Category: book collecting

ROUND-UP OF BOOKS FROM 2024 WORTH LOOKING FOR

— Christopher Brown. A Natural History of Empty Lots. Timber Press, [September 2024].
This was one of the most interesting books I read this year.  Chris has written three novels of near future  dystopias where characters are finding their way through an America  reshaped by climate change (and political turmoil). The first of them, Tropic of Kansas, was the best book I read in 2015. In A Natural History of Empty Lots, Chris looked at the world around him and questioned his own assumptions and prejudices (as Thoreau suggests in Walden), and tries to see how we humans might find a way to live in the world that does not involve devouring it. The fact they that I appear in the book and our friendship of many years, obliged me to exclude Empty Lots from the running for the book of the year. This is a book that traces its origins to the excellent Field Notes Chris has been publishing online ; he has entirely transformed them and has written a beautiful and thoughtful book. https://endlessbookshelf.net/2024/09/03/singular-interview-christopher-brown/
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— Mark Valentine. Lost Estates. Swan River Press, 2024.
Collection of a dozen stories, four unpublished, including the excellent title story.
——. The Thunderstorm Collectors. Tartarus Press, [2024].
Collection of twenty-nine essays and vignettes, including pieces on Arthur Machen, A. J. A. Symons, M. R. James, and lesser known figures from the “curious alleys and byways” of literature and folklore. Fifth volume in his series of collected essays.
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On afternoons my heart / feels like an out-of-season hotel
— Adrian Dannatt. Capacity for Loss. [Opium Books, 2024]. Edition of 300.  Yellow cloth, dust jacket with illustration, Gaia, from the painting by Danny Moynihan.
Collection of poems.
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— John Clute. The Book Blinders. Annals of Vandalism at the British Library : A Necrology. Illustrated. Norstrilia Press, [2024].
I wrote a notice, here :
https://endlessbookshelf.net/2024/03/24/the-book-blinders-by-john-clute/

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— This Is Only Earth, My Dear. Images by Trillian Stars & Kyle Cassidy with poems by Elizabeth Eleanor Siddal. Laurel Tree Press, [2024].
Selection of poems by artist Lizzie Siddal (1829-1862) and photographs in and around east London by Kyle Cassidy, with a smouldering Victorian palette. A delightful pre-Raphaelite counterfactual : what fun !
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— Ray Russell. The Woman Who Fell to Earth. Tartarus Press, [2024].

A wild short novel of doublings, tricks of memory, serious ontological ambiguities, and the perils of close involvement in the life and writings of a neglected author. Tanya and Caroline were friends from university days, though Caroline had become reclusive after her husband’s death. Caroline, literary executor of one hit wonder and horror novelist Cyril Heldman, had resurrected his name and formed an online community of readers (we see a bit too much of the hostile behavior that such small stakes games can provoke).  Caroline gets back in Tanya’s life when she lands on Tanya’s roof: a corpse fallen from the empty sky. At the heart of the novel is and a house in Wales where time stands still, and the the Sixtystone, the object from Arthur Machen’s “Novel of the Black Seal”, which confers dangerous powers upon those in proximity. The resolution is deeply shocking, sudden and unexpected and seamlessly integrated into the narrative, even if some of the interesting implications are not fully explored. The ending is restorative and curiously cozy, almost pastoral.

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(MELVILLE, HERMAN). Melville’s Billy Budd at 100. A Centennial Exhibition at the Grolier Club and Oberlin College Libraries. Introduction and Descriptions by William Palmer Johnston. Frontispiece portrait of Melville by Barry Moser, color plates. The Grolier Club, 2024.
— Herman Melville. Billy Budd and Other Prose Pieces. Constable, 1924.
——. John Marr and other Sailors with some Sea Pieces. DeVinne Press, 1888.

2024 is the centenary of Melville’s Billy Budd, and there have been many phases in the year-long celebration. The catalogue of the Grolier Club show is well worth looking for. I was delighted to be a panelist on the symposium organized in connection with the exhibition. These events prompted me to publish A Melville Census, a bibliographical work looking at the last two books published in Melville’s lifetime : https://temporary-culture.com/product/henry-wessells-melville-census/#310899

It also prompted me to go back to primary sources, and so, on a recent visit to the Lilly Library, I re-read John Marr, a book of ghosts and roll-call of the dead. The whole book speaks to Billy Budd, especially the quip of Captain Turret, “submission is enough”. De Vere was not so sensible an officer. There are other things I noticed which will require more time to contemplate ; these thoughts will show up in an essay sometime.

recent reading : november 2024

 

— Romance in the Library. The Romance Novel in English. Gallery Guide. [Cover title]. Illustrated. [64] pp. The Lilly Library, [2024].
Curated by Rebecca Baumann, this remarkable exhibition, Romance in the Library, likely the first of its kind, charts a revisionist history of English literature, with emphasis on women as readers of novels from the eighteenth century to the present, and claims an oft-scorned modern-day marketing genre construct — the romance novel — as a badge of honor. In the heyday of the gothic, which included the sentimental as well as the historical and supernatural, writing novels was an economic activity open to women even while the reading of them by women (especially young women) was viewed as unsuitable. Baumann’s retrospective claim is an assertion that works pretty well, but one has to abandon one’s preconceptions to find more than superficial kinship between The Wild Irish Girl or Pride and Prejudice and modern formula fiction. The shift from novels aimed at a genteel readership to a vast popular appetite for novels of romantic entertainment is rooted in greater educational opportunities for women at all economic levels and the nineteenth-century achievement of near universal literacy. A welcome and provocative exhibition.
Jane Austen’s Pride and Prejudice (1813) is in original boards, untrimmed. The stylish yellow and red dust jacket* for Boy Crazy by Grace Perkins (1931) is spectacular (and it’s inscribed to Upton Sinclair)! I wish I had taken a picture.
[lightly edited for clarity 16 Nov.]
* here’s an image of another copy of the book :

Grace Perkins. Boy Crazy, 1931. Dust jacket by WJH. Courtesy of Long Bros., Seattle.

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— Kasper van Ommen. Joseph Scaliger. His Oriental library, and the meaning of scholarship. [Cover title]. Illustrated. Brill, [n.d.].
——. Josephus Justus Scaliger. Sieerad van de Academie. Ornament of the Academy. [Cover title]. Text in Dutch and English. Illustrated. [Universiteit Leiden, 2020].
Two illustrated monographs on the great sixteenth-century polyglot and polymath Joseph Scaliger (1540-1609).

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— The Dagon Collection. Auction Catalogue of Items Recovered in the Federal Raid on Innsmouth, Mass. Edited by Nate Pedersen. Cataloguing by Rebecca Baumann, with assistance from Jonathan Kearns. Illustrations by Liv Rainey-Smith and Eduardo Valdés-Hevia. Layout and Design by Andrew Leman. [PS Publishing, January 2024].
A catalogue of imaginary objects, rigorously described, with their history in vignettes by a wide variety post-Lovecraftian authors. Lot 13, The Geometry of Nowhere, is a dizzying book ; and lot 33, the Tiffany Lamp, is an unsettling piece.

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— Michael Connelly. City of Bones. Dennis McMillan, 2002.

recent reading : october 2024

 

— Richard Powers. The Future Is behind You. Oberlin Commencement Address 2023. The Letterpress at Oberlin, 2023. One of 14 copies, specially bound (edition of 105, all signed by the author). [Gift of VH].
“It may feel like a catastrophe. And yet it may also be the most clarifying thing, if you can step back and read it as part of a story that is much more than yours.”

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‘stealthy book killers’
— Craig Graham. At Night the Silverfish Move. Vagabond Books, 2023.
Snappy collection of three poems by bookseller Craig Graham: the title poem, “At Night the Silverfish Move (For Raymond Carver In Memoriam)”, dark, lethal, and funny; the predatory “Waiting for You”; and ending on the wistful optimism of “Juneteenth”. Graham is also author of Phantom Pain (2014). [Gift of the author].

— Henry James. The Turn of the Screw [1898]. Edited with an introduction and notes by David Bromwich. Penguin Books pbk.
The original serial publication, in Collier’s Weekly, had illustrations by John La Farge :

John La Farge for Collier’s, via Beinecke Library

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— Walter Klinefelter. The Fortsas Bibliohoax [1941]. Revised and Newly Annotated. Press of Ward Schori, 1986.
Anatomy of a celebrated and supremely successful hoax, a book auction catalogue from Belgium, 1840 : the collector, the books, the auction, entirely fictitious ; the original catalogue is now itself a rare book.

recent reading : late september 2024

— Kasper van Ommen. “The Einstein of the sixteenth century”, in : Books That Made History. 26 Books from Leiden That Changed the World. Edited by Kasper van Ommen and Geert Verhoeven. [Translated by Claire and Mike Wilkinson]. Brill, 2022.
Excellent essay on J. J. Scaliger (1540-1609), polyglot scholar of classical and near eastern languages, whose Opus de emendatione temporum (1598) integrated astronomy and history from Jewish, Babylonian, Persian and Egyptian sources as well as Greek and Roman works ; “he also incorporated the latest astronomical understandings of Nicolaus Copernicus (1473-1543) and Tycho Brahe (1546-1601)”. Scaliger came to Leiden University with his library in 1593; it soon grew, and has been kept there ever since. Your correspondent is the lowest amateur polyglot in  the presence of such erudition; there were some remarkable books on view during a visit last week (including a presentation inscribed from Brahe to Scaliger).
A summary note on Scaliger’s career by van Ommen on the University website (Dutch for ‘grouch’ is brompot), Josephus Scaliger : famous scholar and grouch

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— Janwillem van de Wetering. Hard Rain [1986]. Soho paperback, [1997].
Had to pick this one up again, an old favorite by an old friend, for a re-read now that I have been to Amsterdam, and have walked and bicycled along the canals and into the Amsterdamse Bos. It was a Depression-era landscaping project around the Olympic rowing basin of 1928 and is now a mature city forest and a green lung in the midst of a densely populated zone.

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— Heather Swan. Where the Grass Still Signs. Stories of Insects and Interconnection. Pennsylvania State University Press, [2024].
Memoir and travelogue on insects and landscapes from the rural midwest to Colombia and Ecuador, richly illustrated with works by contemporary artists. Seen in the window of Architectura & Natura, an inviting bookshop on Leliegracht in Amsterdam.

— Christian de Pange. Le Bréviare du Quintivir. Une enquête bibliographique en Franche-Comté. [Lusove: Imprimerie de Bacchus] Pour la Société des Bibliophiles Francois, 2022.
Bibliographical account of a private social club in Vesoul in rural France at the turn of the nineteenth century, and their festive book, printed circa 1813 for the five members. The bibliographer has traced three copies to the present day; a fourth copy was last seen in 1896. Edition of 100 copies, from the author.

— Choosing Vincent. From family collection to Van Gogh Museum. Lisa Smith and Hans Luijten (eds.). Van Gogh Museum / Thoth Publishers, [2023].

— Emile Schriver and Heide Warncke. 18 highlights from Ets Haim, the oldest Jewish library in the world. Walburg Pers, [2016].
Illustrated selection of books and manuscripts from the Portuguese Synagogue in Amsterdam (founded 1616).

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— Avram Davidson and Grania Davis. A Goat for Azazel. [Afterword by Michael Swanwick]. Dragonstairs Press, forthcoming 5 September 2024. Edition of 80 copies, stitched in mourning lacework paper wrappers, signed by Swanwick.
Reproduces the text of a proposal for an  Eszterhazy “ghost novel” (circa 1993 or 1994), with a note by Michael Swanwick, whose friendship back then encouraged my researches and the formation of the Avram Davidson website.

— Nancy Isenberg. White Trash. The 400-Year Untold History of Class in America. [With a new preface to the paperback edition]. Penguin, [2017].
The persistence of early modern English hierarchies and economic structures from the earliest beginnings of the enterprise. Dispossession, servitude, and the upward concentration of wealth.

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A Melville Census. John Marr & Timoleon

A Melville Census. John Marr & Timoleon. With a note by Henry Wessells.

Edition of 52 copies, designed and printed by hand by Jerry Kelly.

Published 8 January 2025. Sold out (updated 6 March 2025).

This is just what it sounds like : a report on the location of all known copies of Herman Melville’s John Marr (1888) and Timoleon (1891), the two last books of poems (each printed in editions of 25 copies), with a note about Maurice Sendak, Bill Reese, and others. Of the 52 copies printed, 26 lettered copies were reserved for presentation (one copy for the author, printed on blue paper, can be glimpsed at left above). Bibliographical details here.

commonplace book : early September 2024

Your correspondent will be attending  Armadillocon in Austin this weekend (6-9 September). I will be at the Howard Waldrop memorial on Saturday afternoon, and at other events. Say hello if you see me.

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Tartarus Press have announced publication of a fifth collection of essays by Mark Valentine, The Thunderstorm Collectors, 29 recent pieces, some previously unpublished, on authors of the supernatural, book collecting, and some lesser-known byways of English life and letters. I look forward to seeing it.

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“Melville’s Billy Budd at 100”, a new exhibition, opens next week at the Grolier Club in New York City. It will be worth a look.

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The Book Blinders by John Clute

Millions More Missing
— John Clute. The Book Blinders. Annals of Vandalism at the British Library: A Necrology. Illustrated throughout. 499, [1, errata] pp. Norstrilia Press, [2024].
There has been a steady production of scholarship on the history of the publisher’s dust jacket in the past fifty years. These ephemeral pieces of paper encode all manner of information about the moment in time and both how publishers perceived their wares and how they wanted the reading and book-buying public to receive the newly published books. Much emphasis has been on nineteenth-century jackets in recent research, including in G. Thomas Tanselle’s Book-Jackets: Their History, Forms, and Use (2011), which updates work he first published in 1971, and Mark Godburn’s Nineteenth-Century Dust-Jackets (2016). And yet it is really in the early twentieth century that jackets proliferate and assume the form and function we now understand. Vast conceptual leaps in design and presentation of information occur in the interval between The Wind in the Willows (1908) and What Not (1918/1919) or In Our Time and The Great Gatsby (both 1925). And yet this is not solely the province of literary high spots. Across all types of literature, the dust jacket functions as the outer face of the book.  Clute’s title, The Book Blinders, is descriptive of the practical effect for the reader of a long-standing institutional policy of discarding dust jackets or separating the jacket from the book and storing them elsewhere, uncatalogued. This policy prevailed at the British Museum (later British Library) and at other depository libraries from the emergence of the dust jacket and continued for most of the twentieth century. With more than 100 examples of dust jackets not in BL (from the years of the first world war through 1990), John Clute documents the importance of the dust jacket and considers the implications of this vandalism from within. How about these three or four: Rose Macaulay, What Not (1918), a tale of eugenics and privilege, suppression of a libellous passage delaying actual publication until 1919 (Clute’s copy is Michael Sadleir’s own, saved from the memory hole); C. E. M. Joad, Priscilla and Charybdis (1924), “undeterred by the gruelling wordplay of the title, [I] took a look, and found found this this on pages 206-207; a seductive Joad-like protagonist is addressing a young woman on a train ride they are sharing: ‘Darling [he purrs], have you ever travelled without a ticket?’” (this one alone is worth the price of admission); or Ezra Pound, Make It New (1934):

Faber (which is to say Eliot) clearly thought it sagacious to wrap in sheep’s clothing the already notorious Ezra Pound’s new publication with its incendiary title: a ticking bomb that needed no bush. But the underlying message cannot be missed: Pound’s title, a modernist wake-up slogan he’d been using offhandedly since 1928, is manifestly inflammatory, once grasped; a challenge to his various enemies who (he maintains) clog the literature pews: an up-yours bombination clearly audible through the enfant-sauvage mask Pound wore until it was too late. This bomb needed to slip through the gates before exploding.

or Robert Graves, The White Goddess (1948), Tom Eliot again; or Lawrence Leonard, The Horn of Mortal Danger (1980); or London Tales (1983), edited by Julian Evans. Clute’s selections are fascinating testimony to the breadth of his reading and collecting and his critical range; the text sparkles with his crunchy and apt vocabulary. It seems almost a homoeopathic distillation: “I’d reckon that out of every 8,000 or so books to arrive at the British Library complete with dust-jacket, I’ve commented here on a maximum of one”. (Excessive candor moment: John Clute is a friend of more than twenty-five years; I am the source for the images of the only jacket not from his own collection.) This is an important book.

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Addendum (3 May): I wrote the notice above after reading digital proofs of the book. Today I have a copy in hand (a print on demand product manufactured in Tennessee on 19 April), and it is nice to see the book in the wild. In the U.S. the book is available from bookshop.org and elsewhere. Oh, yes : The Book Blinders is issued with a dust jacket (designed by Judith Clute). Here is the back panel :

Peak Machen II : ‘I have not had to wait until I am dead !’

One hundred years ago, on 11 December 1923, Arthur Machen wrote a letter to a young American fan. The letter becomes more interesting with  a little context. In the autumn of 1923, New York bookseller Harry F. Marks issued his catalogue 11* and sent out invitations to a display of manuscripts and books of Arthur Machen. The background to this exhibition is notable. In 1922, Machen’s old friend and publisher Harry Spurr had brought manuscripts, proofs, and unpublished materials over to America and sold them to Harry F. Marks, who ran a well-established business for the New York carriage trade, and to Walter M. Hill of Chicago, another book dealer of national reputation. As John Gawsworth notes in The Life of Arthur Machen, “Marks who sold the pick of his collection by private treaty before issuing his 1923 catalogue still had some forty priced items to dispose of there at a total price of some $3,000. [. . .] the ‘boom’ was on”. **

The Life of Arthur Machen transcribes a letter dated 15 October 1923 that had been reproduced as pages three and four of the invitation :

Dear Mr Marks,
You tell me that you are holding an Exhibition of my books and manuscripts at your place in Broadway, New York. I hope your citizens will be interested.
But I cannot help thinking of a visit that I paid this last summer to my old home Llanddewi Vach Rectory in Monmouthshire. I left in September 1887; and had not been there since. The orchards that my father planted had grown into a wood; nothing else was much changed. But the old place brought back to my mind the old days, the days when, quite unknown and solitary, I worked night after night at The Chronicle of Clemendy in the room that looked out on those orchards and above and beyond them to Bertholly on the slope of Wentwood.
It is a far cry from the room at Llanddewi Vach to the Broadway Exhi­bition.
Yours sincerely,
Arthur Machen
12, Melina Place
London N.W.8

Machen was characteristically diffident about what New Yorkers would make of his work, but the letter from Machen illustrated above shows that the exhibition resonated with some visitors. The recipient of the letter was New York lawyer and bibliophile George Franklin Ludington (1895-1949, Johns Hopkins 1916, Harvard Law 1920), who had written a wistful fan letter to the author after his visit to “a little book dealer (but by no means an inconsequential one) of this city”.  Ludington retained a draft or fair copy of his letter, in which he mentions that in his youth in rural Maryland he had “climbed through the brambles that foot of the Hill of Dreams”, and then concludes with a supplication for the secrets bestowed upon Machen by A. E. Waite or others.

Machen’s response is gracious and tricky and illuminating, and then takes a curious meander into the literary undergrowth. I know the name Coventry Patmore, and so do perhaps a half a dozen others, too; but it is a curious recommendation :

Transcribed in full:

12, Melina Place
London NW8
Dec. 11, 1923

Dear Mr Ludington

Many thanks for your kind letter of appreciation. I am glad to hear that you were interested in the Marks Exhibition. I am more fortunate than many writers. I have not had to wait until I am dead!
There is no initiation from without ; that is, there is no secret society that can impart anything worth hearing. The only initiation is from within, so that you have almost as much as I do, having read “Things Near & Far”.
But I would recommend to any one whose mind is within these lines to read Coventry Patmore’s “Religio Poetae” & “Rod, Root, & Flower”.
With my thanks & best wishes
Yours sincerely

Arthur Machen

“The only initiation is from within” is prime Machen, a generous and spontaneous response to a young worshipper. Ludington seems not to have attempted to continue the exchange and just this one glimpse remains from a century ago.


* Catalog of rare and choice books, first editions of modern authors, etc. Charles Dickens first editions including the renowned Lapham-Wallace copy of the Pickwick papers. Also the most important collection of first editions and original manuscripts of Arthur Machen ever offered. New York: Harry F. Marks, 1923. Goldstone & Sweetser 76b.
Not seen, but noted from the bibliographer’s copy held at HRC (Call no. Z 8230 H355 1923). The Machen items are nos. 202-248. [Images courtesy of HRC.]


** John Gawsworth. The Life of Arthur Machen. Edited by Roger Dobson. Friends of Arthur Machen / Reino de Redonda / Tartarus Press, 2005. Pp. 286, 300, 304.

The chapter endnotes record some of the prices in those far off days, including the manuscript of The Three Impostors at $775. By way of comparison, Marks Catalogue No. 4 (1919), presenting an abundance of curiosa, had listed a finely bound set of Casanova’s Memoirs, now for the first time translated into English (1894), at $250 without mention of Machen as the translator; a similarly bound set of the twelve volumes, with addition of the note [by Arthur Machen], appears in the 1923 catalogue at $200, where a fifteenth-century Flemish manuscript Book of Hours was priced $140. In 1925, Marks  moved from lower Broadway to west 47th street and was the U.S. agent or distributor for the Black Sun Press.

Thanks to William Hutcheson who offered me the letter earlier this year.

N.B. This account picks up some threads from an earlier post, Peak Machen : 1923.

Addendum, 14 December: sometimes serendipity brings forth new information. Here is a clipping from the New York Tribune for a Thursday in December 1923 (likely 6 December):

This is a report of the exhibition at the Marks bookshop that prompted Mr. Ludington to write Machen. One can infer that Marks had sold most of the Machen manuscripts by this date. The Charles Parsons collection is now at Yale : it includes the manuscript of “The Garden of Avallanius”, known to us as The Hill of Dreams (Beinecke GEN MSS 256, Series I).

Little, Bigs

Four copies of the Incunabula edition of Little, Big by John Crowley, hand bound by an old friend for the author, artist, publisher, and one other. The special binding was commissioned to honor a pledge made long ago, and also as a gesture to mark the many hours of readerly delight that the book has given me (see here, 2001; here, 2007;  an entire chapter in my Conversation, 2018; or here, 2021). John Crowley is also a friend of many years, and so it is a pleasure to know that the author’s copy — note the discreet initials at the foot of the spine — had reached him well in advance of today, this his eighty-first birthday.

Happy Birthday and all good wishes to John Crowley !

recent reading : October & November 2023

— Howard Waldrop. H’ard Starts. The Early Waldrop. Edited by George R. R. Martin and Bradley Denton. [Subterranean Press, 2023]. Edition of 750 copies.
Collects nearly two dozen pieces described by Waldrop as “What I Wrote Before I Could Write” which is of course nonsense. “Lunchbox” was his first professional fiction sale, a Mars landing. “Onions, Charles Ives, and the Rock Novel” (an early piece written for Crawdaddy!), extrapolates from the posthumous production of Ives’ Fourth Symphony what would later become known as the “rock opera”. The four-part interview by Bradley Denton is great fun.

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Max Beerbohm, ‘Dante Gabriel Rossetti in His Back Garden’

— Margaret D. Stetz and Mark Samuels Lasner. Max Beerbohm: The Price of Celebrity. New York Public Library, 2023.
This handsome little book presents the exhibition labels for the Beerbohm show drawing on the NYPL collection, Lasner’s collection at the University of Delaware, and other lenders. The book (96 pp.) is rich and instructive, the exhibition is fabulous: Max’s drawing of the Devil proposing the bargain with Enoch Soames; a superb portrait of his wife Florence Kahn in six dancing poses like a Greek frieze; Rossetti’s courtship of Elizabeth Siddal; caricatures of Oscar Wilde, Rudyard Kipling, Henry James, and the red-headed Aubrey Beardsley; and “Mr. Beerbohm reading Mrs. Woolf”, a little sketch of himself falling asleep, in perfect imitation of the Vanessa Bell cover for her sister’s book; and more. The effect is a dense studio style hanging of drawings in a tiny room, and it works.

Max Beerbohm’s ‘improved’ copy of Zuleika Dobson

Go see it : https://www.nypl.org/events/exhibitions/max-beerbohm (through 28 January 2024)
The guide is available online: https://drupal.nypl.org/sites-drupal/default/files/2023-10/MaxBeerbohm_PrintedGuide.pdf

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— Kenneth W. Rendell. Safeguarding History. Trailblazing Adventures inside the Worlds of Collecting and Forging History. Foreword by Doris Kearns Goodwin. Whitman Publishing, [2023].
Memoir by the eminent autograph expert and bookman, from humble origins to international success. The accounts of uncovering forgeries are case studies of self-delusion by those who wanted to believe, and of Rendell’s clear thinking and basic skepticism. To read the book is to hear the author’s cadences and manner of speaking, very nicely done. The chapter on forming the library of Bill and Melinda Gates (and the logistics of its installation) is really something.

— John Howard and Mark Valentine. Possessions and Pursuits. Sarob Press, 2023.
Short novel by Howard, Fallen Sun, and two short stories by Mark Valentine, “Masque and Anti Masque” and “The Prospero Machine”. Third volume of tributes to the metaphysical novels of “Inkling” Charles Williams.

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— Maureen Kincaid Spiller. A Traveller in Time. The Critical Practice of Maureen Kincaid Spiller. Edited and with an introduction by Nina Allan. [Foreword by Paul Kincaid]. Academia Lunare | Luna Press Publishing [i.e., POD printed in U.S.A., 8 September 2023].
An excellent memorial volume assembling essays and reviews from her website Paper Knife and from Strange Horizons (chiefly 2010-2022, with a handful of earlier pieces), arranged thematically. The section on British author Alan Garner is fascinating as it shows her thinking about his work over decades (the earliest is from 1987; and the most recent is the last piece she published, in 2022). From the preface: “It was this notion, I think, this sense that everything we read is part of an ongoing and unending exploration, that convinced her to start reviewing. It was certainly the guiding principle behind the criticism she did write.”

— Jean-Claude Izzo. Chourmo. Une enquête de Fabio Montale [1996]. Gallimard [Folio policier, 2022].
Marseille crime novel.

— Sarban. The Doll Maker and other tales of the uncanny. Peter Davies, [1953].

— Cyril Connolly. The Modern Movement. One Hundred Key Books from England, France and America 1880-1950. André Deutsch / Hamish Hamilton, [1965].

— Charles Renouvier. Uchronie (L’Utopie dans l’histoire). Esquisse historique apocryphe du développement de la civilisation européenne tel qu’il n’a pas été, qu’il aurait pu être. Bureau de Critique Philosophique, 1876.

— Alexander Ames and Mark Samuels Lasner. Grolier Club Bookplates Past & Present. With contributions by William E. Butler and Molly Dotson. Illustrated. The Grolier Club, 2023.