Category: recent reading

recent reading : mid- and late november 2025

recent reading :

Mélissa Bonin, Un jardin après la mousson, 2011

journey into metaphor
— Mélissa Bonin. Lorsque les Bayous Parlent. When Bayous Speak. Poésies et Peintures. [2023]. Bilingual illustrated collection of evocative « voyages» into the bayou as “métaphore de la vie et du féminin”.

— — —

— Thomas Pynchon. Shadow Ticket. Penguin Press, 2025.

‘an outward and visible expression of paths not taken, personal and historical’

The first hundred so pages are dazzling paranoid fun set in end of Prohibition Milwaukee, with zany incidents and songs and gross-out confections and drinks. After Hicks McTaggart is encouraged to leave town for New York City and then fed a Mickey Finn and loaded aboard a transatlantic steamer, the pyrotechnics continue. The transition from Tangier to a Budapest-bound train is abrupt and, a bit cheesy at times, the book wobbles for a few a pages before returning to the deftly choreographed espionage play of language and fashion and color along the Danube. Plus a Moto Guzzi with a side-car, vacuum tubes, a theremin sextet, paranormal  incidents, philately, Versailles-compliant golems, atrocious acronyms, and more.

— — —

— Frank Macshane. The Life of Raymond Chandler [1976].  Hamish Hamilton, [1986].
Excellent and sympathetic chronicle of Chandler and his struggle to get his novels written to his satisfaction. Plucked off the shelf to look up a date, gripped immediately and anew by the way MacShane allows Chandler’s own words (letters, essays, etc.) to tell the story. Chandler on style is not that far removed from Ruskin.

— John Ruskin. Letters on Art and Literature. Edited by T. J. Wise. Privately printed, 1894.
To  J. J. Laing, 1854 : “If you are to do anything that is really glorious, and for which men will for ever wonder at you, you will do it as a duck quacks — because it is your nature to quack — when it rains.”

— Suave Mechanicals. Essays on the History of Bookbinding. Volume 9. Julia Miller, editor. Legacy Press, 2025.

— Patti Smith. Bread of Angels. Random House, [2025].

— Ellen Datlow, editor. Night. Dreadful Dark : Tales of Nighttime Horror [bound dos à dos with] Day. Merciless Sun : Tales of Daylight Horror. Saga Press, [2025].

— Paul Muldoon. Rising to the Rising. Gallery Books, [2016].

Now the world’s been brought low. The wind’s heavy with soot.
Alexander and Caesar. All their retinue.
We’ve seen Tara buried in grass, Troy trampled underfoot.
The English ? Their days are numbered, too.

— — —

— Margery Allingham. The Beckoning Lady [1955]. Penguin Books, [1961].

— Edmund Crispin. Buried for Pleasure [1948]. Penguin Books, [ca. 1980].
——. Love Lies Bleeding [1948]. Penguin Books, [1954].

— — —

commonplace book :

from The Deep Blue Good-By (1964) by John D. MacDonald, a list poem, with attitude (line breaks added) :

And I do not function too well on emotional motivations. I am wary of them. And I am wary
of a lot of other things,
such as
plastic credit cards,
payroll deductions,
insurance programs,
retirement benefits,
savings accounts,
Green Stamps,
time clocks,
newspapers,
mortgages,
sermons,
miracle fabrics,
deodorants,
check lists,
time payments,
political parties,
lending libraries,
television,
actresses,
junior chambers of commerce,
pageants,
progress,
and manifest destiny.
I am wary of the whole dreary deadening structured mess we have built into such a glittering top-heavy structure that there is nothing left to see but the glitter, and the brute routines of maintaining it.

— — —

recent reading : october 2025

current reading :

‘It’s wonderful, Margot thought, Tilly always tells the truth, but it never means what you think it does.’
— Peter Straub. Wreckage [and:] What Happens in Hello Jack. 447; 141 pages. 2 vols., Subterranean Press, 2025. [Dust jackets after photographs by Jenny Calivas].
I am a few chapters into Wreckage, the first publication of the substantial novel left unfinished by Peter Straub, intended as an “interweaving” of Henry James and Jack the Ripper. My understanding is that What Happens in Hello Jack is a detailed summary of the intended arc of the novel. I’ll leave that for later : I dove right into Wreckage. It is wonderful to read passages of Straub’s prose and see connections unfold to certain parts of his late work : the Das Beben movement, Tilly Hayward, the invented memoir of an overheard conversation in the life of Henry James*. “An Incident at Monte Carlo”, extracted from Wreckage, appeared last year in Conjunctions. I don’t know where this is going : off the cliff of incompletion, perhaps, but I am on the road. Straub’s interest in Henry James was of very long standing, but he was also always true to his midwestern roots, and that deep America is everywhere in his books.

* “Beyond the Veil of Vision : Reinhold von Kreitz and the Das Beben Movement” by Peter Straub and Anthony Discenza ; The Process (is a Process All Its Own) ; A Dark Matter, readings at past Readercons, etc.

— — —

recent reading :

— Michael Innes. Operation Pax [1951]. Penguin Books, [1964].
— —. Silence Observed [1962]. Penguin Books, [1964].
— — . The Ampersand Papers [1978]. Penguin Books, [1980].
— —. A Night of Errors [1948]. Penguin Books, [1966].
— —. The Appleby File. Detective Stories [1975]. Book Club Associates, [1975].
— —. Appleby Talking. Twenty-three detective stories [1954]. Penguin Books, [1973].
— —. Appleby Talks Again. Eighteen Detective Stories [1956]. A Four Square Book, [1966].
— —. The Bloody Wood [1966]. Penguin Books, [1968].
— —. The Daffodil Affair [1942]. Penguin Books, [1968].
— —. The Open House. [1972]. Penguin Books, [1973].
— —. The Long Farewell.[1958]. Penguin Books, [1971].

I have now read through most of the box of Innes, and always with pleasure. I found the three collections of Appleby short stories witty but lacking in the digressions and piled up absurdities and extended word play that are at the heart of the novels. I particularly enjoyed The Ampersand Papers and The Long Farewell.  I have even started notes toward a Note or Essay.

late september : more Innes, book fair, etc

It’s late September, and preparations are afoot for the Empire State book fair (Friday to Sunday (26-28 September) at Vanderbilt Hall near Grand Central Terminal. I continue to read my way through the box of Michael Innes, always with pleasure. If you come to the fair, come say hello, I’ll be there (at the Cummins booth). Copies of The Critical Mess by Michael Zinman will be available, as well as copies of my own books.

— — —

recent reading :

— Michael Innes. Christmas at Candleshoe [1953]. Penguin Books, [1961].
— —. A Connoisseur’s Case [1962]. Penguin Books, [1966].
— —. A Family Affair [1969]. Penguin Books, [1972].
— —. Death at the Chase [1970]. Penguin Books, [1971].
— —. An Awkward Lie [1971]. Penguin Books, [1974].
— —. Appleby’s Answer [1973]. Penguin Books, [1978].
— —. Appleby’s Other Story [1974]. Penguin Books, [1978].
— —. Appleby and Honeybath [1983]. Penguin Books, [1984].

And with two additions to the titles in the box :

— Michael Innes. Appleby’s End. Gollancz, 1945. File copy in the (slightly faded) yellow dust jacket.
This is the best of them all, (though The Secret Vanguard runs a close second).

— Michael Innes. From London Far. Gollancz, 1946. File copy in the (slightly faded) yellow dust jacket.
Hilarious, madcap conspiracy of international art smuggling in a background of  the end of the second world war, impeccably choreographed (with knowing aside to John Buchan), and a crazed mastermind whose secret lair is the wildest ever, and with a suitable catastrophe ending.

/ file under : Fleming (or : Bond) and his precursors

— — —

how I spent my summer vacation, part ii

the first part in Copenhagen (see : here) and the second bit near the seashore :

sunrise on a beach

(this is the etc. in the title)

— — —

end of summer mailbag :

— Michael Swanwick. Life : a User’s Manual. [Dragonstairs Press, 2025]. Edition of 40.
Seven miniature essays, including The Abyss, which begins : “This is a test.”

— Michael Swanwick, with Marianne Porter. Under a Harvest Moon [2023]. [Dragonstairs Press, 2025]. Edition of 80.
Printed record of a work of landscape art, “written on leaves in and near cemeteries in Philadelphia” in the autumn of 2023.

 

A Chapin Centenary, Michael Innes, & others : recent reading mid-august 2025

recent reading :

— 100 Years 100 Voices. The Chapin Library. [Edited by Anne Peale.] Williams College, [2025].
A beautiful and richly illustrated celebratory catalogue, presenting selected items from the Chapin Library at Williams College, established with gifts from Alfred C. Chapin in 1923. Chapin had been buying very good and interesting books from the best dealers for nearly a decade before the initial gift, and the collection has grown since, through purchase and donation. The Chapin Library had a dynamic founding librarian, Lucy Eugenia Osborne, and has always functioned as a teaching library for undergraduate instruction. This intention shines through in this anthology.  The collection ranges from European incunables and an Eliot Indian Bible (1663) to an Audubon Birds of America purchased from James Drake, from a miniature printing press owned by John Fast to a recent risograph artist book (and four copies of the 1855 Leaves of Grass). The short pieces about the books are by alumni (long gone and recent), past and present curators and librarians, faculty members, and others. The photographs, by Nicole Neenan, are nicely reproduced. This is an important publication, a concise and compelling testimony about why books and libraries are central to education.

— — —

— Timothy d’Arch Smith. The Stammering Librarian. [Strange Attractor, 2024]
I am delighted to have come across this collection of essays by bookseller, novelist, and bibliographer Timothy d’Arch Smith, whose novel Alembic (1992) appears in my Grolier Club exhibition checklist. The title essay and one or two of the other pieces link up directly to the concerns of his excellent memoir of bookselling in London in the 1960s, The Times Deceas’d (2003). There are memoirs of persons real and imaginary, including The Rev. T. Hartington Quince M.A., a Nicholas Jenkins / Anthony Powell pastiche now first published for a wider audience, though the British Library entry for the original appearance (in an edition of 15 copies in 1991, shelfmark YA.1992.b.6526), records Nicholas Jenkins as a “creator” ! Cricket, novelist Julia Frankau, school slang, and Aleister Crowley are other topics.

— — —

Over the next several weeks it will become ever clearer that I have embarked upon reading Michael Innes, whose wordplay and inventiveness are a pleasure. John Clute alerted me to The Secret Vanguard, and Mark Valentine lists Appleby’s End among his short list of Finest Quality Old English Yarns. I am enjoying the variety of this box of mostly tatty paperbacks — after reading a POD edition of The Secret Vanguard I decided that I am happier with a worn paperback — and I will eventually do something than merely extract interesting phrases.

— Michael Innes. Stop Press [1939]. Penguin Books, [1958].

——The Gay Phoenix. A Novel [1976]. Book Club Associates, [1976].

——. Hare sitting up [1959]. Penguin Books, [1964].

Jean turned and faced him. ‘Could you possibly,’ she said, ‘cut the cackle? And tell me what all this is about?’

——. Appleby’s End [1946]. Penguin Books, [1972].

Abbott’s Yatter, King’s Yatter, Drool, Linger Junction, Sleeps Hill, Boxer’s Bottom, Sneak, Snarl, Appleby’s End, Dream

‘Mister,’ he said heavily, ‘did ’ee ever see a saw ?’

— — —

— Michael Zinman. The Critical Mess. [Privately printed], 2025.
Compendium of articles by and about legendary collector of Americana Michael Zinman, whose “critical mess” theory is trickier than a casual glance might suggest :

“If you have enough stuff, good and not so good, you see things that someone collecting only fine copies will miss. This doesn’t in any way cast aspersion on the collector who desires the finest copy of a work, it’s just another way of approaching this world.”

— — —

recent reading : early august 2025

recent reading :

— Raymond Sokolov. Wayward Reporter. The life of A. J. Liebling. Harper & Row, [1980].

— R. B. Russell. T. Lobsang Rampa and Other Characters of Questionable Faith. Tartarus Press, [2025].

— E. F. Benson. Visible and Invisible. Hutchinson, [1923]. Collection of a dozen uncanny stories. The publisher’s catalogue (dated Autumn 2023) at the back lists this under new fiction : “Between our own and the other world lies a borderland of shadows, which eyes that can pierce the material plane may sometimes see.” Benson’s father (died 1896) was the late Victorian Archbishop of Canterbury ; his siblings were all very talented and eccentric. “Mrs. Amworth” is a nasty village vampire tale, deftly told.
In a centenary essay at Wormwoodiana, Mark Valentine notes Benson’s “sardonic glee in the macabre.” http://wormwoodiana.blogspot.com/2023/10/borderland-shadows-centenary-of-visible.html

— John Kessel. The Presidential Papers plus Imagining the Human Future : Up, Down, or Sideways plus The Last American and much more. PM Press, 2019. Outspoken Authors 31.
Includes “The Franchise” and Terry Bisson’s interview, and other satirical pieces. I saw John briefly at Readercon and he inscribed this “Critical of every president . . .”

— Paul Park. A City Made of Words plus Climate Change plus A Resistance to Theory and much more. PM Press, 2019. Outspoken Authors 23.
“A Conversation with the Author” and “A Resistance to Theory” are profoundly disquieting stories.

— A Soliloquy for Pan. Edited by Mark Beech. 372, [2] pp. Egaeus Press, 2025. Second edition (originally published 2015), with additional illustrations, adding one story, “The Game of the Great God Pan” by Benjamin Tweddell.

— Mark Samuels. Black Altars [2003]. Illustrations by Joseph Dawson. Zagava, 2025. Pictorial cloth. Elegant large format edition (12 x 7-1/2 inches) of this collection of six stories, a delight to hold in the hand and read.

— M. P. Dare. Unholy Relics. Edward Arnold, [1947] .
Collection of ghost stories in the tradition, though the plots are a bit coarser than anything from the pen of M.R. James ; and an exemplary work of literary misogyny couched in chivalrous postures. In that respect, Benson (see above) ain’t bad, neither.

 

recent reading : june 2025

recent reading : early june

The Slizz, original drawing by Wendy Walker

— Tom LaFarge. The Crimson Bears. Part I. Sun & Moon Press, [1993].
——. A Hundred Doors. The Crimson Bears. Part II. Sun & Moon Press, [1994, i.e., 1995].
/ I have loved The Crimson Bears ever since I first encountered them, I read read them aloud to the offspring, and wrote about them, and about the early career of Tom La Farge (1947-2020) here : https://endlessbookshelf.net/bargeton.html
Am re-reading these in advance of the re-issue by Tough Poets Press. This is fabulous news !

— Paul McAuley. War of the Maps [2020]. VG [Gollancz], 2021.
/ what a  writer ! McAuley makes it happen. Everything is otherwise but there are echoes & riffs of Beckett early on, and I see everywhere threads of Le Guin (The Dispossessed, in particular) ; and now, far out in the world ocean, a glimpse by the lucidor protagonist of world wanderers (an albatross by any other name) conjures up all the ripples of Coleridge ; and the deployment of Chekov’s dictum is deft and sudden. McAuley’s unexpected turns are shocking, deeply satisfying, the work of a magician who sets up his effects with precision and perfect timing.

— — —

this just in

Another World Isn't Possible. Stories by Brendan C. Byrne. Cover by Matthew Revert.

— Brendan C. Byrne. Another World Isn’t Possible. Stories. 226, [4], [6, ads], [3, blank], [1, imprint] pp. [Melbourne :] Wanton Sun, [2025 : POD, Chambersburg, Penna., 5 June]. Cover by Matthew Revert.
/ I know a few of these stories (even published one), but wow ! have I been looking forward to this collection. Stylish design !
/ from the blurbs : “Ruthlessly hip, transreal surreal. Worth your time.” — Rudy Rucker

— — —

various :

— Brian Eno and Bette Adriaanse. What Art Does. An Unfinished Theory [2024]. Faber, [2025].
/ serious, playful thinking about the what and why of art.
/ the Endless Bookshelf reminds readers of the Humument fragment by Tom Phillips, “the reader is the artist” :
https://temporary-culture.com/conversation43e/

— Colin Wilson. Jorge Luis Borges. Cover with portrait drawing by Hugo Manning.  London : Village Press, 1974.
/ literary journalism by Colin Wilson, reductive in tone, and in the end more interested in himself than in the writings of Borges

— John Shen Yen Nee and S J Rozan. The Railway Conspiracy. Soho Crime, [2025].

— William S. Reese. The Best of the West. 250 Classic Works of Western Americana. William Reese Company, 2017.
/ succinct illustrated discussion of books (1555-1941) that chart the exploration and settlement of the American West.

— — —

bundles of traditional hand rolled clove cigarettes, detail from Kretek

— Mark Hanusz. Kretek. The Culture and Heritage of Indonesia’s Clove Cigarettes. [With a foreword by Pramoedya Ananta Toer].  Illustrated in color throughout. [xx], 203 pp. Equinox Publishing, 2000.
/ heard about this from a new acquaintance who grew up in Indonesia and described the sensory rush of memories arising, years later, from finding a discarded packet of clove cigarettes. Never smoked them myself but the olfactory memory is there. Bought two copies, one for a friend interested in the history of smoking and related phenomena.

— — —

— Heiress. Sargent’s American Portraits. 16 May – 5 October 2025 [Cover title]. [Foreword by Richard Ormond]. English Heritage | Kenwood, 2024.
/ Catalogue of an exhibition of 18 portraits by John Singer Sargent, with summery biographies of the American heiresses who married into the British inner circles and aristocracy. An excellent, compact show. Ormond is author of the Sargent catalogue raisonné.

 

commonplace book : february 2025

The Elfland Prepositions, published 27 February

advance copies of The Elfland Prepositions, at the Post Office

advance presentation copies, at the post office ready for mailing [26 February]

—

in production

The Elfland Prepositions. Cover image
— Henry Wessells. The Elfland Prepositions. Temporary Culture, 2025.
Printed on Mohawk superfine white eggshell. Pictorial wrappers. 26 copies, lettered A to Z, were reserved for presentation ; there were also 100 copies numbered 1 to 100.

Proof copy above (received 12 February 2025) ; proofs corrected & in production (14 February 2025), published 27 February 2025.

Copies now offered for sale, click on link or photo to order.
ISBN13 978-0-9764660-0-0 ISBN 0-9764660-0-1

Collection of four previously unpublished short stories.

Elfland is not a nice place, but it’s important to know how it works.

— — —

seen in the imagination, and at the Grolier Club :

two entries from the recent Grolier Club exhibition, Imaginary Books. Lost, Unfinished, and Fictive Works Found Only in Other Books, from the collection of Reid Byers.

— — —

current reading

— Charles Robert Maturin. Melmoth the Wanderer: A Tale [1820]. With introduction and notes by Victor Sage. Penguin Books, [2000].
/ into the labyrinth, again

— — —

recent reading

— Len Deighton. Hope. HarperCollins, [1995].
— — Charity. HarperCollins, [1996].
— — Winter. A Novel of a Berlin Family. Knopf, 1987.
Germany in the world, 1899-1945 ; back story or bedrock for the Bernard Samson novels.

— — —

‘away from the clank of the world’

— Walt Whitman. In Paths Untrodden. Printed in brown ink, blockprint illustrations in green and blue. [16] pp. [The Letterpress at Oberlin, January 2025]. Edition of 217.
Calamus 1, from the 1860 Leaves of Grass, with blue herons and green marsh plants. [Gift of VH].

— — —

Hard Rain
by Janwillem van de Wetering

A short note now up (in English) on the excellent and informative Dutch site

https://janwillemvandewetering.nl/favoriete-boek/

— — —

“not relics of the past, but pockets of the future arriving ahead of schedule”

— Christopher Brown, over at The Clearing (the blog of Little Toller Books)

— — —

“When I look at that obscure but gorgeous prose-composition, the Urn-burial, I seem to myself to look into a deep abyss, at the bottom of which are hid pearls and rich treasure ; or it is like a stately labyrinth of doubt and withering speculation, and I would invoke the spirit of the author to lead me through it.”

— Charles Lamb on Sir Thomas Browne, quoted by Hazlitt, in “Of Persons One Would Wish to Have Seen” (1826)

— — —

commonplace book : january 2025

31 January 2025

in today’s mail

— Conjunctions 83. Revenants : The Ghost Issue. Edited by Bradford Morrow and Joyce Carol Oates. Bard College, 2024.
a big issue, with “An Incident in Monte Carlo”, a fragment or outtake from the forthcoming Wreckage by Peter Straub, new work by Elizabeth Hand, James Morrow, Timothy J. Jarvis, Mark Valentine, Reggie Oliver, and many others.

“Fern’s Room” by Liz Hand is pitch perfect, deftly moving from a gentle rom-com American anglophile country house idyll to a very dark endgame, with clues scattered all along the way.

“Plunged in the Years” by Jeffrey Ford, with a few steps off the path in the woods, gets right to the heart of the American ghost story : time and memory (and childhood).

— — —

recent reading

— Len Deighton. Faith [1994]. Grove Press, [2024].

— Margery Allingham. Sweet Danger [1933]. Penguin Books, [1963].

— Nathan Ballingrud. Crypt of the Moon Spider. Nightfire, [2024].

— Avram Davidson. The Adventures of Doctor Eszterhazy. Owlswick Press, 1990.

— — —

books wait for their readers

All antiquarian booksellers have a shelf of what Bill Reese called ‘intractables’ : things that sit on a shelf and seem unsaleable, or just beyond the grasp of one’s understanding, or, indeed, actively resist the efforts of the cataloguer with what M. R. James called the ‘malice of inanimate objects’. And then, suddenly, one finds a new perspective, or works with someone who has the key, and the door unlocks. I am fortunate to have experienced this a few times in my career. To watch this phenomenon in real time is one of the delights of the profession.

The question of whether or not books wait for their writers is trickier to answer. This is a questionof a different order. I would say yes, on balance, but one feels the clock ticking, and the list of books not written is very long.

Books Never Written, label on box from literary archive of george plimpton
Books Never Written, label on a box from the literary archive of George Plimpton.

— — —

‘to escape the straitjacket that had been science fiction’ — Paul Kincaid

an excellent essay by a clear-eyed critic ringing the changes on Harlan Ellison’s Dangerous Visions anthologies then and now :

http://strangehorizons.com/non-fiction/who-is-in-danger/

— — —


Eighteen Years of the Endless Bookshelf

Last week marked eighteen years of ‘simply messing around in books’ and reporting the pleasures on this website. It is still fun and so I will continue to note interesting books, curious passages, announcements, occasional snapshots, and digressions.

— — —

an Endless Bookshelf quiz

Who is the Widmerpool ?
— from your year(s) at school or university
— of your chosen field or profession
— observed recurringly elsewhere

/ wrong answers accepted
/ bonus points for naming your favorite book in ‘A Dance to the Music of Time’

— — —

4 January 2025

early in January, and it is already a good year in books, having just received two long-awaited titles in this week’s mailbag

Billy Budd at 100 (continued)

— Herman Melville. Billy Budd. A Centennial Edition with Fourteen Illustrations Cut in Wood by Barry Moser.  Pennyroyal Press, 2024. Edition of 50 copies signed by the artist.
A spectacular new large format edition of Billy Budd Sailor (An Inside Narrative) — as the half-title names the book. The text of the novella is set from the Melville Electronic Library, with original woodcuts by American master Barry Moser.

 

— — —

a Tim Young trifecta

— Timothy Young. Isness & Aboutness. Thoughts on Bibliography. Publication Studio, 2024.
With two single sheet ’zines, printed rectos only :
— 10 Reasons Libraries Matter, 2021.
— 10 Reasons Books Matter, [2015].

Isness & Aboutness is a really great essay on thinking about books and thinking about the world (it is the text of Tim’s Sandars lecture at Cambridge University in November). He cites Donald McKenzie to good effect, on bibliography as

the only discipline which has consistently studied the composition, formal design, and transmission of texts by writers, printers, and publishers; their distribution through different communities by wholesalers, retailers, and teachers; their collection and classification by librarians; their meaning for, and — I must add — their creative regeneration by, readers [. . .] no part of that series of human and institutional interactions is alien to bibliography

His essay moves beyond McKenzie’s assertion to identify new modes of bibliography and to assert the primacy of bibliography as a means of uncovering what books are and what they do in the world. Highly recommended.

— — —

snow day, 11 January 2025

— — —

great blue heron flying low over the silvered mere
alighting on the ice beside a stand of reeds
in the distance, the pulaski skyway

/ from the train window this morning [16 January]

/ file under : extreme commute

— — —

 

ROUND-UP OF BOOKS FROM 2024 WORTH LOOKING FOR

— Christopher Brown. A Natural History of Empty Lots. Timber Press, [September 2024].
This was one of the most interesting books I read this year.  Chris has written three novels of near future  dystopias where characters are finding their way through an America  reshaped by climate change (and political turmoil). The first of them, Tropic of Kansas, was the best book I read in 2015. In A Natural History of Empty Lots, Chris looked at the world around him and questioned his own assumptions and prejudices (as Thoreau suggests in Walden), and tries to see how we humans might find a way to live in the world that does not involve devouring it. The fact they that I appear in the book and our friendship of many years, obliged me to exclude Empty Lots from the running for the book of the year. This is a book that traces its origins to the excellent Field Notes Chris has been publishing online ; he has entirely transformed them and has written a beautiful and thoughtful book. https://endlessbookshelf.net/2024/09/03/singular-interview-christopher-brown/
— — —
— Mark Valentine. Lost Estates. Swan River Press, 2024.
Collection of a dozen stories, four unpublished, including the excellent title story.
——. The Thunderstorm Collectors. Tartarus Press, [2024].
Collection of twenty-nine essays and vignettes, including pieces on Arthur Machen, A. J. A. Symons, M. R. James, and lesser known figures from the “curious alleys and byways” of literature and folklore. Fifth volume in his series of collected essays.
— — —
On afternoons my heart / feels like an out-of-season hotel
— Adrian Dannatt. Capacity for Loss. [Opium Books, 2024]. Edition of 300.  Yellow cloth, dust jacket with illustration, Gaia, from the painting by Danny Moynihan.
Collection of poems.
— — —

— John Clute. The Book Blinders. Annals of Vandalism at the British Library : A Necrology. Illustrated. Norstrilia Press, [2024].
I wrote a notice, here :
https://endlessbookshelf.net/2024/03/24/the-book-blinders-by-john-clute/

— — —

— This Is Only Earth, My Dear. Images by Trillian Stars & Kyle Cassidy with poems by Elizabeth Eleanor Siddal. Laurel Tree Press, [2024].
Selection of poems by artist Lizzie Siddal (1829-1862) and photographs in and around east London by Kyle Cassidy, with a smouldering Victorian palette. A delightful pre-Raphaelite counterfactual : what fun !
— — —
— Ray Russell. The Woman Who Fell to Earth. Tartarus Press, [2024].

A wild short novel of doublings, tricks of memory, serious ontological ambiguities, and the perils of close involvement in the life and writings of a neglected author. Tanya and Caroline were friends from university days, though Caroline had become reclusive after her husband’s death. Caroline, literary executor of one hit wonder and horror novelist Cyril Heldman, had resurrected his name and formed an online community of readers (we see a bit too much of the hostile behavior that such small stakes games can provoke).  Caroline gets back in Tanya’s life when she lands on Tanya’s roof: a corpse fallen from the empty sky. At the heart of the novel is and a house in Wales where time stands still, and the the Sixtystone, the object from Arthur Machen’s “Novel of the Black Seal”, which confers dangerous powers upon those in proximity. The resolution is deeply shocking, sudden and unexpected and seamlessly integrated into the narrative, even if some of the interesting implications are not fully explored. The ending is restorative and curiously cozy, almost pastoral.

— — —
(MELVILLE, HERMAN). Melville’s Billy Budd at 100. A Centennial Exhibitionat the Grolier Club and Oberlin College Libraries. Introduction and Descriptions by William Palmer Johnston. Frontispiece portrait of Melville by Barry Moser, color plates. The Grolier Club, 2024.
— Herman Melville. Billy Budd and Other Prose Pieces. Constable, 1924.
——. John Marr and other Sailors with some Sea Pieces. DeVinne Press, 1888.

2024 is the centenary of Melville’s Billy Budd, and there have been many phases in the year-long celebration. The catalogue of the Grolier Club show is well worth looking for. I was delighted to be a panelist on the symposium organized in connection with the exhibition. These events prompted me to publish A Melville Census, a bibliographical work looking at the last two books published in Melville’s lifetime : https://temporary-culture.com/product/henry-wessells-melville-census/#310899

It also prompted me to go back to primary sources, and and so on a recent visit to the Lilly Library I re-read John Marr, a book of ghosts and roll-call of the dead. The whole book speaks to Billy Budd, especially the quip of Captain Turret, “submission is enough”. De Vere was not so sensible an officer. There are other things I noticed which will require more time to contemplate ; these thoughts will show up in an essay sometime.