recent reading :
‘Art has the tendency to materialize metaphors’ — Bruno Schulz
— Jerzy Ficowski. Regions of the Great Heresy. Bruno Schulz. A Biographical Portrait. Translated and edited by Theodosia Robinson. W. W. Norton, [2002].
“No metamorphosis appears as a deus ex machina, as an abrupt and inexplicable decree of some unknown power as in the case of Kafka’s student, Gregor Samsa. In Schulz’s fiction every change is a consequence of some inner tension that has reached its culmination. At that point, a new quality emerges and new dynamics are revealed.”
— W. Somerset Maugham. Cakes and Ale or the Skeleton in the Cupboard. William Heinemann, [1930].
His most malicious and, also, his funniest book, memorable for the portraits of Driffield, grand old man of letters (Thomas Hardy), and the rising writer-on-the-make Alroy Kear (Hugh Walpole). Maugham wrote, “The book I like best is Cakes and Ale. It was an amusing book to write”.
In The Book Blinders, John Clute notes that the dust jacket flap copy identifies the narrator of the novel as Ashenden, evocative of Maugham’s key spy novel Ashenden (1928), although only on page 81 does the narrator identify himself, with a hint at autobiographical elements. “Master Willie” articulates a profound distaste for Victorian hypocrisies, which also seems to signal roots in autobiography.
— Tana French. The Keeper. Viking, [2026].
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This year marked the centenary of Lud-in-the-Mist by Hope Mirrlees. I regret that I will not be attending Readercon this year, where this afternoon (10 July) a panel discussed the work : 100 Years of Lud-in-the-Mist , with Casella Brookins, Graham Sleight, Greer Gilman, Lila Garrott (moderator), Sonya Taaffe, and The joey Zone.
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Your correspondent will be away nest week, offline in a pleasant place, doing some work on the work-in-progress, and perhaps going for a walk in the woods.
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