It’s September again, and the annual congress of the Association internationale de bibliophile (A.I.B.) will be held in Copenhagen 7-14 September. I am looking forward to the gathering, in particular the chance to see the Arnamagnæan manuscripts at the university of Copenhagen. And the surprises to be encountered in a city I’ve never before visited.
Watercolor scenes of Greenland, ca. 1860, from an album presented to Danish King Frederik VII [in the King’s Reference Library].
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On the island near the Opera House, Copenhagen.
View of the Opera House from the Amalienborg Palace.
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The House of the Future. [Copenhagen, 1929]. Drawing by Arne Jacobsen and Flemming Lassen, at the Royal Library in the Skatte / Treasures exhibition.
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The view from the hill, at Louisiana (Sweden on the distant shore).
/ file under : easy nature
Alexander Calder at Louisiana.
Richard Serra at Louisiana.
A.I.B. Copenhagen : book fair in Ny Carlsberg Glyptothek this morning
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current reading :
— 66 [Sixty-six] Manuscripts from the Arnamagnæan Collection. Edited by Matthew James Driscoll [and] Svanhildur Óskarsdóttir. Museum Tusculanum Press, University of Copenhagen, [2015].
Illustrated commentary and discussion of selected manuscripts collected by Icelander Árni Magnússon in the late seventeenth and earliest eighteenth century : the wellspring of Icelandic literature, and of mediaeval Danish and Icelandic history and culture.
— Christopher Moore. Anima Rising. A Novel. William Morrow, [2025].
recent reading :
— Michael Innes. Appleby on Ararat (1941). Penguin Books, [1961].
— Michael Innes. Appleby at Allington [1968]. Penguin Books, [1970].
It was, Appleby reflected uncharitably, the successful Englishman’s chosen route to going soft.
— 100 Years 100 Voices. The Chapin Library. [Edited by Anne Peale.] Williams College, [2025].
A beautiful and richly illustrated celebratory catalogue, presenting selected items from the Chapin Library at Williams College, established with gifts from Alfred C. Chapin in 1923. Chapin had been buying very good and interesting books from the best dealers for nearly a decade before the initial gift, and the collection has grown since, through purchase and donation. The Chapin Library had a dynamic founding librarian, Lucy Eugenia Osborne, and has always functioned as a teaching library for undergraduate instruction. This intention shines through in this anthology. The collection ranges from European incunables and an Eliot Indian Bible (1663) to an Audubon Birds of America purchased from James Drake, from a miniature printing press owned by John Fast to a recent risograph artist book (and four copies of the 1855 Leaves of Grass). The short pieces about the books are by alumni (long gone and recent), past and present curators and librarians, faculty members, and others. The photographs, by Nicole Neenan, are nicely reproduced. This is an important publication, a concise and compelling testimony about why books and libraries are central to education.
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— Timothy d’Arch Smith. The Stammering Librarian. [Strange Attractor, 2024]
I am delighted to have come across this collection of essays by bookseller, novelist, and bibliographer Timothy d’Arch Smith, whose novel Alembic (1992) appears in my Grolier Club exhibition checklist. The title essay and one or two of the other pieces link up directly to the concerns of his excellent memoir of bookselling in London in the 1960s, The Times Deceas’d (2003). There are memoirs of persons real and imaginary, including The Rev. T. Hartington Quince M.A., a Nicholas Jenkins / Anthony Powell pastiche now first published for a wider audience, though the British Library entry for the original appearance (in an edition of 15 copies in 1991, shelfmark YA.1992.b.6526), records Nicholas Jenkins as a “creator” ! Cricket, novelist Julia Frankau, school slang, and Aleister Crowley are other topics.
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Over the next several weeks it will become ever clearer that I have embarked upon reading Michael Innes, whose wordplay and inventiveness are a pleasure. John Clute alerted me to The Secret Vanguard, and Mark Valentine lists Appleby’s End among his short list of Finest Quality Old English Yarns. I am enjoying the variety of this box of mostly tatty paperbacks — after reading a POD edition of The Secret Vanguard I decided that I am happier with a worn paperback — and I will eventually do something than merely extract interesting phrases.
— Michael Innes. Stop Press [1939]. Penguin Books, [1958].
——The Gay Phoenix. A Novel [1976]. Book Club Associates, [1976].
——. Hare sitting up [1959]. Penguin Books, [1964].
Jean turned and faced him. ‘Could you possibly,’ she said, ‘cut the cackle? And tell me what all this is about?’
‘Mister,’ he said heavily, ‘did ’ee ever see a saw ?’
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— Michael Zinman. The Critical Mess. [Privately printed], 2025.
Compendium of articles by and about legendary collector of Americana Michael Zinman, whose “critical mess” theory is trickier than a casual glance might suggest :
“If you have enough stuff, good and not so good, you see things that someone collecting only fine copies will miss. This doesn’t in any way cast aspersion on the collector who desires the finest copy of a work, it’s just another way of approaching this world.”
“There is not a nation of the earth guilty of practices more shocking and bloody than are the people of these United States at this very hour.”
— Frederick Douglass. Oration, Delivered in Corinthian Hall, Rochester [. . .] July 5th, 1852. Published by Request. Rochester : Printed by Lee, Mann & Co, 1852.
The single most persuasive reminder that there is more than one history of America.
“To live in luxury that does not belong to you is not to live in luxury at all. You realize you are an attribute of the luxury, not meant to luxuriate, meant instead to shine bright and cold like a diamond . . .”
— Corina Bardoff, “Barbara Blue”, in : North Anerican Review 310:2 (Summer 2025)
Bardoff’s story is winner of the Kurt Vonnegut Speculative Fiction prize for 2025.
A nimble, tricky tale, integrating style & content : all the thousand scraps that Aimee has stitched together to craft something new that “Judith” can inhabit for a time before shedding it. There are some excellent tiny brilliants scattered along the way : there is no brother coming to the rescue (explicit from the beginning) ; and Bardoff diagnoses the pathology in calling a girl a girl past a certain age. I love the off-cadence heart / earth / hearth play in the central protective rhyme. This is even more transformative than Angela Carter, very finely done.
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in today’s mail (5 July)
— Mark Valentine. Borderlands and Otherworlds. Tartarus Press, [2025].
Colkection of 32 essays on books and reading, with an emphasis on the fantastic and supernatural in the interear years and into the 1950s. The original edition has sold out but a paperback is reported in production.
recent reading :
— Muchael Innes. The Secret Vanguard [1940]. An Inspector Appleby Mystery. Open Road Integrated Media, [POD 30 June 2025].
“For an artist has a right to work with quotations if they are his medium, and daisies and buttercups which were not these flowers purely but these flowers plus a little Cowper and a little Crabbe . . .”
— Sylvia Townsend Warner. Kingdoms of Elfin [1977]. Foreword by Greer Gilman with an Introduction by Ingrid Hotz-Davies. Handheld Press, [2018].
/ re-read, with delight
Readercon 34 Schedule
at the Boston Marriott Burlington in Burlington, Mass. https://readercon.org
Saturday 19 July 10:00 a.m., at the autographer’s table Autograph Session : Henry Wessells
Sunday 20 July 10:00 to 11:00 a.m., in : Create / Collaborate The Art of the SF Book Cover
John Clute & Henry Wessells
Panel description : Since its inception, the British Library, the national library of the UK, has stripped dust jackets off books in its holding and discarded the unwanted wrappers, losing an essential piece of their cultural and artistic significance. In The Book Blinders, science fiction historian and theorist John Clute details the “annals of vandalism” at the British Library, with a focus on works lost (and found). John Clute and antiquarian bookseller Henry Wessells give a joint presentation on this subject, with numerous illustrations, and with extra time for Q&A.
11:00 to 11:30 a.m., in : Empower / Embrace Reading : Henry Wessells
Henry Wessells reads from The Elfland Prepositions and from Another Green World (both newly published in 2025).
12:00 noon to 1:00 p.m., in : Create / Collaborate The Art of the SF Book Cover
John Clute & Michael Dirda
Panel description : The early divergence of American and British science fiction may best be witnessed in the works of UK authors in the 1930s and ’40s that have been called “scientific romances.” Unlike their pulp cousins in the US, these works lack the optimistic outlook of young square-jawed heroes out to conquer the galaxy. Instead, they offer anxiety about rogue scientists armed with Ultimate Weapons out to blackmail the world to either peace or servitude. In this presentation, famed fantastika theorist John Clute and Michael Dirda will discuss this less-recognized strand of SF.
[N.B. I will be running a slide show not dissimilar to the one for dust jackets.]
I should arrive at Readercon by midday on Friday. Temporary Culture will have a table in the book room on Friday and Saturday, and copies of A Conversation larger than the Universe, The Private Life of Books, The Elfland Prepositions, and Another Green World (advance copies of the Zagava paperback), the publications of the Avram Davidson Society, Sexual Stealing by Wendy Walker, and a variety of other books will be available for sale (cash, cheque, or paypal). If you see me, come say hello. There is always plenty of time for conversation.
a first glimpse in the wild : Another green world (2025)
— Henry Wessells. Another green world. Zagava, 2025. Paperback issue. Pp. 180, [2, blank], [2, imprint]. Sage green wrappers printed in black, lower wrapper with blurbs by Guy Davenport, William Gibson, and Joanne McNeil.
On a very hot evening in late June, your correspondent went to Newark airport to expedite customs clearance and collect the first author copies of Another green world, newly re-issued by Zagava Books with two additional stories. It is a stylish book in a tall narrow format, set by Jan-Marco Schmitz in Minion pro with titles in Roadway.
The paperback is a pleasure to hold and read. The hardcover issue is in production, and a formal announcement of publication is expected. Zagava make nice books. Perhaps you will agree.
The table of contents is as follows (with note of the story‘s first publication) :
From This Swamp. (The Starry Wisdom. A Tribute to H. P. Lovecraft. Ed. D. M. Mitchell. Creation Books, 1994)
Wulkderk; or, Not in Skeat. (Lady Churchill’s Rosebud Wristlet 32, 2015, as “The Beast Unknown to Heraldry”)
Extended Range; or, The Accession Label. (2015, Lady Churchill’s Rosebud Wristlet 35, 2016)
Ten Bears; or, A Journey to the Weterings (A Critical Fiction). (NYRSF, October 2003)
Of the first edition, Guy Davenport wrote,
“If you don’t believe in magic, read Henry Wessells and find out how wrong you are.”
Joanne McNeil (author of Lurking and Wrong Way), writes, “Henry Wessells writes from beyond an ‘unfamiliar void’, where the natural world, dreams, language, myths, research, and rituals converge. The stories collected in Another Green World offer uncanny vitality out of the dark like dandelions sprouting from cracked New Jersey pavement. A delightful and enduring work of literary inquiry.”
I have known Brendan Byrne for some year. We first encountered each other in digital mode on an obsolete platform*, but soon became friends IRL. His first two books had a select readership among whom I am lucky to count myself. The Encyclopedia of Science Fiction points to some of the topics in his work. He has a new collection of short fiction, Another World Isn’t Possible, just out from Wanton Sun and available from bookshop.org or Barnes & Noble.
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Henry Wessells : From a taxonomic point of view, your birthdate places you right at the edge of the digital abyss. Can recall a moment when you became aware of the changes occurring around you ?
Brendan C. Byrne : My microgeneration (born in the early 1980s, just missed being Gen X, didn’t know we were millennials until we were well into our 30s) is a bridge. As Joanne McNeil [author of Lurking and Wrong Way] has discussed, we can remember before the internet was available to consumers, but we came of age with it. I wasn’t too aware of technological change until I was 10 or so, which would make it 1992, but after that it seemed constant and at an unvarying speed. The internet seemed less an aberration than part of a natural progression, and I assumed that’s how things had always worked. Even cellphones didn’t seem like such a big leap, partially because they weren’t really all that useful at first. Most of my attention was focused after 2001 on the political situation, which seemed changing at a far more exponential rate than I ever could have imagined. I was also a college drop-out with very little money, so I was on the blunt edge of the technological curve, barely using the internet. At some point, I walked into my grandparents’ living room and saw my cousin watching a movie on a laptop, which deeply disturbed me. I hadn’t known such a thing was possible, and I didn’t understand why you would want it to be. Mid-summer 2007 sealed the deal, when I met a friend at the Blind Tiger in the West Village, and she’d just purchased the first iPhone. Again, I wondered why someone would want that. It took me just over a decade to finally acquiesce and purchase a smartphone, and I still don’t know the answer to that question.
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*For the record, on that obsolete platform Brendan first expressed the useful summer observation, The hammock always wins. [HWW]
Readers of the ’shelf will recall Michael Swaine as one of the impresarios of the Weedwalk : Book Walk in its two iterations in 2007 and 2009 . Only here will you read about the skill of bookshoeing :
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Your correspondent will be in London for the Firsts Book Fair, from 15 to 18 May, in the Saatchi Gallery, Duke of York’s Square, King’s Road, London SW3 4RY (at the Cummins booth C21). Come say hello.
This means that, for the first time in many years, your correspondent will not be on hand for that glorious annual manifestation of impermanence, Rhododendron Day, which will occur earlier this year. Here is a snap of the work in progress, earlier today : the blooms opened further during the warm day
— Winsor McCay. The Complete Little Nemo 1905-1927. / Alexander Braun. Winsor McCay A Life of Imaginative Genius [2014]. Taschen, [2022].
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— Raphael Cormack. Holy Men of the Electromagnetic Age. A Forgotten History of the Occult. W. W. Norton, [2025].
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26 March / homeward bound
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Your correspondent will be far away, and farther, and off line for the next couple of weeks, and will report upon re-entry. [Image above, Zocotora insula, detail from Turcicum imperium, in a Blaeu atlas at the Beinecke.]
Looking ahead to April, the Brontë Society and Tartarus Press will be publishing A Book of Ryhmes by Charlotte Brontë, the manuscript book from 1829 now at the Brontë Parsonage Museum, in a fully illustrated edition with an introduction by Patti Smith, a scholarly essay by Barbara Heritage, and an afterword by Henry Wessells. Publication is scheduled for 21 April (birthday of Charlotte Brontë) and further details will be available at http://tartaruspress.com/bronte-a-book-of-ryhmes.html.
Also in April, the New York Antiquarian Book Fair will be held 3-6 April at the Park Avenue Armory. Come say hello (Cummins booth A3).
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recent reading :
— John Crowley. Little, Big [1981]. Harper Perennial paperback.
Just felt like re-reading it, again.
[added note : an old and trusted friend, carried to the end of the world and back ; always something new arises from the experience of reading Little, Big]
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William Morris on the shelves at Chenati
The library of Donald Judd at at La Mansana de Chinati/The Block in Marfa, Texas, has been catalogued in a neat interactive (and searchable) display. When we visited back in May 2015, I remember being struck by the extent of Judd’s holdings of another artist polymath, William Morris ; the detail above shows most of those holdings. [Thanks to CB for the link.]
— Walter Abish. 99 : The New Meaning. With photographs by Cecile Abish. Burning Deck, [1990].
The few books I have published, however, won me no fame. I do not complain of this, anymore than I brag of it, for I feel the same distaste for the “popular author” genre as for that of the “neglected poet” (from “What Else”)
— Philip K. Dick. Radio Free Albemuth [1985]. Mariner pbk. [printed 29 Jan. 2025].
/ re-reading, though I have been thinking about “the tyranny of Ferris F. Fremont” for some time, indeed for much of the past decade
— Peter Straub and Anthony Discenza. “Beyond the Veil of Vision : Reinhold von Kreitz and the Das Beben Movement” [in:] Conjunctions 65, 2015.
— Mark D. Tomasko. Wish You Were Here. Guidebooks, Viewbooks, Photobooks, and Maps of New York City, 1807-1940, from the collection of Mark D. Tomasko. Grolier Club, 2025.
Illustrated catalogue for an exhibition on view through 10 May 2025. The Viele Topographical Map (1865) displays all the watercourses and terrain of Manhattan before the city became part of the built environment.
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commonplace book :
“Elfland as implacable as ever, but now ruthlessly enmeshed in contemporary mortal affairs.” — Mark Valentine, at Wormwoodiana
— Michael Swanwick. A Fantasist’s Guide to Venice. Dragonstairs Press, 2025. Edition of 79.
Collection of nine anecdotes about Venice, life and death, and writing, by the author of “The Mask” (collected in Tales of Old Earth).
— Marjan Beijering. Op zoek naar het ongerijmde. Leven en werk van Janwillem van de Wetering (1931-2008). Asoka, [2021].
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‘we are a verb, not a noun’
— Mark Valentine. Fairy Chess [cover title]. 2025. Edition of 100.
Collects five poems written in response to words or phrases in the work of Veronica Forrest-Thompson, with allusions to Wittgenstein, Gauloises, libraries, and bicycles.
— —. Fire Signs. [cover title]. 2025. Edition of 100.
Visual record of found poetry from Sunny Bank Mill, Farsley near Leeds.
— Conjunctions 83. Revenants : The Ghost Issue. Edited by Bradford Morrow and Joyce Carol Oates. Bard College, 2024.
a big issue, with “An Incident in Monte Carlo”, a fragment or outtake from the forthcoming Wreckage by Peter Straub, new work by Elizabeth Hand, James Morrow, Timothy J. Jarvis, Mark Valentine, Reggie Oliver, and many others.
“Fern’s Room” by Liz Hand is pitch perfect, deftly moving from a gentle rom-com American anglophile country house idyll to a very dark endgame, with clues scattered all along the way.
“Plunged in the Years” by Jeffrey Ford, with a few steps off the path in the woods, gets right to the heart of the American ghost story : time and memory (and childhood).
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recent reading
— Len Deighton. Faith [1994]. Grove Press, [2024].
— Nathan Ballingrud. Crypt of the Moon Spider. Nightfire, [2024].
— Avram Davidson. The Adventures of Doctor Eszterhazy. Owlswick Press, 1990.
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books wait for their readers
All antiquarian booksellers have a shelf of what Bill Reese called ‘intractables’ : things that sit on a shelf and seem unsaleable, or just beyond the grasp of one’s understanding, or, indeed, actively resist the efforts of the cataloguer with what M. R. James called the ‘malice of inanimate objects’. And then, suddenly, one finds a new perspective, or works with someone who has the key, and the door unlocks. I am fortunate to have experienced this a few times in my career. To watch this phenomenon in real time is one of the delights of the profession.
The question of whether or not books wait for their writers is trickiet to answer. This is a questionof a different order. I would say yes, on bakance, but one feels the clock ticking, and the list of books not written is very long.
Books Never Written, label on a box from the literary archive of George Plimpton.
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‘to escape the straitjacket that had been science fiction’ — Paul Kincaid
an excellent essay by a clear-eyed critic ringing the changes on Harlan Ellison’s Dangerous Visions anthologies then and now :
Last week marked eighteen years of ‘simply messing around in books’ and reporting the pleasures on this website. It is still fun and so I will continue to note interesting books, curious passages, announcements, occasional snapshots, and digressions.
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an Endless Bookshelf quiz
Who is the Widmerpool ?
— from your year(s) at school or university
— of your chosen field or profession
— observed recurringly elsewhere
/ wrong answers accepted
/ bonus points for naming your favorite book in ‘A Dance to the Music of Time’
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4 January 2025
early in January, and it is already a good year in books, having just received two long-awaited titles in this week’s mailbag
Billy Budd at 100 (continued)
— Herman Melville. Billy Budd. A Centennial Edition with Fourteen Illustrations Cut in Wood by Barry Moser. Pennyroyal Press, 2024. Edition of 50 copies signed by the artist.
A spectacular new large format edition of Billy Budd Sailor (An Inside Narrative) — as the half-title names the book. The text of the novella is set from the Melville Electronic Library, with original woodcuts by American master Barry Moser.
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a Tim Young trifecta
— Timothy Young. Isness & Aboutness. Thoughts on Bibliography. Publication Studio, 2024.
With two single sheet ’zines, printed rectos only :
— 10 Reasons Libraries Matter, 2021.
— 10 Reasons Books Matter, [2015].
Isness & Aboutness is a really great essay on thinking about books and thinking about the world (it is the text of Tim’s Sandars lecture at Cambridge University in November). He cites Donald McKenzie to good effect, on bibliography as
the only discipline which has consistently studied the composition, formal design, and transmission of texts by writers, printers, and publishers; their distribution through different communities by wholesalers, retailers, and teachers; their collection and classification by librarians; their meaning for, and — I must add — their creative regeneration by, readers [. . .] no part of that series of human and institutional interactions is alien to bibliography
His essay moves beyond McKenzie’s assertion to identify new modes of bibliography and to assert the primacy of bibliography as a means of uncovering what books are and what they do in the world. Highly recommended.
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snow day, 11 January 2025
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great blue heron flying low over the silvered mere
alighting on the ice beside a stand of reeds
in the distance, the pulaski skyway
![Arne Jacobsen and Flemming Lassen. The House of the Future. [Copenhagen, 1929]. Drawing at the Royal Library in the Skatte / Treasures exhibition](https://endlessbookshelf.net/wordpress/wp-content/uploads/2025/09/IMG_2267-1024x984.jpeg)
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