— Henry Wessells. The Elfland Prepositions. Temporary Culture, 2025.
Edition of 126 copies (26 copies lettered A to Z, and 100 numbered copies), printed on Mohawk superfine white eggshell. Pictorial wrappers.
Proof copy above (received 12 February 2025) ; proofs corrected & in production (14 February 2025), to be published late February 2025. A few copies will be offered for sale, click on link or photo to order.
Collection of four previously unpublished short stories.
Elfland is not a nice place, but it’s important to know how it works.
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current reading
— Charles Robert Maturin. Melmoth the Wanderer: A Tale [1820]. With introduction and notes by Victor Sage. Penguin Books, [2000].
/ into the labyrinth, again
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recent reading
— Len Deighton. Hope. HarperCollins, [1995].
— — Charity. HarperCollins, [1996].
— — Winter. A Novel of a Berlin Family. Knopf, 1987.
Germany in the world, 1899-1945 ; back story or bedrock for the Bernard Samson novels.
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‘away from the clank of the world’
— Walt Whitman. In Paths Untrodden. Printed in brown ink, blockprint illustrations in green and blue. [16] pp. [The Letterpress at Oberlin, January 2025]. Edition of 217.
Calamus 1, from the 1860 Leaves of Grass, with blue herons and green marsh plants. [Gift of VH].
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Hard Rain
by Janwillem van de Wetering
A short note now up (in English) on the excellent and informative Dutch site
“not relics of the past, but pockets of the future arriving ahead of schedule”
— Christopher Brown, over at The Clearing (the blog of Little Toller Books)
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“When I look at that obscure but gorgeous prose-composition, the Urn-burial, I seem to myself to look into a deep abyss, at the bottom of which are hid pearls and rich treasure ; or it is like a stately labyrinth of doubt and withering speculation, and I would invoke the spirit of the author to lead me through it.”
— Charles Lamb on Sir Thomas Browne, quoted by Hazlitt, in “Of Persons One Would Wish to Have Seen” (1826)
— Conjunctions 83. Revenants : The Ghost Issue. Edited by Bradford Morrow and Joyce Carol Oates. Bard College, 2024.
a big issue, with “An Incident in Monte Carlo”, a fragment or outtake from the forthcoming Wreckage by Peter Straub, new work by Elizabeth Hand, James Morrow, Timothy J. Jarvis, Mark Valentine, Reggie Oliver, and many others.
“Fern’s Room” by Liz Hand is pitch perfect, deftly moving from a gentle rom-com American anglophile country house idyll to a very dark endgame, with clues scattered all along the way.
“Plunged in the Years” by Jeffrey Ford, with a few steps off the path in the woods, gets right to the heart of the American ghost story : time and memory (and childhood).
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recent reading
— Len Deighton. Faith [1994]. Grove Press, [2024].
— Nathan Ballingrud. Crypt of the Moon Spider. Nightfire, [2024].
— Avram Davidson. The Adventures of Doctor Eszterhazy. Owlswick Press, 1990.
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books wait for their readers
All antiquarian booksellers have a shelf of what Bill Reese called ‘intractables’ : things that sit on a shelf and seem unsaleable, or just beyond the grasp of one’s understanding, or, indeed, actively resist the efforts of the cataloguer with what M. R. James called the ‘malice of inanimate objects’. And then, suddenly, one finds a new perspective, or works with someone who has the key, and the door unlocks. I am fortunate to have experienced this a few times in my career. To watch this phenomenon in real time is one of the delights of the profession.
The question of whether or not books wait for their writers is trickiet to answer. This is a questionof a different order. I would say yes, on bakance, but one feels the clock ticking, and the list of books not written is very long.
Books Never Written, label on a box from the literary archive of George Plimpton.
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‘to escape the straitjacket that had been science fiction’ — Paul Kincaid
an excellent essay by a clear-eyed critic ringing the changes on Harlan Ellison’s Dangerous Visions anthologies then and now :
Last week marked eighteen years of ‘simply messing around in books’ and reporting the pleasures on this website. It is still fun and so I will continue to note interesting books, curious passages, announcements, occasional snapshots, and digressions.
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an Endless Bookshelf quiz
Who is the Widmerpool ?
— from your year(s) at school or university
— of your chosen field or profession
— observed recurringly elsewhere
/ wrong answers accepted
/ bonus points for naming your favorite book in ‘A Dance to the Music of Time’
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4 January 2025
early in January, and it is already a good year in books, having just received two long-awaited titles in this week’s mailbag
Billy Budd at 100 (continued)
— Herman Melville. Billy Budd. A Centennial Edition with Fourteen Illustrations Cut in Wood by Barry Moser. Pennyroyal Press, 2024. Edition of 50 copies signed by the artist.
A spectacular new large format edition of Billy Budd Sailor (An Inside Narrative) — as the half-title names the book. The text of the novella is set from the Melville Electronic Library, with original woodcuts by American master Barry Moser.
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a Tim Young trifecta
— Timothy Young. Isness & Aboutness. Thoughts on Bibliography. Publication Studio, 2024.
With two single sheet ’zines, printed rectos only :
— 10 Reasons Libraries Matter, 2021.
— 10 Reasons Books Matter, [2015].
Isness & Aboutness is a really great essay on thinking about books and thinking about the world (it is the text of Tim’s Sandars lecture at Cambridge University in November). He cites Donald McKenzie to good effect, on bibliography as
the only discipline which has consistently studied the composition, formal design, and transmission of texts by writers, printers, and publishers; their distribution through different communities by wholesalers, retailers, and teachers; their collection and classification by librarians; their meaning for, and — I must add — their creative regeneration by, readers [. . .] no part of that series of human and institutional interactions is alien to bibliography
His essay moves beyond McKenzie’s assertion to identify new modes of bibliography and to assert the primacy of bibliography as a means of uncovering what books are and what they do in the world. Highly recommended.
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snow day, 11 January 2025
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great blue heron flying low over the silvered mere
alighting on the ice beside a stand of reeds
in the distance, the pulaski skyway
— Johannes Buxtorf. Epitome Grammaticæ Hebrææ, Breviter & Methodice [etc.]. Leiden : S. & J. Luchtmans, 1761.
Buxtorf wrote many, many, books. What is interesting about this one is the bookplate : in the library in N.Y.C. from 1826 until today.
— Adrian Dannatt. Capacity for Loss. [Opium Books, 2024]. Edition of 300. Yellow cloth, dust jacket with illustration, Gaia, from the painting by Danny Moynihan.
Author Adrian Dannatt, debonair man about many towns, is seen in mid-gesture above, just a few minutes ago at the publishing party for the launch of his collection of poems, Capacity for Loss, at Nathalie Karg Gallery, amid an installation of Danny Moynihan’s paintings.
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‘Sard Harker by John Masefield’ is an essay published for the centenary of this adventure novel set in Santa Barbara, most leeward of the sugar countries of South America, now up on Wormwoodiana. It is set in a South America of abandoned villages and mysterious temples, a land of adventure and visions, a paradise of metaphor and simile.
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Your correspondent will be at the Boston International Antiquarian Book Fair, Friday through Sunday 8-10 November, at the Hynes Convention Center (Cummins booth 514). Come say hello. I will have copies of The Private Life of Books and others available.
‘A leaf a gourd a shell a net a bag a sling a sack a bottle a pot a box a container’
snapshots from a recent Futurefarmers event, on a quiet street in the Mission district in San Francisco, wish I were there
with artist Michael Swaine, well known to readers of the ’shelf as one of the instigators of the Weedwalk in San Francisco, an informal botanizing ramble, which included two memorable Book Walks, in 2007 and 2009.
Readers of the ’shelf and friends in the New York area are invited to an event and presentation, this year honoring PEDRO PONCE, the winner of the Second Tom La Farge Award for Innovative Writing, Teaching and Publishing
It will be held on Friday 11 October 2024, from 6:30 p.m. to 8:30 p.m., at the Ground Floor Gallery of the Grolier Club, 47 East 60th St..(between Madison and Park aves.), NYC, NY 10022.
Pedro will be interviewed, discuss the writing of Tom La Farge, and read from his own work.
This annual award in the amount of $10,000 is designed to encourage and foster literary activity that combines serious play, imagination, erudition and innovative practice. To learn more about the Tom La Farge Award :
“Writing within conventions of language, and of genre, is like swimming in society rather than in a pond under a waterfall.”
— William S. Wilson
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The illusion grew more perfect the closer to the trees he went. Now the needles seemed almost to be suggesting the grain of polished wood. It was the way they alternated colors and shades, darker green above lighter above darker, a random pattern solidifying into the whorls on a slab of monkeywood.
It was the door to his bedroom.
The Endless Bookshelf will be filing despatches from Amsterdam and environs during the week of the A.I.B congress (words and images dropped in here as found).
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things are symbols of themselves / semiotics of Amsterdam
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vegan potato truffle cappuccino
[surprise innovation offered during the medley of the Daalder experience, vegan mode]
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Vondelpark
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Watcher at the edge of the cow pasture, in the Amsterdamse Bos.
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Herengracht
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‘Gallia est omnis divisa in partes tres’
The earliest surviving manuscript of Caesar’s De bello gallico (On the Gallic War), ca. ninth century CE, at the Allard Pierson collection, University of Amsterdam.
At the other end of the table, a stack of more than 80 ‘feuilles volantes’ (1916-28) of Kaváfis (Cavafy), scattered leaves of his self-published Poems.
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Breestraat, Leiden
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color in the Rijksmuseum library
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— H. N. Werkman. Hot Printing. [Groningen, ca. 1936]. One of three known copies of a portfolio of prints and poems.
the view from the hammock
