book collecting – Page 3 – The Endless Bookshelf

Borges

The work of Jorge Luis Borges has always been a touchstone for me: the concision and entanglement of his fictions and artifices and inquisitions are a source of great pleasure and inspiration. I am pleased to report that James Cummins Bookseller catalogue 145, Jorge Luis Borges, is ready, describing more than 400 items from the private collection of Gary Oleson, proprietor with Franny Ness of Waiting for Godot Books in Hadley, Massachusetts. Waiting for Godot were long- time specialists in twentieth century literature (among many other fields), including Latin American authors, and Oleson began buying Borges material in the late 1980s and early 1990s.

The collection includes books owned by Borges, manuscripts of essays and stories, autograph notes, photographs, inscribed books, and a comprehensive group of books, periodical appearances, ephemera, and secondary literature. The cover illustrates a book by Capt. Marryat, signed by Borges at age 11, 25, 33, and 42, and with the ownership signature of his English-born great aunt, who taught him English

As with the writings of Borges, patterns and connections reveal themselves across the pages of the catalogue, which is published on the occasion of a Borges centenary, the hundredth anniversary of the publication of his first book of poems, Fervor de Buenos Aires (1923). [HWW]

Catalogue 145, Jorge Luis Borges is in two sections, an illustrated catalogue of 130 items, and a descriptive listing of 275 items. A printed catalogue is available, and many items will be on display at the New York Antiquarian Book Fair 27-30 April at the Park Avenue Armory, in the Cummins booth A1. Your correspondent will be there, come say hello.

recent reading : september to december 2022

current reading :

— Marcel Proust. Albertine disparue [1925]. Gallimard, Bibliothèque de la Pléiade.

— C. P. Curran. James Joyce Remembered. Edition 2022. With essays by H. Campbell, D. Ferriter, A. Fogarty, M. Kelleher, H. Solterer. Collection presented by E. Roche & E. Flanagan. Illustrated. x, 224 pp. UCD Press, 2022.

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recent reading :

— Stephanie Feldman. Saturnalia. A Novel. Unnamed Press, [2022]. A dark celebration of the mysteries in the streets of a Philadelphia shattered by climate change, epidemics, and political manipulations. Not since In the Drift by Michael Swanwick has the threatening power of the city’s social clubs been summoned so palpably. Though the novel treats with matters of alchemy and magic, the narrative strategy is strongly anchored in mimetic realism.

— George Sims. The Rare Book Game. Holmes Publishing Company, 1985. Collection of essays by English bookseller and mystery novelist George Sims. With the companion volumes, More of the Rare Book Game (1988) and Last of the Rare Book Game (1990). Sims had remarkable access to archives of A. J. A. Symons, Oscar Wilde, Eric Gill, and others, and his discussion of the authors and the materials he handled makes for fascinating reading.

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Beardsley translation of Catullus — Margaret D. Stetz. Aubrey Beardsley 150 Years Young. From the Mark Samuels Lasner Collection. 44 illustrations, 69 items. 85 pp. Grolier Club, 2022. Excellent record of the fabulous, witty, and nimbly erudite descriptive labels from the Beardsley exhibition (8 September to 12 November 2022). The translation from Catullus illustrated above suggests that a classical education was not without its rewards. Not being a Latinist, your correspondent is glad that Beardsley could knock out such a poem.

— Rick Moody. Surplus Value Books. Catalog Number 13. Illustrated by David Ford. Unpaginated, [40] pp. [Santa Monica]: Danger Books!, [2002]. Edition of 174 copies signed by the author. An acerbic jeu d’esprit, a pitch perfect catalogue of imaginary books compiled by an obsessive romantic stalker. Originally published in wrappers in different format in 1999.

— Adam Roberts. The History of Science Fiction. Palgrave Macmillan, 2006.

— George Pelecanos. The Night Gardener. Dennis McMillan, 2006.

— Marcel Proust. La Prisonnière [1923]. Gallimard, Bibliothèque de la Pléiade. I have been reading my way through Proust for the last year, slowed down but still going. One thing that has emerged, to my surprise, is how funny the narrator is at times.

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— Mark Valentine. Arthur Machen. Seren, [1995]. Concise biography with an excellent account of the Gwent landscapes of Machen’s youth and their influence upon him.

— Kij Johnson. The River Bank. A sequel to The Wind in the Willows. Illustrations by Kathleen Jennings. Small Beer Press, [2017].

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— The Bart Auerbach Collection. Dedication Copies; Books, Letters & Manuscripts; The Book Trade; Poets, Philosophers, Historians, Statesmen, Essayists, Dramatists, Novelists, Booksellers, Humorists, &c., &c., &c. Riverrun Books, [2022]. An illustrated memorial catalogue of the private collection [500 items] of the dean of New York antiquarian book appraisers.

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— H. P. Lovecraft. Fungi from Yuggoth. An Annotated Edition. Edited by David E. Schultz. Illustrated by Jason Eckhardt. Hippocampus Press, [2017]. [re-read].

— Francis Brett Young. Cold Harbour. Collins, [3rd ptg, 1926].

— Giuseppa Z. Zanichelli. I codici miniati del Museo Diocesano “San Matteo” di Salerno. Lavegliacarlone, 2019.

— Curzio Malaparte. The Skin. [La Pelle, 1949]. Translated from the Italian by David Moore. Introduction by Rachel Kushner. NYRB paperback.

R. B. Russell, Fifty Forgotten Books

— R. B. Russell. Fifty Forgotten Books. With numerous illustrations. 255 pp. Sheffield : And Other Stories, 2022.

Sometimes, all it takes is one book. When Mr. Brookes, who kept a bookshop in Brighton, gave handsome young Ray Russell a Corgi paperback copy of Arthur Machen’s The Hill of Dreams (1907), how could Mr. Brookes have known where it would lead? Not perhaps where he thought. As proprietor (with Rosalie Parker) of Tartarus Press, Russell has championed and published Arthur Machen, Robert Aickman, Sarban, and other early authors of supernatural fiction, and developed a consistently excellent list of new authors in the field. Fifty Forgotten Books is Russell’s engaging memoir of how that came to be, in a braided succession of chapters (and discussing many more than 50 books).

The two best qualities of Ray Russell’s memoir are the eclectic nature of his list of titles and the delight a reader has in walking around in his library as the collector pulls volumes from shelves to tell stories of books, and of the booksellers, friends, and authors summoned in memory in the telling. First things first: this is an eclectic chronicle of a curious reader from his teenage years to the present, so after a bit of second-hand existentialism by way of Colin Wilson, we get to it. The Hill of Dreams, “better written than anything I had previously read. [. . .] When I went back to Brighton two weeks later, it was to hunt for more Machen, but I was sorely disappointed. Machen’s books were hard to find at the time.” Another early stage in his reading was French literature in translation, with Baudelaire, André Gide, and Raymond Radiguet, and Le Grand Meaulnes (which Russell would himself translate from the original in 1999). Learning of Oscar Wilde and the 1890s led to Ernest Dowson’s Dilemmas (1895) and M. P. Shiel. Russell writes of his quests in used and antiquarian bookshops up and down England and Wales, on an architecture student’s budget. The intellectual generosity of some booksellers is sometimes exceeded by the wiliness of others, such as the late George Locke.

It always comes back to Machen: a copy of the Knopf compendium, Tales of Horror and the Supernatural, bought on his American trip to see buildings and the manuscripts of H. P. Lovecraft, reaffirms his esteem for the Welsh author. Things really get going when Russell attends a meeting of the Arthur Machen Society and meets enthusiasts who become lifelong friends. The delight of Fifty Forgotten Books is in the stories of convivial encounters — a certain amount of drinking is sometimes involved — and in seeing the life of these communities of readers and writers described: books and friends* and landscapes to ramble in, what more could one ask? Russell’s first publication was a stapled pamphlet, but two years toil in a dodgy local vanity press schooled him in the logistics of book production, and Tartarus books have since then had both a consistent design style and a pleasing feel in the hand.

Russells recounts the enthusiasms for Machen and Robert Aickman that shaped the early output of Tartarus, and how these led to other interests. Through Janet Machen, Russell became interested in the writings of Sylvia Townsend Warner, and eventually founded a literary society devoted to her. After his friend Mark Valentine, suggested reading Sarban, their researches led to a genuine rediscovery and to the preservation of that author’s archive. The accounts of visits to the author’s daughter are great fun.

Russell’s earlier collection of essays, Past Lives of Old Books (2020) touched upon many of the same authors, but here he is telling of his own life and his friends and the tone is different. I note that 13 of the 50 chapters in Russell’s memoir are about books by women authors. I mention this as the early history of the literature of the supernatural is pretty much a men’s club, but during the past several decades, editors in the supernatural (as in science fiction and fantasy), have opened up the field to a greater diversity of authors. In writing of The Old Knowledge (2010) by Rosalie Parker, Russell makes it clear that his partner’s editorial vision has shaped the contemporary list published by Tartarus Press, which includes N. A. Subway’s Rupetta (2013) and Rebecca Lloyd’s The Child Cephalina (2019).

In Fifty Forgotten Books Russell is not defining a canon, rather issuing a good-natured challenge to the reader ‘to determine how many of these works they remember’. While you may have read many of these books, some of which are hardly forgotten (The Quest for Corvo, for example), you won’t have read all of them: my own tally was 16, with two or three more that I have handled but not read. Like two other recent stellar examples, Godine at Fifty (2021), and Bill Reese’s Narratives of Personal Experience (2016), Russell’s memoir earns a place on the shelf and suggests future reading: I am looking forward to The Brontës Went to Woolworth’s (1931) by Rachel Ferguson, and several others. Pick up a copy of Fifty Forgotten Books and see for yourself.

——
* I first met Ray Russell and Rosalie Parker in person at the inaugural Halifax Ghost Story Festival in 2010, but I had known of their Tartarus Press ever since I came across an irresistible title, The Smell of Telescopes, in Ev Bleiler’s essay on Rhys Hughes a decade before; I had bought a copy the Tartarus Press re-issue of The Hill of Dreams from an American specialty dealer’s list when it appeared. At that same festival, I met Mark Valentine, a longtime penpal, and several other of their friends.

recent reading (march through august 2022)

current reading :

— Marcel Proust. La Prisonnière [1923]. À la recherche du temps perdu III. Bibliothèque de la Pléiade. [still climbing the mountain].

— R.B. Russell. Fifty Forgotten Books. Sheffield : And Other Stories, [forthcoming, 13 September 2022].

recent reading :

— Marcel Proust. Sodome et Gomorrhe [1921-2]. À la recherche du temps perdu III. Bibliothèque de la Pléiade.
This was tough going at times, but there was always a remarkable passage or narrative surprise to quicken interest — and what a crack of the whip at end, rooted in earliest beginnings.

Deep in volume III of the Pléiade edition, an aside points ahead to something I should perhaps have inferred and now the full arc of this whiny wallowing hilarious satiric narration comes clear. Proust is sufficient argument against fleeting worries over “spoilers”. He gives the game away himself a few times (from the outset, in fact); but more importantly, reading Proust affirms that literature is experiential. The dance of words performs itself upon the page and in the reader’s awareness, each time new, or else it’s nothing.

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— Tom Lecky. Quarrying [Cover title]. One story and fifteen photographs. Understory Books, [2021]. Edition of 100 copies.

The story, “A Walk”, is subtle and minimalist, oblique and suggestive of the long consequences of family traumas.

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— Ivy Compton-Burnett. Manservant and Maidservant. Gollancz, [1947]. Late Victorian household drama, in the conversations of a family and their servants, on the surface a very small world but the novel presents, unspoken but apparent, a dispassionate and clear-eyed indictment of the British class system and economic structure. An unexpected pleasure.

— The Herman Melville Collection of William S. Reese. Christie’s, [August 2022]. Illustrated auction catalogue, 100 lots, including many rarities, up at auction on 14 September.

— Ngaio Marsh. Night at the Vulcan [1951]. Pyramid Books, [Second printing, December 1974].

— — —

— Robert Scoble. Raven. The Turbulent World of Baron Corvo. Strange Attractor Press, 2013.
— —. The Corvo Cult. The History of an Obsession. Strange Attractor Press, 2014.
Two well written, engaging, and thoroughly documented overviews of the Frederick Rolfe phenomenon: the people surrounding him and the evolution of the cult of the author.

— Guy Davenport. The Resurrection in Cookham Churchyard [1967]. [Jordan Davies, 1982].
. . . and everyone is there, in this kinetic Blakean procession, to be animated from Stanley Spencer’s giant painting .

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— Eileen Gunn. Night Shift plus Usual and the Author plus Promised Land and much more. PM Press, [2022].
A volume in the excellent Outspoken Authors series, with Terry Bisson’s interview of Eileen Gunn, “I Did, and I Didn’t, and I Won’t”, including this observation about an early job as a advertising copywriter :
“They taught me how to understand subjects I’d never studied and how to work with capitalists without becoming one.”

— Julian Symons. The Immaterial Murder Case [1945]. Penguin Books, [1954].

— Corina Bardoff. Food Restrictions. 2020.
Nimble, funny, literate Oulipian explorations of food and words. [Gift of WW].

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— Michael Swanwick and Gardner Dozois. In His Own Words. Dragonstairs, [2022]. Edition of 60 copies.
Legendary editor Gardner Dozois interviewed by his friend.

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— Elizabeth Hand. Hokuloa Road. Mulholland Books. Little, Brown, [2022]. Another unsettling and gripping book, and a new place in our psychic geography (just maybe you can get there from Kamensic). This reader trusts Elizabeth Hand with his life and readerly attention, and is always rewarded Wherever her books lead, the narrative path is fascinating and the destination is beautiful and often frightening : that is to say, the classical elements of the sublime. Also notable for having a decent working class guy as protagonist.

— Undefined Boundary. The Journal of Psychick Albion. Volume One / Issue One. Edited by Cormac Pentecost. Temporal Boundary Press, 2022.
Reading this, one has the sense that somehow England will find a way through the present mess.

— — —

— Alice Elliott Dark. Fellowship Point. A Novel. Mary Sue Rucci Books | Scribner, [2022].
Rich, beautiful exploration of friendship, place, and time (the Maine setting is deeply rooted), with turns and surprises worthy of Dickens ; a notable feminist interrogation of privilege and expectations.

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— John Clute. Sticking to the End. Beccon, 2022.

Essays and addresses, with book reviews from Strange Horizons and New York Review of Science Fiction; memorials of Gene Wolfe, David G Hartwell; and more.

— Hervé Le Tellier. L’Anomalie. Roman. NRF Gallimard, [2020].

Science fiction à l’Oulipo, witty and nimble.

— — —

—[Margaret Cavendish,] Duchess of Newcastle. The Description of a New World called the Blazing World. 1666.

— — —

— Mark Valentine. The Fig Garden and other stories. Tartarus, [2022].

Excellent new collection, with several original stories.

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— Nicholas Daly. Ruritania. A Cultural History, from The Prisoner of Zenda to The Princess Diaries. Oxford University Press, [2020].

Interesting fun, with some odd gaps or omissions (such as John Buchan’s The House of the Four Winds and Avram Davidson’s Doctor Eszterhazy stories).

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— Marius Kociejowski. A Factotum in the Book Trade. A Memoir. Biblioasis, [2022].
When the Romanian singer started in on « Un dimanche après la fin du monde » I was engaged ; and then the first pages of Chapter 13, The Man Collecting Names is a remarkable sequence of reflections. [Gift of DS].

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— Eric G. Wilson. Dream Child. A Life of Charles Lamb. Yale University Press, [2022].

Read with great interest, Wilson is excellent on Lamb’s connections to the main literary figures of the day (Coleridge, Wordsworth, and others), and on the tragedies of his life.
[Bought in March but misshelved and only found in early June.]

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— Michael Swanwick. The Once and Future Rye. The Whiskey That Was America. [At head of title:] The Proceedings of the American Martini Institute. A Report of the American Martini Laboratory. [Dragonstairs, 21 May 2022]. Edition of 80 copies.

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— Christelle Téa. Bibliothèques. Dessins 2018-2021. Librarie Métamorphoses, [2022]. Exhibition catalogue, with introduction by Michel Scognamillo, “Christelle Téa, ou la stratégie de l’araignée”.
/ above : in the Bibliothèque Mazarine

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— This World and That Other. [Stories by] John Howard [and] Mark Valentine. Sarob Press, 2022.

— Algernon Blackwood. The Lure of the Unknown. Essays on the Strange. [Edited with an introduction by Mike Ashley]. Swan River Press, 2022.
Collection of nearly two dozen essays, talks, and vignettes about the uncanny, spanning almost the entire career of supernatural writer Algernon Blackwood (1869-1951). The earliest, “The Psychology of Places” (Westminster Gazette, 30 April 1910), seems almost a gloss on his story “The Willows”; the majority of the pieces are from the late 1940s and were often delivered as radio or television broadcasts. Ashley notes Blackwood’s general reticence about any of his own psychic experiences. The essays “collected here reveal his views on the world and the occult, show his diverse reading and experiences, and his appreciation of the experiences of others.”

— Bruce Barker-Benfield. The Glossed Luke with the Letter A. A manuscript from St. Augustine’s Abbey Canterbury with an essay on the binding by Andrew Honey and an introduction by William Zachs. Blackie House, 2020.
Illustrated history of a notable twelfth-century manuscript Gospel which survives in its original binding.

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— Mark Tewfik. The Pirate King. Illustrated by Josh Grotto. Full color illustrations throughout. [40] pp. Chicago : Lanterne Rouge Press, 2022. Edition of 100 copies.
The text of The Pirate King resembles a children’s bedtime tale, while the collage illustrations suggest a very different story. A remarkable tension arises between the visual and verbal references.

A Wunderkammer in Virginia

— David R. Whitesell. A Curator’s Wunderkammer. A Decade of Collecting for the University of Virginia. Exhibition Catalog. [Charlottesville: University of Virginia Library], 2022. Illustrated throughout. [iv], 105 pp. Edition of 500 copies [in fact, 310]. $25.00.

David Whitesell’s Wunderkammer exhibition is a retirement party in material form, a late career greatest hits selection of sixty-four books, manuscripts, and ephemera he bought for Special Collections at the University of Virginia Library during a decade at as curator at the Small Special Collections Library at the University of Virginia (previously he was at the American Antiquarian Society for many years). The exhibition runs through July but information seems meager on the UVa website, so I will treat this catalogue as my invitation to the party (complete with a transcript of all the speeches!) and write about it.

A Curator’s Wunderkammer includes is divided into five broad categories: Jefferson, Virginia, & American History (23 items); English Literature (5 items); American Literature (7 items); Printing, Publishing & Book Arts (19 items); and Omnium Gatherum (10 items). Boundaries are usually a lot fuzzier than people think, and here, too: many of the items in the Omnium Gatherum have an Americana flavor. This is only a tiny selection from some 15,000 items Whitesell purchased, but they document the curator’s energies and the range of materials that he has seen. The items include a Jefferson manuscript and the diary of a young lady growing up in Virginia during the Civil War (this is after all, Jefferson’s university); the first novel by an American-born author; a rare Boston imprint of Meat out of the Eater and Day of Doom; the decorative wrapper for a ream of paper from a Hartford Mill; a memoir of a Bavarian soldier in the first world war; a private manuscript anthology of the poet Chatterton; and a fragment of Washington Irving letter, just before his career took off with The Sketch Book.

Whitesell pays attention to poetry (he was editor of Roger Stoddard’s monumental Bibliographical Description of Books and Pamphlets of American Verse Printed from 1610 through 1820). Notable here are a family copy of an early American utopia in verse, The United Worlds (1834), which conclusively identifies the author, and The Eucleia (ca. 1865), a nonce collection of the works of William Cook, mendicant poet and self-publisher in Salem, Mass., reflecting Whitesell’s interest in “nineteenth-century non-canonical verse”. And then there is the rare and remarkable and potent America and other poems by James Monroe Whitfield (Buffalo, 1853).

The last item in the catalogue is the manuscript of an essay, “La biblioteca total”, written by Jorge Luis Borges for Sur (August 1939), which is identified as a precursor of the story, “La biblioteca de Babel” (The Library of Babel), published two years later in El jardín de senderos que se bifurcan. No wonder he describes this as “the prize, and if I must choose, my favorite UVA acquisition”.

In this catalogue Whitesell names the booksellers from whom he purchased materials (this aspect of the history of the object is usually omitted); and so this catalogue becomes a an account of relationships between the antiquarian trade and a knowledgeable institutional buyer. He writes discursively on his selection process and the constantly changing nature of the book trade. This is a fun catalogue.

[Note: Some copies were issued with an added presentation leaf (inscribed to the individual booksellers identified as sources). The colophon states 500 copies printed, but due to paper shortages only 310 were in fact printed. If you want one, best to act soon. Details: https://at.virginia.edu/wunderkammer]

Men at Work

A Preliminary Checklist of First Editions of the Books of Nevil Shute

Compiled by Henry Wessells

Marazan

“People still read Nevil Shute, but
they do not . . . write much about him”
— Julian Smith

This checklist provides identifying data for first editions published in London and New York, as well as selected additional information on editions printed in Australia with the Heinemann imprint and on American reprint editions. This information is chiefly drawn from my notes while cataloguing the J. C. Boonshaft collection; I have also examined the copies at the Lilly Library (October 2023); for certain items not seen, I add descriptions from OCLC as noted. Each entry indicates title and pagination; title pages are not transcribed but dates not printed on the title page are enclosed in square brackets, e.g.: [1928]. The color of the binding is noted (wrappers, cloth, or boards), and characteristics of dust jackets (including prices when I can), as well as variants seen. I have not attempted to trace all of the volumes in the Heinemann uniform edition; nor the paperbacks. Corrections and additional information gratefully received. — HWW

1.1 Marazan. 319 pp. London: Cassell, 1926. First edition. Blue cloth, pictorial dust jacket.
1.2 Marazan. [viii], 256 pp. [First leaf is a blank]. London: Heinemann, 1951. First Heinemann edition, with a new preface by the author. Blue cloth. Dust jacket not seen.

2.1 So Disdained. [viii], 311, [1] pp. London: Cassell, [1928]. First edition. Red cloth titled in black. Imprint of The Greycaine Book Manufacturing Company Limited on last page of text, with code at foot: F25.528. (Lilly Library). Dust jacket not seen.
2.2 The Mysterious Aviator. [viii], 304 pp. Boston: Houghton Mifflin, 1928. First American edition. Blue cloth, dust jacket.
2.3 So Disdained. [x], 233 pp. London: Heinemann, [1952]. Blue cloth. Dust jacket not seen. Uniform edition. [New edition, 1951 (not seen). Reprinted 1952 (twice)].

3.1 Lonely Road. xii, 308 pages. London: Cassell, 1932. First edition. Black cloth, lettered in red. Not seen. OCLC: 28557522 (10 locations).
3.2 Lonely Road. [8], 302 pages. New York: William Morrow, 1932. First American edition. Tan cloth, spine and upper board lettered in yellow, pictorial dust jacket (spine and front panel) after painting by Cleo Damianakes, signed CLEONIKE; back panel listing ten titles, Lonely Road third, Black Elk Speaks tenth. (Lilly Library). OCLC: 8002451.
3.3.a Lonely Road. xii, 239 pp. London: Heinemann, [1953]. Blue cloth. Dust jacket not seen. Uniform edition. [New edition, 1951 (not seen). Reprinted twice, 1952 (not seen)]. Reprinted 1953.

4.1 Ruined City. 281, [1] pp. London: Cassell, [1938]. First edition. Black cloth. Dust jacket not seen.
4.2.a Kindling. [4], 279 pp. New York: William Morrow, 1938. First American edition, proof issue. Wrappers from dust jacket.
4.2.b Kindling. [4], 279 pp. New York: William Morrow, 1938. Special Advance Edition. Pink wrappers printed in black, publisher letter on front. One thousand copies printed. The spine announces the release date as late May or early June 1938.
4.2.c Kindling. [4], 279 pp. New York: William Morrow, 1938. First American edition. Oatmeal cloth lettered in red, dust jacket.
4.3.a Ruined City. [iv], 269 pp. London: Heinemann, [1951]. First Heinemann edition, proof copy. Wrappers printed in red (printed on a sheet of printer’s waste, an illustration of a hound from Dog Days by K F Barker).
4.3.b Ruined City. London: Heinemann, [1951]. Blue cloth, dust jacket listing 10 titles. Heinemann uniform edition.

5.1.a What Happened to the Corbetts. 267 pp. London: Heinemann, [1939]. Proof Copy. Drab wrappers, title printed in red.
5.1.b What Happened to the Corbetts. [viii], 267 pp. The first leaf is a blank. London: Heinemann, [1939]. One of 1000 copies for special distribution. Printed on laid paper. Decorated boards as issued without dust jacket. Publisher’s compliments slip loosely inserted. Smith: “his British publishers distributed a thousand free copies on publication day in April, 1939, to Air Raid Precaution workers and officials.”
5.1.c What Happened to the Corbetts. 267 pp. London: Heinemann, [1939]. First edition. Cloth, dust jacket. Not seen.
5.1.d First edition, second impression. Not seen.
5.1.e What Happened to the Corbetts. 267 pp. London: Heinemann, [1943?]. First edition. Light grey cloth, dust jacket with third impression on front flap. March 1943 gift inscription.
5.2.a Ordeal. [6], 280, [1] pp. New York: William Morrow, 1939. First American edition. Blue cloth. Dust jacket not seen.
5.2.b Ordeal. [6], 280, [1] pp. Toronto: McClelland & Stewart Limited, 1939. First Canadian edition, from American sheets. Navy blue cloth, dust jacket.
5.2.c Ordeal. [6], 280, [1] pp. New York: William Morrow, 1939. Book of the Month Club edition. Blue cloth, unpriced dust jacket.
5.3 What Happened to the Corbetts. London: Heinemann, [1952]. Blue cloth, dust jacket, listing 10 titles. Heinemann uniform edition. [New edition, 1951 (not seen); 1952 (reprinted twice)].

6.1 An Old Captivity. [viii], 312 pp. The first leaf is a blank. London : William Heinemann, [1940]. First edition. Yellow cloth, map endpapers, typographic dust jacket printed in red and blue. Price 8s.6d. (Lilly Library copy with label 4/ — NET). Reviews of What Happened to the Corbetts on back panel.
6.2.a An Old Captivity. [4], 333 pp. New York: William Morrow, 1940. First American edition, proof issue, stamped on fly title, Publication date Feb 21 1940 Price $2.50. Wrappers from pictorial dust jacket, with priced flaps.
6.2.b An Old Captivity. [4], 333, [2] pp. New York: William Morrow, 1940. First American edition. Tan cloth stamped in blue, map endpapers. Dust jacket not seen.

7.1 Landfall. A Channel Story. 269 pages. London : William Heinemann, [1940]. First edition. Not seen.
7.2.a Landfall. A Channel Story. [iv], 284 pages. New York: William Morrow & Company, 1940. Blue green cloth lettered in blue, pictorial dust jacket (jacket not seen).

8.1 Pied Piper. [4], 283 pp. London: Heinemann, [1942]. First edition. Light brown cloth. Dust jacket with crossed pipes and laurels, in red, white, and blue, reviews of Landfall on back panel. Price 8s.6d. NET. (Lilly Library).
8.2.a Pied Piper. [4], 306 pp. New York: William Morrow, 1942. First American edition, proof issue, stamped on flyleaf, Publication date Jan 5 1942 Price $2.50. Wrappers from dust jacket, with priced flaps.
8.2.b Pied Piper. [4], 306 pp. New York: William Morrow, 1942. First American edition. Light blue cloth, dust jacket.
8.3.a Pied Piper. Garden City: The Sun Dial Press, [1942]. 1942 The Sun Dial Press on verso of title. Blue green cloth, spine title panel in dark blue.
8.4.a Pied Piper. New York: The Book League of America, [n.d.]. Blue cloth, spine title in gilt, dust jacket, back panel: Former Selections Still Available to Members at $1.39 Each, with list of six titles.

9.1 Pastoral. [iv], 218, [1, Acknowledgments]. pp. London: Heinemann, [1944]. First edition. Green cloth, calligraphic dust jacket, signed Geo. Mansell, 4 reviews on back panel. Price 8s.6d. NET. (Lilly Library).
9.2.a Pastoral. [viii], 246 pp. New York: William Morrow, 1944. First American edition. Tan cloth, dust jacket. Copy inscribed by the author to his wife, “Frances with love from Nevil September 1944”.
9.2.b Pastoral. New York: William Morrow, 1944. Book of the Month Club edition. Tan cloth, unpriced dust jacket.
9.3 Pastoral. [iv], 219, [1] pp. London [i.e., Melbourne]: Heinemann, 1945. First Australian edition. Brown cloth, dust jacket. Title page verso: Wholly set up and printed in Australia for the Oxford University Press, Leighton House, Melbourne, by the Adventure Printing Office, Marlborough House, Adelaide.

10.1 Most Secret. [iv], 275 pp. London: Heinemann, [1945]. First edition. Red cloth, map endsheets (West Coast of France. Ushant to the Glenan Isles). Calligraphic dust jacket, lettering in red and white against a black field signed Geo. Mansell, 5 reviews for Pastoral on back panel. (Lilly Library, price clipped).
10.2.a Most Secret. 310 pp. New York: William Morrow, 1945. First American edition. Tan cloth, dust jacket.
10.2.b Second printing, 1945. Tan cloth.
10.2.c Most Secret. New York: Sun Dial Press, [1946]. Blue cloth, dust jacket
10.3 Most Secret. [iv], 275 pp. London: Heinemann, [1946]. First Australian edition. Not seen. OCLC: 223159949 (State Library of New South Wales).

11.1 Vinland the Good. vi, 143, [3 blanks] pp. London: Heinemann, [1946]. First edition. Black cloth, map endsheets, typographic dust jacket printed in red. (Lilly Library, price clipped).
11.2 Vinland the Good. Title page and section titles printed in purple and black. 126 pp. New York: William Morrow, [1946]. First edition. Cloth backed boards, dust jacket.

12.1.a The Chequer Board. 317 pp. London: Heinemann, [1946]. Proof Copy. Tan wrappers, title printed in black (on printer’s waste for Come with Me by Margaret Kennedy and Basil Dean).
12.1.b The Chequer Board. [vi], 317 pp. London: Heinemann, [1947]. First edition. Dark red cloth. Dust jacket not seen (Lilly Library). Dust jacket, possible later state with Book Society Choice on front flap, price 9s6d.
12.2.a The Chequer Board. New York: William Morrow, [1946]. First American edition. Red cloth, dust jacket.
12.2.b The Chequer Board. New York: William Morrow, [1946]. Book club edition. Red cloth, unpriced dust jacket.
Note: Anderson reports that The Chequer Board “was a Literary Guild selection and eventually sold over 600,000 copies” (155).

13.1.a No Highway. [vi], 314, [1] pp. London: Heinemann, [1948]. First edition. Red cloth. Dust jacket not seen. Fourth impression dust jacket, back panel with five blurbs on the Novels of Nevil Shute.
13.2 No Highway. 346 pp. New York: William Morrow, 1948. First American edition. Grey cloth, dust jacket. Copy inscribed by the author to his wife, “Frances, with love, from Nevil, July 1948”.

14.1.a A Town Like Alice. [vi], 332, [1, Author’s Note] pp. London: Heinemann, [1950]. First edition. Red cloth, spine titled in gilt, upper board in blind with NS cypher, dust jacket. Probable priority of jackets: A. Price on inside flap. B. Book Society Choice band added. C. Book Society Choice and price 10s 6d on inside flap. (Lilly Library, state C, crudely price clipped).
14.1.b A Town Like Alice. [vii], 332, [1] pp. Melbourne: Heinemann, [1950]. Printed at the Windmill Press, Kingswood, Surrey. First Australian edition. Red cloth. Dust jacket not seen.
14.2 The Legacy. [6], 308 pp. New York: William Morrow, 1950. First American edition. Light green cloth, dust jacket.

15.1 Round the Bend. [vi], 362 pp. Melbourne London Toronto: Heinemann, [1951]. Cloth, map endpapers, dust jacket by Val Biro, at foot of front flap Book Society Choice in blue, 12s.6d. NET in black; back flap with Uniform Ed., 6s each, and at foot: Also available No Highway 10s6d. (Lilly Library.
15.2.a Round the Bend. [8], 341 pp. New York: William Morrow, 1951. First American edition. Black cloth backed boards, map endsheets, dust jacket. Copy inscribed by the author, “For Mug(?) from Nevil May 1951”.
15.2.b Round the Bend. New York: William Morrow, 1951. Book club edition. Black cloth backed boards, map endsheets. Dot in blind on lower board.

16.1.a The Far Country. [vi], 333 pp. Melbourne London Toronto: Heinemann, [1952]. Printed at the Windmill Press, Kingswood, Surrey. First edition. Red cloth, dust jacket by Val Biro, at foot of front flap Book Society Recommendation in small italics, 12s.6d.
16.1.b The Far Country. 326 pp. Melbourne London Toronto: Heinemann, [1952]. Printed at the Windmill Press, Kingswood, Surrey. First Australian edition. Red cloth, dust jacket by Val Biro.
16.1.c The Far Country. [vi], 239 pp. London: Heinemann, [1953]. New edition. Burgundy cloth, dust jacket, back panel listing 12 numbered titles of the Uniform Edition.
16.1.d. The Far Country. [vi], 239 pp. London: The Book Club, 121 Charing Cross Road, [1953]. Brown cloth, spine titled in black. [Dust jacket not seen.]. “This edition 1953” on verso of title page.
16.2.a The Far Country. [viii], 343 pp. New York: William Morrow, 1952. First American edition. Tan cloth, dust jacket by Charles V. John.
16.2.b The Far Country. New York: William Morrow, [1952]. Blue coated cloth, dust jacket by Charles V. John.

17.1.a In the Wet. vi, 304, [1] pp. Melbourne London Toronto: Heinemann, [1953]. Printed at The Windmill Press, Kingswood, Surrey. Red cloth, dust jacket by Val Biro, priced 12s. 6d. net.
17.1.b In the Wet. [vi], 350, [1, Author’s Note] pp. Melbourne: Heinemann, [1953]. First Australian edition. Title page verso: Wholly set up, printed and bound in Australia by The Specialty Press, Limited. Green cloth, pictorial dust jacket by Val Biro. (Lilly Library, price clipped). Also seen in grey cloth.
17.2 In the Wet. [viii], 339 pp. New York: William Morrow, 1953. First American edition. Blue cloth titled in yellow, pictorial dust jacket by Barye Phillips. Also seen: 4th printing, August 1956.

18.1.a Slide Rule. The Autobiography of an Engineer. Frontispiece and 8 plates from photographs. [vi], 249 pp. London: Heinemann, 1954. First edition. Red cloth, dust jacket priced 18s. Wrapper design by A. E. Barlow. (Lilly Library price clipped). Reprinted 1954 (twice), 1955 (three times). Third Impression statement on jacket flap; Fourth Impression statement on jacket flap, back panel stamped Overseas Edition Not for Canada.
18.2 Slide Rule. The Autobiography of an Engineer. With 4 leaves of plates from photographs. [x], 240 pp. New York: William Morrow, 1954. First American edition. Dark grey cloth, dust jacket.

19.1.a Requiem for a Wren. 284 pp. London: Heinemann, [1955]. Proof Copy. Tan wrappers, title printed in black
19.1.b Requiem for a Wren. [8], 284 pp. The first leaf is a blank. London: Heinemann, [1955]. First edition. Red cloth, dust jacket by Val Biro. Price 12s 6 d net. (Lilly Library)
19.1.c Requiem for a Wren. 284 pp. Melbourne: Heinemann, [1955]. First Australian edition. Red cloth, dust jacket. Copy inscribed by the author to his wife, “For Frances from Nevil with love April 1955”
19.2.a The Breaking Wave. [vi], 282 pp. New York: William Morrow, 1955. First American edition. Green cloth, dust jacket.
19.2.b The Breaking Wave. New York: William Morrow, 1955. Book Club Edition. Green boards, dust jacket.

20.1.a Beyond the Black Stump. [vi], 297 pp. Melbourne London Toronto [Printed at the Windmill Press, Kingswood, Surrey]: Heinemann, [1956]. Red cloth, spine titled in gilt, dust jacket by Val Biro. Price on front flap 15 s net.
20.2.a Beyond the Black Stump. 316 pp. New York: William Morrow, 1956. First American edition. Green cloth, dust jacket.
20.3.a Beyond the Black Stump. [London:] The Book Club, [1956]. Light blue cloth, dust jacket, front flap stating This Edition Issued by the Book Club.

21.1.a On the Beach. [viii], 312 pp. The first leaf is a blank. London: Heinemann, [1957]. First edition. Burgundy cloth, dust jacket by John Rowland. Price on front flap 15 s. NET.
21.1.b On the Beach. 312 pp. Melbourne: Heinemann, [1957]. First Australian edition. Burgundy cloth, pictorial dust jacket.
21.2.a On the Beach. 320 pp. New York: William Morrow, 1957. First American edition. Grey cloth, pictorial dust jacket.

22.1.a The Rainbow and the Rose. [vi], 306 pp. London: Heinemann, [1958]. First edition. Burgundy cloth, pictorial dust jacket by Stein. Price on front flap 16 s. NET.
22.1.b The Rainbow and the Rose. [vi], 306 pp. London: Heinemann, [1958]. First edition, Australian issue of dust jacket. Burgundy cloth, pictorial dust jacket by Stein.
22.2.a The Rainbow and the Rose. [viii], 310 pp. New York: William Morrow, 1958. First American edition. Yellow cloth spine, blue boards, dust jacket.

23.1.a Trustee from the Toolroom. [vi], 312, [2, blank] pp. London: Heinemann, [1960]. First edition. Red cloth, dust jacket. Wrapper design by Fratini. Lilly Library copy is price clipped; back flap lists 17 titles in uniform edition. (see below), possibly a later state?
23.1.b Trustee from the Toolroom. The Book Club, [1960]. Book club edition. Grey cloth, dust jacket.
23.2.a Trustee from the Toolroom. 309 pp. New York: William Morrow, [1960]. First American edition. Black cloth backed boards, dust jacket by Charles Geer.
23.2.b Trustee from the Toolroom. Book club edition. Black cloth backed boards, dust jacket. Dot in blind on lower board.

24.1.a Stephen Morris. [xii], 273 pp. London: Heinemann, [1961]. Uncorrected Proof Copy. Pale green wrappers, title printed in black. With publisher’s compliments slip loosely inserted.
24.1.b Stephen Morris. [xii], 273 pp. The first leaf is a blank. London: Heinemann, [1961]. First edition. Blue cloth, dust jacket. Wrapper design by Fratini. Price 16s NET. Back flap lists 14 titles in uniform edition. (Lilly Library).
24.1.c Stephen Morris. [xii], 273 pp. London: Heinemann, [1961]. First edition, Australian issue dust jacket. Blue cloth, dust jacket.
24.2.a Stephen Morris. [xii], 273 pp. New York: William Morrow, 1961. First American edition, advance reading copy. Blue cloth backed boards, illustrated dust jacket. With publisher’s slip announcing publication date as 11 September 1961.

25 The Seafarers. Kerhonkson, N.Y.: Paper Tiger, 2002. Written 1946, published “with minor rewrites by the Nevil Shute Foundation” (Anderson, 172). Not seen.

Stray notes on uniform editions

A. Morrow, [after 1945]. Cloth, back panel of dust jacket listing Five Beloved Novels
A.1 An Old Captivity. Beige cloth, spine titled and stamped in blue. Dust jacket in blue.
A.2 Landfall. Beige cloth, spine titled and stamped in brown. Dust jacket in brown.
A.3 Pied Piper. Not seen.
A.4 Pastoral. Not seen.
A.5 Most Secret. Not seen.

B. Heinemann, [1951 onward]. Blue cloth, dust jackets.
Marazan (see 1.2).
So Ordained (see 2.3).
Lonely Road (see 3.3.a).
Ruined City (see 4.3.a, 4.3.b). Dust jacket, listing 10 titles.
What Happened to the Corbetts (see 5.3). Dust jacket, listing 12 numbered titles:
1. Marazan
2. So Disdained
3. Lonely Road
4. Ruined City
5. What Happened to the Corbetts
6. An Old Captivity
7. Landfall
8. Pied Piper
9. Pastoral
10. Most Secret
11. The Chequer Board
12. No Highway

N.B.: Heinemann edition of Stephen Morris (see 24.1.b), dust jacket back flap lists 14 numbered titles, adding:
13. In the Wet
14. The Far Country

N.B.: Heinemann edition of Trustee from the Toolroom (see 23.1.a), dust jacket back flap lists 17 numbered titles, adding:
15. Round the Bend
16. Requiem for a Wren
17. A Town like Alice

C. Complete Works. London: Distributed by Heron Books, [n.d., 1968-1969]. 22 vols., uniformly bound in red rexine, without dust jacket. Not seen. OCLC: 221640306 (State Library of New South Wales).
One volume only seen: Beyond the Black Stump. Heron Books, n.d. [1969], in red rexine.

On Shute:

— Julian Smith. Nevil Shute. 166 pp. Boston: Twayne Publishers, [1976]. Red cloth. Twayne’s English Author Series 190.
— Corbin S. Carnell. “Nevil Shute”, pp. 213-217 in: British Fantasy and Science-Fiction Writers, 1918-1960, edited by Darren Harris-Fain. Dictionary of Literary Biography. Volume 255. Detroit: Gale Group, 2002.
— John Anderson. Parallel Motion A Biography of Nevil Shute. xii, 308, [1] pp. Kerhonkson, N.Y.: Paper Tiger, 2011. Boards.
— John Clute. “Nevil Shute”, in: The Encyclopedia of Science Fiction, Third Edition. http://sf-encyclopedia.com/entry/shute_nevil : “Some of his earlier fiction, by taking advantage of his intense and very up-to-date knowledge of aeronautics (and of boffins or back-room boys), verges very closely on sf.”

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Afterword

I had read some Nevil Shute: not as much as I thought. My father, an engineer, had copies of Slide Rule and Trustee from the Toolroom, which I read as a teenager, along with On the Beach and one or two others. I read Marazan and Lonely Road while working on the collection, as well as the Smith monograph and Anderson’s engaging biography. [HWW]

First published in the Newsletter of the Nevil Shute Norway Foundation, October 2021. With Revisions (December 2021; October 2023).

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