into words.”

And now that the installation is complete: “The children really love the poem – I see them being captured by it daily, and I think they revisit the library shelves having been invigorated by its reminder of how special their relationships with books are. [. . .] You’ll see a close up of your wonderful poem as well as a few of our scholars reading their own texts around it. You might also be able to see some glimpses of Sheffield in through the windows – it’s a city that’s both very green and very dilapidated in parts; a city where great stories are sorely needed.
“On behalf of all of us here at Astrea Academy Sheffield, we would like to thank you for gifting us your poem to accompany our reading experiences.”


[photo by Charlie Pogson]

Sexual Stealing by Wendy Walker

Sexual Stealing, a beautiful and dangerous book by Wendy Walker, with a preface by Daniel Levin Becker.
Published 1 September 2021 by Temporary Culture.

Sexual Stealing - binding detail  Sexual Stealing - title page

 

Sexual Stealing is a formally innovative interrogation of the Gothic, slavery, and sexual exploitation, written using a simple constraint to extract a secondary, heretofore hidden text from Anne Radcliffe’s 1794 novel The Mysteries of Udolpho. Walker probes the obsessions and anxieties underlying the early Gothic novels, and dramatizes a tale of forcible taking, the brutal exercise of wealth and power, and the revolution that follows. She notes, “Sexual Stealing is poetic in that its form reflects its subject; it searches for a way to write the voices that are buried in full view, and subverts available genres to talk about something widely felt and intuited but not discussed.”

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WALKER, Wendy. Sexual Stealing. [With a preface by Daniel Levin Becker]. With color and black and white illustrations throughout, pictorial endsheets. Book design by Jerry Kelly. 192 pages, 7 x 10 inches. [Upper Montclair, New Jersey:] Temporary Culture, 1 September 2021. Edition of 125 copies signed by the author. Red brillianta cloth with letterpress spine label.
ISBN 09961359-5-2 ISBN13 978-0-9961359-5-5.
Price: $200.00
ORDER FROM TEMPORARY CULTURE

Wendy Walker is author of eight books, including The Secret Service (Sun & Moon, 1992) and My Man and Other Critical Fictions (Temporary Culture, 2011).

Sexual Stealing by Wendy Walker

Forthcoming from Temporary Culture :  Sexual Stealing by Wendy Walker

 

Sexual Stealing is a formally innovative interrogation of the Gothic, slavery, and sexual exploitation, written using a simple constraint to extract a secondary, heretofore hidden text from Anne Radcliffe’s 1794 novel The Mysteries of Udolpho. Walker probes the obsessions and anxieties underlying the early Gothic novels, and dramatizes a tale of forcible taking, the brutal exercise of wealth and power, and the revolution that follows. She notes, “Sexual Stealing is poetic in that its form reflects its subject; it searches for a way to write the voices that are buried in full view, and subverts available genres to talk about something widely felt and intuited but not discussed.” It is a beautiful, dangerous book.

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WALKER, Wendy. Sexual Stealing. [With a preface by Daniel Levin Becker]. With color and black and white illustrations throughout, pictorial endsheets. Book design by Jerry Kelly. 192 pages, 7 x 10 inches. Temporary Culture, 1 September 2021. Edition of 125 copies signed by the author. Red cloth with printed labels.
ISBN 09961359-5-2 ISBN13 978-0-9961359-5-5.
Price upon publication: $200.00

Wendy Walker is author of eight books, including The Secret Service (Sun & Moon, 1992) and My Man and Other Critical Fictions (Temporary Culture, 2011).

news & notes

New look, new irregularity

It has been a long time, I know. I have been reading, working, walking in the woods, and even sometimes playing that game of finding a deadline to make things happen. I wrote an essay for The Book Collector, and have a couple other things on slow simmer. One of the procrastination devices was to embark on a relaunch of the Endless Bookshelf website, thanks to the efforts of Michael J. Deluca (publisher of Reckoning, author of Night Roll, etc.), and look! It worked. It is now much easier to produce updates.

Your correspondent pledges to update the ’shelf with greater frequency if still on an irregular basis. The archives (2007-2021) will likely remain in static form, but I will certainly draw from or link to them. The newsletter will appear monthly at its most frequent, more realistically quarterly. Please remember that the mailing list is not automated or shared; if you no longer wish to receive mailings from the Endless Bookshelf or Temporary Culture, simply tell me.

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a policy statement

Back in the fall of 2016, when I produced the burning marshmallow, Donald Trump The Magazine of Poetry, it became clear to me that I did not want to use any third-party crowd-funding platform. This is contrarian but I still feel the same way.

Similarly, right at the founding of the ’shelf, I made an arbitrary but necessary decision that I will link to author and small press and individual websites, but not to big corporate sales sites. This is the presumption that anyone reading can choose how to obtain current commercially published books. I tend to buy new books through my local.

The micropublishing activities of Temporary Culture — the books published and sold by Temporary Culture — make possible the Endless Bookshelf website (and the Avram Davidson website). The Private Life of Books or A Conversation larger than the Universe are a good place to start.

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various

As a longtime fan of The Secret Service (1992), I am delighted to report that a new edition of Wendy Walker’s novel will be published by Tough Poets Press. I will report as further information becomes available.

The Best of R. A. Lafferty, edited by Jonathan Strahan, (published by Gollancz in 2019) is now available as a Tor Essentials paperback, and well worth looking for.

The Book Collector 70:1 for Spring 2021 prints The Private Life of Books II, How books are made, and a short notice of the new edition. The other poem in the issue (also by a New Jersey poet) accorded a full page is a reproduction of a manuscript fair copy of “This is Just to Say”, inscribed by William Carlos Williams to a small press publisher.

The Booksellers, the documentary about the New York antiquarian book trade directed by D.W. Young, which had its theatrical release just as the pandemic was beginning, has now been released for viewing in many countries. Your correspondent has a speaking role, and there is a walk in the woods; a reading of the title pome of The Private Life of Books can be heard as the closing voiceover. Information at: https://booksellersdocumentary.com.

I had been thinking about Charles F. Heartman many times during the past several weeks when I was using some of his books on my reference shelves: his books on The New England Primer and on Non-New England Primers are still essential works. He was one of the first to attempt a systematic bibliography of Phillis Wheatley (1915); it has been superseded but the facsimile plates are of great interest (for more on Wheatley: Why one looks at every book in the box, 2011). I wrote briefly of Heartman in the first weeks of the Endless Bookshelf, and the Buchnarr device in the title banner above, a woodcut from the German edition of The Ship of Fools (1494), was reproduced in The Book-fool. Bibliophily in caricature (1934), a supplement to The American Book Collector magazine edited by Heartman.

 

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a walk in the woods

. . . out early for a walk before the rains come, and had an hour in the woods to myself, a thick spring mist everywhere, changing the light and colors. After an absence of a few weeks, even the familiar can be seen anew. The fallen trunks have been there beside the path for years, but now is the time that transitions are visible: from fallen tree to decaying log, then barkless and skeletal (almost pure structure), and then suddenly a flattened line of reddish dust, only the two-dimensional shape remains.
I was thinking about other transitions on my walk, as the air got heavier, and the mist changed during the ascent of a hill, almost rain but not quite, the irregular percussion of raindrops on dry leaves, randomly and yet never landing on me: walking between the raindrops. Along the top of the hill, the sound of more raindrops, but always elsewhere, diminishing as I walked down the other side. The next hill was slightly lower and the transitions, the shifts in audible precipitation seemed even more subtle as the path dipped and rose, and still not a drop on my shoulders or hands. [11 April]

 

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in the FT for 8 April, an article by Tom Robbins about the Chatley Heath octagonal semaphore tower, the only surviving example (before the Landmark Trust renovation, it might have provoked a Mark Valentine story):

Wandering among the chestnuts, oaks and Scots pines on Chatley Heath in Surrey, you arrive without warning at a place where the branches part and you find yourself looking up at a slender octagonal tower.
The Chatley Heath tower was completed in 1822 and by 1824, the entire line was up and running. Each station had a roof-mounted mast with two moving arms, the positions of which indicated letters, numbers and a few frequently used words. In clear weather, a message could be transmitted from London to Portsmouth in as little as 15 minutes, rather than the eight hours it might take on horseback.
Many of the stations were simply one- or two-storey houses with a mast on the flat roof, but at Chatley Heath the surrounding topography required a five-storey tower with a 40ft-mast on top. The system worked so effectively that the Admiralty commissioned a second line, branching off at Chatley Heath and continuing west to the naval base at Plymouth.
Now a holiday rental (sigh):
Just outside London, a time-capsule tower you can rent for the weekend
https://on.ft.com/3s8RXC6

I think that Keith Roberts must have known of this place or others like it, for there is a section on signal towers in Pavane.

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