Category: Michael Zinman

30 years of the Avram Davidson website, and other news

Some thirty years ago this month, in September 1995, the Avram Davidson website went live on a subfolder of a borrowed server, courtesy of my former colleague Jim Nicholson. He responded to my asking for help turning a mess of information into a database by saying, Let’s turn it into a website. And so using a primitive DOS text editor, I coded a preliminary title index to the writings of Avram Davidson (1923-1993), and the website was launched. I never met Davidson but when I first started reading his work it compelled my interest and curiosity. Science fiction is a warm room on a cold night, as Paul WIlliams once wrote, and the field is pretty welcoming to newcomers. As electronic penpals and in real life, I met dozens of readers who shared an interest in Davidson’s work, or who had known him, or edited him, etc. The list is long: Michael Swanwick, Eileen Gunn, Gregory Feeley, Gordon Van Gelder, Phillip Rose, and others; and also friends now dead, among them Reno W. Odlin, David G. Hartwell, and George Scithers.
The first few years were rich in correspondence, especially once The Nutmeg Point District Mail electronic newsletter took shape, and the Avram Davidson Society (still largely a notional organization). The late Grania Davis, executor of the Estate, worked diligently to bring new books into being over a period of a decade, and I helped with many of them. The website grew organically and sent out digressions and personal flourishes, and even produced a monograph series of the publications of the Avram Davidson Society (the most substantial evidence of its existence). In 1999, the website came into its own with the avramdavidson.org domain. Always coming back to the work of Avram Davidson, with delight and wonder.  For me it was always an irregular shoestring midnight sort of operation, with periods of high yield followed by fallow periods. That title index remains at the core of the website : a bibliographical resource for the ages.
And if some of those digressions of mine (such as the Endless Bookshelf) are now more active than the Avram Davidson website, that is partly because other writing projects compel my energies and attention (there might be one of two publications still to come from The Nutmeg Point District Mail). But most importantly, once Grania’s son Seth Davis started his own process of discovering the writings of Avram Davidson, he began building the Avram Davidson Universe —  https://avramdavidson.com — and recruited a wide pool of new contributors and participants for interview podcasts and simultaneously embarked on a systematic project to publish the works of Avram Davidson. Always coming back to the work of Avram Davidson, with delight and wonder.
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2025 has been a bonzer* year for me in books, with publication of the following works :
A Melville Census, John Marr & Timoleon (January)
A Book of Ryhmes by Charlotte Bronte (Brontë Parsonage Museum / Tartarus Press, April), which includes my essay, Travelling with Charlotte
Another Green World (Zagava, June 2025)
The Critical Mess by Michael Zinman (Distributed by Temporary Culture, August 2025)
and the hardcover issue of Another Green World is in production at Zagava’s binders.
If you haven’t already done so, buy a book or two from Temporary Culture. The Private Life of Books is always a nice gift for a friend.
* (that’s an Avram Davidson word, which he traces to bonanza and the Sydney Ducks, a California Gold Rush era gang in a neighborhood of San Francisco)
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I have been reading my way through a box of Penguin paperback editions of works by Michael Innes, whose books were recommended to me (independently) by John Clute and Mark Valentine. I share their high esteem for Appleby’s End (1945), also praised by H. R. F. Keating in Crime and Mystery The 100 Best Books. I am having a fine time and will write something about the Innes books. Kelly Link sent me the beautiful Small Beer edition of The Book of Love (2024) in four volumes, and that is next on my reading list.
I will be in Boston for the Boston Antiquarian Book Fair 7-9 November 2025, if you are there, come say hello (at the Cummins booth 213)
Peace,
Henry Wessells, 29 September 2025

A Chapin Centenary, Michael Innes, & others : recent reading mid-august 2025

recent reading :

— 100 Years 100 Voices. The Chapin Library. [Edited by Anne Peale.] Williams College, [2025].
A beautiful and richly illustrated celebratory catalogue, presenting selected items from the Chapin Library at Williams College, established with gifts from Alfred C. Chapin in 1923. Chapin had been buying very good and interesting books from the best dealers for nearly a decade before the initial gift, and the collection has grown since, through purchase and donation. The Chapin Library had a dynamic founding librarian, Lucy Eugenia Osborne, and has always functioned as a teaching library for undergraduate instruction. This intention shines through in this anthology.  The collection ranges from European incunables and an Eliot Indian Bible (1663) to an Audubon Birds of America purchased from James Drake, from a miniature printing press owned by John Fast to a recent risograph artist book (and four copies of the 1855 Leaves of Grass). The short pieces about the books are by alumni (long gone and recent), past and present curators and librarians, faculty members, and others. The photographs, by Nicole Neenan, are nicely reproduced. This is an important publication, a concise and compelling testimony about why books and libraries are central to education.

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— Timothy d’Arch Smith. The Stammering Librarian. [Strange Attractor, 2024]
I am delighted to have come across this collection of essays by bookseller, novelist, and bibliographer Timothy d’Arch Smith, whose novel Alembic (1992) appears in my Grolier Club exhibition checklist. The title essay and one or two of the other pieces link up directly to the concerns of his excellent memoir of bookselling in London in the 1960s, The Times Deceas’d (2003). There are memoirs of persons real and imaginary, including The Rev. T. Hartington Quince M.A., a Nicholas Jenkins / Anthony Powell pastiche now first published for a wider audience, though the British Library entry for the original appearance (in an edition of 15 copies in 1991, shelfmark YA.1992.b.6526), records Nicholas Jenkins as a “creator” ! Cricket, novelist Julia Frankau, school slang, and Aleister Crowley are other topics.

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Over the next several weeks it will become ever clearer that I have embarked upon reading Michael Innes, whose wordplay and inventiveness are a pleasure. John Clute alerted me to The Secret Vanguard, and Mark Valentine lists Appleby’s End among his short list of Finest Quality Old English Yarns. I am enjoying the variety of this box of mostly tatty paperbacks — after reading a POD edition of The Secret Vanguard I decided that I am happier with a worn paperback — and I will eventually do something than merely extract interesting phrases.

— Michael Innes. Stop Press [1939]. Penguin Books, [1958].

——The Gay Phoenix. A Novel [1976]. Book Club Associates, [1976].

——. Hare sitting up [1959]. Penguin Books, [1964].

Jean turned and faced him. ‘Could you possibly,’ she said, ‘cut the cackle? And tell me what all this is about?’

——. Appleby’s End [1946]. Penguin Books, [1972].

Abbott’s Yatter, King’s Yatter, Drool, Linger Junction, Sleeps Hill, Boxer’s Bottom, Sneak, Snarl, Appleby’s End, Dream

‘Mister,’ he said heavily, ‘did ’ee ever see a saw ?’

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— Michael Zinman. The Critical Mess. [Privately printed], 2025.
Compendium of articles by and about legendary collector of Americana Michael Zinman, whose “critical mess” theory is trickier than a casual glance might suggest :

“If you have enough stuff, good and not so good, you see things that someone collecting only fine copies will miss. This doesn’t in any way cast aspersion on the collector who desires the finest copy of a work, it’s just another way of approaching this world.”

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