The Endless Bookshelf : simply messing about in books





Books are what I do : Write (very slowly), Read (rapidly or at leisure), Re-read (for pleasure or reference), Buy and Sell (my livelihood), Catalogue and Describe (ditto), Edit, Publish, Review (for The New York Review of Science Fiction and others), Recommend or Give away, Receive, and — unavoidably and repeatedly  — Lift (whether singly or in boxes). I concede a fondness for private eye novels, equalled by my interest in the quirky, erudite, or obscure, and surpassed only by my love of the literature of the fantastic.

— Henry Wessells

Buchnarr, 1494. Ware! Ware! Ware the Book-Fool!


31 August 2015




critical fiction

Best Book 2014

Best Books
2013 2012
2011 2010




turkey city

making light

Extended Range : in the bindery

The sheets of Extended Range ; or, The Accession Label have been printed and the book is now becoming : making its way through the bindery, slowly. It will be a beautiful book. More news by the end of September.

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‘ the reader is the artist ’

— Tom Phillips. Humument Fragment : Readers (2012). Image courtesy of the Flowers Gallery.

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rock ’n’ roll & science fiction

During the N.Y. Art Book Fair, to be held at MoMA PS1 17-20 September, in booth C15, your correspondent will be exhibiting highlights of the Archive of Paul Williams, founder of Crawdaddy! and author of many books, including Right to Pass and Other True Stories (1977) and Only Apparently Real (1986), on the life and writings of Philip K. Dick. An illustrated catalogue will be available (further details here). Come say hello.

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current reading

— Richard Garnett. The Twilight of the Gods and Other Tales. T. Fisher Unwin, 1888. A scruffy, worn copy ; but the stories are fresh.

— Maria Dahvana Headley. Magonia. Harper, [2015].

— China Miéville. Three Moments of an Explosion. Stories. Del Rey, [2015].

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recent reading

— Margery Allingham. The Tiger in the Smoke [1952]. Carroll & Graf paperback, [2001]

— Robert Sheckley. Uncanny Tales. Waterville, Maine : Five Star, [2003]. Collection of 16 stories, 1986-2002 : prime Sheckley.

— Sophia Kingshill. Mermaids. Little Toller Monograph [04]. [Little Toller, 2015 ; distributed in U.S. by Dufour]. A feminist archaeology of the idea (and image) of the mermaid, working backwards from recent film, art, & graffiti.

— Michael Swanwick. Chasing the Phoenix. Tor, [2015]. Hilarious, post-apocalyptic picaresque chinoiserie and military soap opera (this is a good thing), en fin, bref : science fiction. With the best new use of Haroun al-Rashid in centuries / file under : techniques.

— Graham Greene. The Honorary Consul. The Bodley Head, [1973].

— John Howard. Leaves of Ash. [Valentine & Valentine, 2015]. Miniature book and matchbox case, a tale of Romania.

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31 July 2015

blue moon, paper moon : current reading

— Lothar Müller. White Magic. The Age of Paper [Weiße Magie, 2012]. Translated by Jessica Spengler. Polity, [2014].

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— Ariane Charton. Alain-Fournier. Gallimard, [2014]. Prix Roland de Jouvenel de l’Académie Française.

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big day

— Geeta Dayal. Brian Eno’s Another Green World, [2009]. Bloomsbury paperback, [2014]. Fascinating, layered study of the music and musical content of the 1975 album, best appreciated in conjunction with the Eno album playing LOUD. Since your correspondent first encountered these sounds, this work has exercised an influence as powerful and persistent as the influence of an earlier green world of the fields and forests of childhood ; and so it was utter delight to encounter such a rich and playful treatment of the recording. Dayal’s chapter on the Oblique Strategies adduces the precursors of the cards (her essay “ It’s in the Cards ” in Cabinet 45 [2012], is also worth seeking out ; it adds lots on Satie that is relevant). Dayal deftly sketches the musical scene of 1975 (pop, avant-garde, and electronic) to demonstrate just how new the record was and remains. I have not yet examined a first printing of the book : unaccountably, I discovered this book only recently.

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other recent reading

— Roger Dobson. The Library of the Lost. In Search of Forgotten Authors. Edited and with an introduction by Mark Valentine. Carmaen Books. Tartarus Press, 2015. A “ tribute to Roger Dobson (1954-2013), who had a keen eye for the strangest outposts of literature ”.

— Tom Carson. Twisted Kicks. Entwhistle Books, [1981].

— George Gissing. The Private Papers of Henry Ryecroft, [1903].

— Corn Close. A Cottage in Dentdale. Photographs by Reuben Cox. Essays by Thomas Meyer and Anne Midgette. Green Shade, [2015]. Jargon 116. Lavishly illustrated, superbly produced glimpse of Corn Close, Jonathan Williams’ cottage in Cumbria, with reminiscences by friends, and a detailed chronology of Williams as poet and publisher. “ J.B. Ackerly, Denton Welch, Mervyn Peake, Adrienne Rich, H.D., Parson Woodforde, Peter Straub . . . Have you read all of those authors ? . . . to needle purported highbrow tastes with exposure to something earthier and realer ” (from the essay by Anne Midgette).

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Extended Range in the bindery

The sheets of the next book from Temporary Culture, Extended Range, or The Accession Label, have arrived from the printer and the book will soon be in the bindery. Delivery is expected in mid-September (subscribers will be informed as the book nears completion).

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7-8 July 2015

current reading

— Adrien Goetz. La nouvelle vie d’Arsène Lupin. Retour, aventures, ruses, amours, masques et exploits du gentleman-cambrioleur. Roman. Bernard Grasset, [2015]. Seems to be a critical fiction of the Arsène Lupin novels by Maurice Leblanc, in a thoroughly mediated twenty-first century world. One thing remains constant : a mockery of Herlock Sholmès, the “ ridicule détective ” and BBC star. I have a small stack of the Lupin books in Livre de poche paperbacks from my teenage years in case I need to refresh my memory of the originals (Arsène Lupin gentleman-cambrioleur, etc.).

— Philippe Dumas. Carnet de croquis illustrant le thème de la flânerie dans le musée Hermès. Actes Sud\Hermès, [mai, 2015]. Illustrated throughout, pictorial endsheets. [52 pp.]. History of the “ flâneur, dilettante qui se respecte ”, from the eighteenth-century and early nineteenth-century roots, anchored in beautiful objects deftly sketched in this little oblong book.

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here and there

Your correspondent recently traversed the capital cities of three nations, Edinburgh, London, and Paris. In each place I found interesting books, so that as I prepared to leave Paris, I had more books in my backpack than I saw on the shelves in the apartment where we stayed  (a century ago, Romain Rolland lived in the immeuble ; he won the Nobel Prize for literature in 1915). Seeing the new biography of Sandy Denny stopped me in my tracks in the Hampstead Waterstone’s, but without doubt the most interesting new book shop visited is Les Cahiers de Colette, 23-25 rue Rambuteau, Paris 4e, a shop jammed full with the widest variety of classic and newly published works of literature. I arrived a day too late to attend an evening with M. Goetz, alas. On the Nouveautés table for American literature, I saw translations of books by two contemporaries from the Terrace Club of long ago and far away, Senseless by Stona Fitch and Blood Will Out by Walter Kirn. I also visited two spectacular private libraries, in one of which I saw a succession of association copies, each volume more astonishing than the next — books as evidence of intimate and meaningful friendships and literary connections. Books whose existence one could hardly imagine : until one opens the page and sees the inscription. Something out of the pages of Borges, in fact.

Unheralded but presiding over the rooftop terrasse café of the Musée Picasso is an astonishing seventeenth-century French sphinx (one of a pair) :

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I will be attending Readercon 26 this weekend. I have two new stories, “ The Beast Unknown to Heraldry ” and “ Extended Range ”, that I will be reading on Friday evening at 7:30 p.m. Please come and find me at the reading or during the conference.

The publication of Extended Range (forthcoming from Temporary Culture) has been delayed as the book is still being seen through the press. Expected delivery in late August or early September. A few copies remain if you are interested in subscribing.

This edition of the ’shelf is prompted by a request from reader [TW] who is part way through the new Pickwick fantasia, Death and Mr Pickwick by Stephen Jarvis, and asked what I have been reading. Thank you.

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off list : a note

— H.R.F. Keating. Crime & Mystery. The 100 Best Books. [Foreword by Patricia Highsmith]. Xanadu, [1987].

It is always a pleasure to read lists : as poems, as elements of plot, as variations upon a theme, and as signposts of a train of thought. And when the list is one of books, such as Science Fiction. The 100 Best Novels (1985), Modern Fantasy. The Hundred Best Novels (1988), or Eighty Nine Good Novels of the Sea (1966) ; or the Grolier Club exhibitions of One Hundred Books Famous in . . . English literature (1902), American Literature (1946), science (1956), medicine (1994), children’s literature (2015), the pleasure is amplified, for the list is also an Argument. Collectively, the books define the thinking at work, and each book justifies its place on the list, or raises questions about the Argument.

At the Lilly Library website, the text of the Lilly exhibition recreating the first Grolier 100 records the history of the trope: “ The first influential list of ‘ One Hundred Books ’ was compiled by Sir John Lubbock (later Right Hon. Lord Avebury, P.C.) as Chapter IV, ‘ The Choice of Books ’, in his charming series of essays, The Pleasures of Life (London, 1887), . . . was first delivered as a lecture to the London Working Men’s College, started a trend. ” The Grolier 100 list runs from the Caxton Chaucer to Darwin, Fitzgerald’s Rubaiyat, and Whittier.

And yet.

Almost invariably, some of the most rewarding avenues of inquiry are found when one goes off list, finding a topic where little or no work has been done, where no list exists, or sometimes picking up the book next to the book one was seeking. Not long ago, I worked through a newly published subject bibliography with a customer and friend, finding many interesting books (common but overlooked, or genuinely rare). And yet the great delight was to find an unrecorded book, printed two years before the rare work cited in the subject bibliography, and to see that a copy had been languishing neglected (and slightly miscatalogued) on a shelf in the warehouse for years —  and that another bookseller had a copy (neglected, miscatalogued, and under-appreciated), so that each of us now has an example of a book known in only four copies.

The best prescriptive lists often encourage this process of going off list, chiefly by alluding to other books and authors within the annotations, as for example H.R.F. Keating’s Crime & Mystery. The 100 Best Books, where he concedes the arbitrary nature of the numerical selection and refers to other titles throughout. Suggestions of books and authors are always welcome : they stretch the imagination and the intellect. The review columns in the journal Wormwood are very good for this. Similarly, I look forward to reading the newly released book from Tartarus Press, The Library of the Lost. In Search of Forgotten Authors, by Roger Dobson, edited and with an introduction by Mark Valentine.

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recent reading

— Gilles Schlesser. Sale époque. Parigramme, [2015]. A murder investigation brings a class-conscious young commissaire into decadent society ; the novel is also a secret history of the death of Zola.

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—  [J.J.] Sempé. Un peu de Paris. Gallimard, [2001 ; 2015 pbk.] A lively and beautiful book ; if the scale of the reproductions is almost too small to be effective, Sempé’s Paris encompasses roller-blading and the revival of the trottinette or scooter as well as the continuity of life in the cafés.

— Alain Passard. The Art of Cooking with Vegetables [Collages & Recettes, translated by Alex Cartier]. Frances Lincoln, [2012].

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— Claude d’Anthenaise. Le Cabinet de Diane au Musée de la Chasse et de la Nature. Citadelles & Mazenod, [2007]. The visual record of a beautiful and compelling museum. I especially enjoyed the series of cabinets devoted to wolf, stag, sanglier, falconry ; the ceiling installation entitled La Nuit de Diane ; and the Cabinet de la Licorne [Unicorn Room], complete with Fumée de licorne (2006) by Sophie Lecomte.

— Michael Swanwick. Moon Dogs. Edited by Ann A. Broomhead & Timothy Szczesuil. NESFA Press, 2000. [the title story].

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— Charles Williams. La mare aux diams. [Scorpion Reef]. Traduit de l’américain par Henri Robillot. Gallimard, [1970].

— [James Ward]. Adventures in Stationery. A Journey through Your Pencil Case. Profile Books, [2014 ; 2015 pbk.]. Fun, slightly tedious. And yes, the transcription is accurate, the name of the author is omitted from the title page, though it appears on the cover and on the copyright page. I can scan the title page if needed.

— Mick Houghton. I’ve Always Kept a Unicorn. The Biography of Sandy Denny. Faber & Faber, [2015]. Essential, much needed, and well sourced : a much needed account of the short life of the talented signer and songwriter. Go listen to her sing Tam Lin or Farewell, Farewell. Or, Who Knows Where the Time Goes. It is a sad story.

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— Hugh Buchanan Paints the John Murray Archive. John Martin Gallery, 2015. Exhibition catalogue, on view at the National Library of Scotland through 6 September. Your correspondent wandered in and bought the first copy on sale. This link is good for now but will likely rot :

— Mrs. J.H. Riddell. The Haunted River & Three Other Ghostly Novellas. Edited & Introduced by Richard Dalby. Sarob Press, 2001.

— Robert Aickman. The Strangers and Other Writings. Tartarus Press, [2015]. The title story of this new Tartarus collection, is brilliant, unsettling.

— Ronald Firbank. Complete Short Stories. Edited by Steven Moore. Dalkey Archive Press, [1990].

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commonplace book

“ failure is what redeems a copy. . . . Failure can be something tentative, hesitant, unique, and cautiously new ”

from Notes on Copying by Nick Currie, in Mousse #49

read this : Samuel R. Delany. “ Racism and Science Fiction ”, from NYRSF 120 (v.10, no.12, August 1998)

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the answer

You may not have reckoned just how urgently you need to know the answer to this question : what is the offspring of a dragon and a she-wolf ?
Read “ The Beast Unknown to Heraldry ” by Henry Wessells, in Lady Churchill’s Rosebud Wristlet (aka LCRW) 32 from Small Beer Press :

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31 May 2015

Dragon head wisteria, Montclair, New Jersey. [photo by MJD]

A short list

Dear readers,
The press of other work has interfered with the timely update of the Endless Bookshelf Many of these projects remain in preliminary stages : think of snowfall high in a mountain range, while in the distant valley below the stream remains a trickle. Until the river flows in spate, here is a short list of recent reading. Annotations, a few more pictures, and a surprise or two, to follow ; and an essay on reading Off List.


— Ken Winkler. Pilgrim of the Clear Light. The Biography of Dr. Walter Y. Evans-Wentz. [1982 ; 2nd edition, Books Mango, 2013]. Life of a fascinating New Jersey native, not nearly so gracefully written as the subject’s books.

— The Bodley Head Book of Irish Stories. Selected and Introduced by David Marcus. The Bodley Head, [1980].

— Jonathan Lethem. Fear of Music. Bloomsbury [2012 ; reprinted by Bloomsbury Academic, 2013]. “ And turn it up, . . . ”

— John Crowley. Little, Big [1981]. Harper Perennial paperback.

— Fredric Brown. “ Imagine ” (F&SF, 1955). [Collected in :] Honeymoon in Hell. Bantam, [August,] 1958

— E. Œ. Somerville. “ Little Red Riding Hood ” [in:] The Fairies Return or New Tales for Old by Several Hands. With reverent apologies to the memory of Perrault . . . &c. P. Davies, 1934

— The Yeats Country. A guide to places in the West of Ireland Compiled by Sheelah Kirby. Dolmen Press, [2nd ed., 1963].

— Violet Powell. The Irish Cousins. The Books and Background of Somerville and Ross. Heinemann, [1970]

— Avram Davidson. “ Sleep Well of Nights ” [F&SF, Aug. 1978, collected in :] Limekiller. Old Earth Books, 2003.

— Helen MacDonald. H is for Hawk. Grove Press, [2015].

— George Koppelman & Dan Wechsler. Shakespeare’s Beehive. Second edition, revised & expanded. Axletree Press, [forthcoming, 2015]. I read this new edition with great interest ; my review of the first edition, April 2014, here.

— Lord Dunsany. The King of Elfland’s Daughter. G.P. Putnam’s Sons, [April, 1924]. First edition, one of 250 copies, signed by the author and artist.

“ that had dreaded this day but danced now it had come ”

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4 March 2015

A note from your correspondent :

Dear Readers,

     To quote Claude Lévi-Strauss, “ I am at work on a difficult book . . . ” The book is The Windhill Bequest, a small glimpse of which was published here ; accordingly, other literary projects (including the Endless Bookshelf twitter account appearing here as marginal glosses) will be put on hold for the next few months. The Endless Bookshelf will now be updated on a quarterly basis (next update in mid-May) ; the next issue of The Nutmeg Point District Mail will be distributed on 8 May.
     Extended Range, or, The Accession Label, a short story with an original frontispiece etching by Judith Clute, will be published by Temporary Culture in an edition of 26 copies, printed by David Wolfe on Himalayan paper from Jim Canary’s Paper Road.
     A new edition of Arabian Wine by Gregory Feeley will be available on 31 March, distributed by Weightless Books. This short novel of coffee, ideas, and ambition was originally published by Temporary Culture in March 2005. As John Crowley writes, “ Read it with a double espresso ! ” Next up (late spring) will be new editions of Michael Swanwick’s monographs on James Branch Cabell and Hope Mirrlees.
     Copies of The Private Life of Books are still available, buy one here. This is a book that exists only to be held in the hands and read. There will be no electronic edition.
     In other news, “ Down to His Last Sleep : ‘ Zuleika Dobson ’ in the Twenty-first Century ” will appear in the next issue of Wormwood. And “ Not in Skeat ; or, The Beast Unknown to Heraldry ”, will appear in a forthcoming issue of Lady Churchill’s Rosebud Wristlet.
     I thank you for reading ; in the interim, look through the archives ; or, read a book and send me a note about it for the spring edition of the Endless Bookshelf. You know where to find me.


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current reading :

— Michel Houellebecq. Soumission. Flammarion, [2015]. This is a curious book, beautiful passages celebrating literature (and marking its doom), and with as its narrator a prime creep, François, a university professor and specialist in Huysmans. His passivity is so powerful a negative force (like something out of Willeford’s New Forms of Ugly) that it is invariably the other characters who do the doing and talking as France lurches into a political catastrophe. The appalling venality and opportunism of the politicians is nothing to the inertia of François, who, it is clear, never heard Gil Scot-Heron sing The Revolution Will Not Be Televised. I am about two-thirds of the way in, and the recurring allusions to the life of Huysmans suggest where this might be going.

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recent reading :

— Thomas Pynchon. Gravity’s Rainbow. The Viking Press, [1973].

— Charles Willeford. The Burnt Orange Heresy (1971). Black Lizard pbk. Brilliant, hilarious, required reading.

— —. New Hope for the Dead (1985). Black Lizard pbk.

— Chester Anderson. The Butterfly Kid [1967]. With a new introduction by Paul Williams. Gregg Press, 1977. From the introduction by Paul Williams : “ science fiction is not so much a literary form as it is a warm room on a cold night. . . . [Anderson] did something that was very rare, at least in the 1960s : he publicly acknowledged the obvious inseparability of those phenomena variously know as rock music, drugs, bohemianism, and science fiction. ”

— Max Beerbohm. The Illustrated Zuleika Dobson or An Oxford Love Story. With 80 illustrations by the author and an introduction by N. John Hall. Yale University Press, 1985.

— —. Letters of Max Beerbohm 1892-1956. Edited by Rupert Hart-Davis. W.W. Norton, [1989].

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— Henri Wintz and David Hyde. Precious Artifacts. A Philip K. Dick Bibliography. [and:] Precious Artifacts 2. A Philip K. Dick Bibliography. The Short Stories. [El Cerrito, California :] Wide Books, 2012, 2014. Illustrated bibliography of U.S. and U.K. publications, with identifying points for first editions ; the ordering system is curious, a crude alphabetical sort by title, including initial articles. The short story volume includes a rating system, for those like that sort of thing. *

— Dorothea E. von Mücke. The Seduction of the Occult and the Rise of the Fantastic Tale. Stanford University Press, 2003, pbk.

— Robert Sheckley. Soma Blues (1997). Forge, [1998] pbk.

— James P. Blaylock. The Digging Leviathan. Ace Science Fiction Books, [1984] pbk.

— Jaqueline Winspear. Maisie Dobbs (2003). Soho, [2013] pbk. More than a bit twee.

* See Clio’s review of Gibbon in Zuleika Dobson. Oh, dear.

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Extended Range

Forthcoming from Temporary Culture, June 2015 :

Extended Range, or, The Accession Label, an original short story by Henry Wessells, with an original frontispiece etching by Judith Clute.
Oblong, 5-1/2 x 15 inches, [16] pp. Edition of 26 copies, lettered A to Z, printed by David Wolfe on Himalayan paper from Jim Canary’s Paper Road (5 numbered copies are reserved for the artist, author, and printer). Stitched in paper covered boards.
Inquire for subscription details.

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16 February 2015

current reading :

— Thomas Pynchon. Gravity’s Rainbow. The Viking Press, [1973]. Still re-reading. My copy has split in two, now a candidate for rebinding.

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Kinetic Stevenson

— John Singer Sargent. Robert Louis Stevenson and his wife, 1895. Collection of Crystal Bridges (link to a larger image).

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recent reading :

— Ben Kinmont. Prospectus 1988-2010. Forty-two works. [Antinomian Press, 2011].

From the contents :

Still I was wondering about the fragile meanings created at home, and how one can create work about, or in reference to, these delicate moments, yet without their destruction. [. . .] The engraving does not document the content of the conversation. It tells only that there was a conversation had by a family on a certain day. However, it does function as an art object, as something which can be exhibited and which can circulate within the art world. For those within the family, the engraving is more : it comes out of a domestic moment and functions as an aide memoire for a conversation once had.

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‘ to confront one’s former unthinking and unfeeling self ’

— Haniel Long. Interlinear to Cabeza de Vaca. His Relation of the Journey from Florida to the Pacific 1528-1536. Writers’ Editions, 1936. At Naropa long ago, Bernadette Mayer or Anne Waldman said, read this ; it is nothing less than astonishing.

— — — —

— Gabriel García Márquez. The Last Interview and Other Conversations. Edited and with an introduction by David Streitfeld. Melville House, [2015].

— [Cassandra Hatton]. Alan Turing : The Hidden Wartime Manuscript by the Father of Computing. Bonhams, 2015. Noted, with great interest.

— — — —

— [Mary Shelley]. Frankenstein ; or, The Modern Prometheus. London : Printed for Lackington, Hughes, Harding, Mavor, & Jones, 1818.
Your correspondent recently visited the Bancroft Library in Berkeley and had the opportunity to read through the copy there ; each re-reading elicits new responses. The Bancroft copy is a mixed set, bearing many signs of having been read in former years. As I often do when reading the original edition, I looked at page 113 in volume II :

Reproduced by permission of the Bancroft Library, Berkeley, Calif.

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where nothing happens

Poster by Stacie Willoughby for the Henry Miller Memorial Library, at a bend in the road in Big Sur. A delightful forest clearing in which to spend an afternoon : where nothing happens.

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next up

— Michel Houellebecq. Soumission. Flammarion, [2015]. “ Dans une France assez proche de la notre . . . ”

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[Thanks to M.F. who suggested the coding software Coda, with which the Endless Bookshelf is now composed. I suspect it is far more sophisticated than your correspondent, to whom all errors may be traced.]

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25 January & 1 February 2015

Eight Years of the Endless Bookshelf

Your correspondent has noted some interesting books during these years — such as the Beehive, the Mammoths, Gothic classics such as this one  or this one; as well as a different type of horror; and your correspondent intends to continue looking, and reading. Thank you for reading and communicating. During the coming months, updates may be irregular as I am in the midst of a difficult book (as well as a few secret projects and the customary reading), but you may always prod or send a note.

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Your correspondent will be in the bay area for the California International Antiquarian Book Fair, held in Oakland this year. Please let me know * if you would like passes : I will be in booth 404, James Cummins Bookseller. In coming weeks there will be occasional updates to the website when circumstances permit (currently looking for a simple HTML editing tool to replace the antiquated but functional software now rendered obsolete). The marginal notes will continue to be current.

* This means you, D.V.S. !

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Longtemps, je me suis couché de bonne heure. . . .

— Marcel Proust. A la recherche du temps perdu. Tome I. Du côté de chez Swann. Detail of the first page of text, from the NRF edition, Paris, 1919.

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current reading :

— Thomas Pynchon. Gravity’s Rainbow. The Viking Press, [1973]. Re-reading.

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The Tale of Brown Jenkin

From the newly unsealed manuscript of Beatrix Potter’s ‘ Tale of Brown Jenkin ’, with her expressionist watercolors prefiguring the set designs of ‘ The Cabinet of Dr Caligari ’ :

Following budgetary retrenchments at National Trust properties, Mrs Tiggy Winkle takes in a lodger, Brown Jenkin, and frets over his laundry. Brown Jenkin comes and goes at odd hours, and tracks nasty stains across Mrs Tiggy Winkle’s floor and carpet. Mrs Tiggy Winkle declines an invitation from her new lodger, Brown Jenkin, to take a stroll through time and space.

The story thus far : National Trust austerities obliging Mrs Tiggy Winkle to take a lodger, Brown Jenkin, whose eccentric habits and hygiene alarm Mrs Tiggy Winkle. She must speak to him today, there is no doubt : Brown Jenkin has eaten one of Sally Henny Penny’s leggings. Emboldened after a tot of Jenny Wren’s elderberry cordial, Mrs Tiggy Winkle knocks on Brown Jenkin's door. Inside, she finds the walls odd.

“ . . . oh dear, oh dear ”, said Mrs Tiggy Winkle, stepping over the threshold into Brown Jenkin’s sharp angled, bone-strewn attic, in Salem, 1692.

“ . . . lilly-white and clean, oh! most terrible particular . . . ” sings Mrs Tiggy Winkle as she tidies Brown Jenkin’s attic room, “ wherever can he be . . . ”.

When Brown Jenkin and Mrs Tiggy Winkle go dancing at the non-Euclidean Country Dance and Interdimensional Wormhole, Keziah Mason, spinster, of Arkham, Mass., follows Brown Jenkin and Mrs Tiggy Winkle, along lines and curves, to Hill Top Farm, near Coniston.

The dovecote and the henhouse, and the trout in the beck suffered most after the arrival of Brown Jenkin at Hill Top Farm ; and Mrs Tiggy Winkle’s floors.

An inserted clipping from the Westmorland Gazette (ca. 1922?) :
Keziah Mason, Tues., aged 107, long a resident at Hill Top, Sawrey, known for her stories . . . . by the kitchen fire at Hill Top Farm, Keziah Mason said she came from away and beyond  . . .  her listeners thought Wales or the Borders, perhaps.

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[Note the innate conservatism and nostalgia of the writings of Beatrix Potter and H.P. Lovecraft.]

— — — —

just received :

— Tom La Farge. The Broken House. Book one of The Enchantments. Spuyten Duyvil, [forthcoming, 2015]. Trial cover on a proof copy.

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From the attic :

— Snake’s-hands a chapbook about the fiction of John Crowley. [Preface by Harold Bloom] Edited by Michael Andre-Driussi and Alice K. Turner. Sirius Fiction, [2001].

In memoriam : Alice Turner (1939-2015), fiction editor of Playboy and a friend of writers. Washington Post obituary here.

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recent reading

— Charles Willeford. The Way We Die Now. A Novel. Random House, [1988].
— — Sideswipe. A Novel. St. Martin’s Press, [1987].
— — Miami Blues. A Novel [1984]. With an introduction by Lemore Leonard. Vintage Crime/Black Lizard paperback.
Re-read these three, and enjoyed the way Willeford dumped Hoke Moseley into appalling circumstances to see what would happen. And knock me down with a feather : Willeford included a recipe at the end of Miami Blues : Mrs. Frank Mansfield’s prize-winning vinegar pie. Willeford’s recipe serves a different purpose than those in knitting and bake shop cozies  (see The Cockfighter ). Don Herron’s bio-bibliography Willeford (1997), published by D-Ray Macmillan, is the key work on this late model American Beckett.

— Arthur Ransome. Winter Holiday [1933]. Jonathan Cape, [twenty-fourth impression, 1964].
      “ Softly, at first, as if it hardly meant it, the snow began to fall. ”

— Michael Connelly. The Burning Room. A Novel. Little, Brown, [2014].

— Jonathan Swift. The Annotated Gulliver’s Travels. Edited, with a biographical introduction and notes, by Isaac Asimov. Clarkson N. Potter, [1980].

— Thomas Pynchon. Inherent Vice [2009]. Penguin paperback.

— Arthur Machen. The Terror [1917]. With an introduction by Vincent Starrett. White Lion, [1973].

— Michael Zinman. What Does Richard Cheney Read ? [Annals of Collecting 6 (2014)].

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The Private Life of Books : poems by Henry Wessells, with duotone photographs by Paul Schütze, published on 15 September, a few copies still available, details here :

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Wander in the Archives

The Archives of the Endless Bookshelf have been swept and tidied and a guide has been prepared to assist wanderers. Index would be too strong a term : the headwords tend to be suggestive rather than directive. Start here. Have fun.

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This creaking and constantly evolving website of the endless bookshelf : some entries are brief mentions, others take the form of more elaborate essays and reviews. Someday, not soon, comments or interactivity. Right now you’ll have to send links to me, dear readers. [HWW]

electronym : wessells at aol dot com

Copyright © 2007-2015 Henry Wessells and individual contributors.

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